Mean Girls meets Black Beauty in Horse Girl by celebrated author Carrie Seim--a funny and tender middle-grade novel about finding your forever herd. "This book is funny and exciting. Beautifully portrays both the pleasures and risks of riding horses and also of being a teen. Very original, and a great pleasure to read."--Jane Smiley, Pulitzer Prize-winning author Wills is a seventh grader who's head-over-hoof for horses, and beyond excited when she gets the chance to start training at the prestigious Oakwood Riding Academy. But Amara--the Queen of the #HorseGirls--and her posse aren't going to let the certifiably dork-tagious Wills trot her way into their club so easily. Between learning the reins of horse riding, dealing with her Air Force pilot mom being stationed thousands of miles from home, and keeping it together in front of (gasp!) Horse Boys, Wills learns that becoming a part of the #HorseGirl world isn't easy. But with her rescue horse, Clyde, at her side, it sure will be fun. Complete with comedic, original hoof notes to acquaint the less equestrian among us, Horse Girl delivers everything a young readers wants: mean girls, boy problems, and embarrassingly goofy dad jokes. And it does so on the back of a pony.

A fiery and romantic adventure, perfect for fans of Grace Lin, Kristen Cashore, or Lisa See! Jade Moon is a Fire Horse -- the worst sign in the Chinese zodiac for girls, said to make them stubborn, willful, and far too imaginative. But while her family despairs of marrying her off, she has a passionate heart and powerful dreams, and wants only to find a way to make them come true.Then a young man named Sterling Promise offers Jade Moon and her father a chance to go to America. While Sterling Promise's smooth manners couldn't be more different from her impulsive nature, Jade Moon falls in love with him on the long voyage. But America in 1923 doesn't want many Chinese immigrants, and when they are detained at Angel Island, the "Ellis Island of the West," she discovers a betrayal that destroys all her dreams. To get into America, much less survive there, Jade Moon will have to use all her stubbornness and will to break a new path... one so brave and dangerous, only a Fire Horse girl could imagine it.

“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds. As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,” weird and overzealous, absent from the social worlds of their peers. Decades later, when memes about “horse girl energy,” began appearing across social media—Halimah reluctantly recognized herself. The jokes imagine girls as blinkered as carriage ponies, oblivious to the mockery behind their backs. The stereotypical horse girl is also white, thin, rich, and straight, a daughter of privilege. Yet so many riders don’t fit this narrow, damaging ideal, and relate to horses in profound ways that include ambivalence and regret, as well as unbridled passion and devotion. Featuring some of the most striking voices in contemporary literature—including Carmen Maria Machado, Pulitzer-prize winner Jane Smiley, T Kira Madden, Maggie Shipstead, and Courtney Maum—Horse Girls reframes the iconic bond between girls and horses with the complexity and nuance it deserves. And it showcases powerful emerging voices like Braudie Blais-Billie, on the connection between her Seminole and Quebecois heritage; Sarah Enelow-Snyder, on growing up as a Black barrel racer in central Texas; and Nur Nasreen Ibrahim, on the colonialist influence on horse culture in Pakistan. By turns thought-provoking and personal, Horse Girls reclaims its titular stereotype to ask bold questions about autonomy and desire, privilege and ambition, identity and freedom, and the competing forces of domestication and wildness.

"Beware the horse, accomplice of sorcery and witchcraft ... So the Alaminite girl Gennys had been taught by her people, plain, stern folk who worked the land under the dominion of the wealthy, pleasure-loving Nolanese, with their magnificent, pampered war-horses. Still, Glennys dared to dream of horses, of their strength, grace and beauty, though she was chastised oftern for such evil thoughts. Until the day a stallion, run away from the Nolanese estate of Three Trees, thundered into her yard. The Royal Horsebreeder, Baron Fulk, came after, and saw in the simple Alaminite girl a mystic power, lost for centuries. He would bring her to Three Trees, he determined, and thus control her talent. But for the Baron, and Glennys, her wild magic would prove to be a dangerous gift ..."--Page 4 of cover

There are over seven million horses in America -- even more than when they were the only means of transportation. Nir began riding horses when she was just two years old and hasn't stopped since. This is her funny, moving love letter to these graceful animals and the people who are obsessed with them. She takes us into the lesser-known corners of the riding world and profiles some of its most captivating figures, and speaks candidly of how horses have helped her overcome heartbreak and loss.

This "hugely entertaining, riveting page-turner" (Louise Penny) follows the complicated relationship between mother and daughter as they face off in the Olympics—and into a ride they can barely control. Maggie Atwood and Becky McCabe, mother and daughter, both champion riders, vowed to never, ever, go up against one another. Until the tense, harrowing competitions leading to the Paris Olympics. Mother and daughter share a dream: to be the best horsewoman in the world. Coronado is Maggie’s horse. An absolutely top-tier Belgian warmblood. Sky is Becky’s horse. A small, speedy Dutch warmblood. Only James Patterson could bring you such breakneck speed, hair-raising thrills and spills. Only hall of fame sportswriter Mike Lupica could make it all so real.

A “superb” account of the enduring connection between humans and horses—“Full of the sort of details that get edited out of more traditional histories” (The Economist). Fifty-six million years ago, the earliest equid walked the earth—and beginning with the first-known horse-keepers of the Copper Age, the horse has played an integral part in human history. It has sustained us as a source of food, an industrial and agricultural machine, a comrade in arms, a symbol of wealth, power, and the wild. Combining fascinating anthropological detail and incisive personal anecdote, equestrian expert Susanna Forrest draws from an immense range of archival documents as well as literature and art to illustrate how our evolution has coincided with that of horses. In paintings and poems (such as Byron’s famous “Mazeppa”), in theater and classical music (including works by Liszt and Tchaikovsky), representations of the horse have changed over centuries, portraying the crucial impact that we’ve had on each other. Forrest combines this history with her own experience in the field, and travels the world to offer a comprehensive look at the horse in our lives today: from Mongolia where she observes the endangered takhi, to a show-horse performance at the Palace of Versailles; from a polo club in Beijing to Arlington, Virginia, where veterans with PTSD are rehabilitated through interaction with horses. “For the horse-addicted, a book can get no better than this . . . original, cerebral and from the heart.” —The Times (London)

The astonishing true story of Beverli Rhodes, child victim of a sick, high-profile pedophilia ring and, years later, of the London Tube bombings, who rebuilt her life with the help of one very special animal--the horse. Horses saved Beverli Rhodes's mind, and life. As a child, her world consisted of overlapping layers, in which sexually abusive men and her beautiful savior horses were distinguished only by levels of pain or joy. She survived to make a life for herself--only to suffer a second, devastating blow when she was caught up in the London Underground bombings of July 7, 2005, in which she was seriously injured. As a result of this traumatic experience, her fragile world became overrun with long-buried memories of her childhood, her waking hours haunted by flashbacks to agonizing experiences. Her years of child sex abuse had resulted in significant memory loss. Now vile memories came flooding back as a result of a severe blow to the head in the underground train. When the British healthcare system seemed to fail her, she sought other avenues to cope with severe post-traumatic stress disorder, her recovery directly resulting from contact with horses. Supported by her partner, she is now able to live a peaceful life, and continues to maintain her strong connection with the animals that helped to save her. Moving and at times horrific, The Horse Girl is an extraordinary story of hate redeemed by love, as well as a testament to the triumph of the human spirit over the most terrible adversity.

A Girl and Five Brave Horses is the story of Sonora Carver and was the basis for the movie Wild Hearts Can't be Broken. Carver answered the following want ad: Wanted: Attractive young woman who can swim and dive. Likes horses, desires to travel. See Dr. W. F. Carver, Savannah Hotel. From there she became the first woman to jump from forty and sixty feet into a pool of water with diving horses. Carver was blinded during a jump as a result of hitting the water off balance and detaching both of her retinas. Despite this she continued to jump for another eleven years. An amazing and inspiring story. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.

Horse Crazy explores the meaning behind the love between girls and horses. Jean O'Malley Halley, a self-professed "horse girl," contends that this relationship and its cultural signifiers influence the manner in which young girls define their identity when it comes to gender. Halley examines how popular culture, including the "pony book" genre, uses horses to encourage conformity to gender norms but also insists that the loving relationship between a girl and a horse fundamentally challenges sexist and mainstream ideas of girlhood. Horse Crazy looks at the relationships between girls and horses through the frameworks of Michel Foucault's concepts of normalization and biopower, drawing conclusions about the way girls' agency is both normalized and resistant to normalization. Segments of Halley's own experiences with horses as a young girl, as well as experiences from the perspective of other girls, are sources for examination. "Horsey girls," as she calls them, are girls who find a way to defy the expectations given to them by society-thinness, obsession with makeup and beauty, frailty-and gain the possibility of freedom in the process. Drawing on Nicole Shukin's uses of animal capital theories, Halley also explores the varied treatment of horses themselves as an example of the biopolitical use of nonhuman animals and the manipulation and exploitation of horse life. In so doing she engages with common ways we think and feel about animals and with the technologies of speciesism.