The Horse Interlude presents a pictorial history of the role horses played in the wheat farming operations of the Pacific Northwest, concentrating on the geographical area located along the Snake River in Idaho, Washington, and Oregon. In it Thomas B. Keith surveys the period from the mid-1850s to the 1930s, during which technological innovations progressively enabled farmers to improve the efficiency of wheat farming operations, beginning with the replacement of the cradle and flail by the horse, and ending when the horse was in its turn supplanted by the self-propelled combine. Detailed photographs of horse-drawn equipment illustrate the ways in which the use of horses changed during three successive periods of agricultural history: the pioneer settlement of the area, the inauguration of large-scale farming, and the attainment of mechanization. Other sections of the book relate the histories of threshers, headers, and horse-propelled harvesters, while the conclusion recounts the accomplishments of the Northwest's greatest riders. In telling the story of the "horse interlude," Keith draws the reader back to a time of rapid growth and change, a time created by the ingenuity and resourcefulness of the early wheat farmers of the Pacific Northwest and their hard-working partners, the horses.

Centered in the glorious Palouse, a richly fertile area, the small Idaho town of Moscow was once home to the Nez Perce, who introduced the famous spotted Appaloosa horses. The intimate Moscow feel inspired by current residents has persisted since the original homesteaders settled here, a place they called "Paradise Valley." Resisting the anonymity of many rural agricultural towns, Moscow proudly claims an educational, civic, commercial, and cultural reputation far beyond a town of its size, a monument to the people who elevated the community.

"Song by song, this comprehensive study addresses each composer's complete works for solo voice and piano. When necessary, errors in popular published editions are pointed out and corrected. For each song, the full French text is given, followed by Barbara Meister's translation."--Page 4 of cover.

Sensitive study of the 15/16 century interlude, focussing on one of its major concerns, the depiction of male aristocracy and the development to maturity. The commercial theatre of the late sixteenth century is often credited with introducing its audiences to new modes of thought about the self, society and the nation, making them conscious that the self is performed, as an actor performs a role. Yet the earlier interlude drama, originally performed in households and other institutions of the late fifteenth and sixteenth centuries, indicates that the late medieval period was fully aware of the theatricalityof identity. This book argues that ideas of performance inform the concepts of aristocratic masculinity developed in the plays Nature, Fulgens and Lucres, The Worlde and the Chylde, The Interlude of Youth and Calisto and Melebea. It examines how the depiction of young male aristocrats in these texts is shaped by ideas of male youth constituted in the middle ages, and shows them as failing or succeeding to perform anadult noble masculinity in the aristocratic body and in aristocratic household. The book also suggests ways in which the plays offer discreet praise and censure of the manner in which their noble patrons performed as aristocrats.Throughout, it brings out the subtle qualities of the interludes, which, the author shows, have been unjustly neglected. Dr FIONA S. DUNLOP is Research Associate of the Centre for Medieval Studies, University of York

A century ago, horses were ubiquitous in America. They plowed the fields, transported people and goods within and between cities and herded livestock. About a million of them were shipped overseas to serve in World War I. Equine related industries employed vast numbers of stable workers, farriers, wainwrights, harness makers and teamsters. Cities were ringed with fodder-producing farmland, and five-story stables occupied prime real estate in Manhattan. Then, in just a few decades, the horses vanished in a wave of emerging technologies. Those technologies fostered unprecedented economic growth, and with it a culture of recreation and leisure that opened a new place for the horse as an athletic teammate and social companion.

This collection includes essays that consider how Bloomfield's poetry contributes to an understanding of the predominant issues, forms, and themes of literary Romanticism.