It was the first British novel to explore, frankly and with a gleeful honesty, the sexual awakening of a teenage boy. It was regarded as so outrageous that thirteen publishers initially refused to publish it. The Hand-Reared Boy no longer shocks, instead, it stands as the classic novel of teenage self-discovery and the realisation of a young boy of love, and the fact that other people are more than sexual objects.Depicting the preoccupations common to all young boys as they reach puberty, The Hand-Reared Boy is a delightfully funny account of burgeoning sexuality, marked by self-revelation, self-mockery and a complete absence of prurience. It was shortlisted for the Lost Booker Prize in 2010.

Human reproduction has ceased and society slowly spirals in this “adult Lord of the Flies” by a Grand Master of Science Fiction (San Francisco Chronicle). After the “Accident,” all males on Earth become sterile. Society ages and falls apart bit by bit. First, toy companies go under. Then record companies. Then cities cease to function. Now Earth’s population lives in spread‐out, isolated villages, with its youngest members in their fifties. When the people of Sparcot begin to make claims of gnomes and man‐eating rodents lurking around their village, Greybeard and his wife set out for the coast with the hope of finding something better.

For the first time ever all three Horatio Stubbs novels in one volume.

'The human consciousness had now widened so alarmingly, was so busy transforming everything on Earth into its own peculiar tones, that no art could exist that did not take proper cognisance of the fact. Something entirely new had to be forged.' The time traveller Bush's adventure takes him through 1930, 1851, the Jurassic and 2093, on the way exploring a modern crisis that remains our own. In Brian Aldiss's tale of time travel, the fiction is once again as psychologically imaginative as it is scientific, an idiosyncrasy of Aldiss's future visions that, over time, have proven remarkably prescient.

A disruption of time and space sends a modern man back two hundred years to confront Dr. Frankenstein’s immortal monster in this brilliant reinvention of Mary Shelley’s classic tale Some years into the twenty-first century, a newly devised weapon of mass destruction will do far worse than kill; it will disrupt time and space. Suddenly, land, buildings, animals, and people are falling through “timeslips” and being transported briefly back to earlier eras. One of these inadvertent time travelers, Joe Bodenland, is shocked when he finds himself parked outside a villa on the shore of Lake Geneva—and soon after, unbelievably, in the presence of nineteenth-century literary luminaries Lord Byron and Percy Shelley, along with Shelley’s very enticing fiancée, budding author Mary. But when Joe comes face to face with a real, flesh-and-blood Victor Frankenstein and the monster the mad doctor brought into this world, the visitor from the future realizes that not only has time been disrupted, reality itself has been transmogrified. And this Frankenstein, it seems, is far from finished with his unholy endeavors, leaving it up to Joe to make it right for the sake of history—and for the bewitching lady novelist who has stolen his heart—before he is rudely thrust back to his own time. An absolutely stunning reinvention of a cherished literary classic, Frankenstein Unbound proves once more that there are no limits to the unparalleled creative genius of science fiction Grand Master W. Brian Aldiss, one of the most revered names in the field of speculative fiction.

The Hugo and Nebula Award–winning author and Science Fiction Grand Master delivers a sweeping epic of a planet suffering deadly conditions of alternating extremes in this Nebula Award finalist Helliconia follows an eccentric orbit around a double-star system with a twenty-six-hundred-year cycle of very long seasons. As spring slowly breaks the brutally long winter, humans emerge from hiding and a long sequence of civilization and growth begins to repeat again, unbeknownst to the participants but watched by an orbiting satellite station, Avernus, created by Earth some centuries ago. Humans free themselves from slavery to the aboriginal Phagors, and religion and science flower and expand. Brian W. Aldiss has, for more than fifty years, continued to challenge readers’ minds with literate, thought-provoking, and inventive fiction. Helliconia Spring’s prescience with regard to climate change is nothing short of extraordinary.

Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell's The Great War and Modern Memory was one of the most original and gripping volumes ever written about the First World War. Frank Kermode, in The New York Times Book Review, hailed it as "an important contribution to our understanding of how we came to make World War I part of our minds," and Lionel Trilling called it simply "one of the most deeply moving books I have read in a long time." In its panaramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world. Now, in Wartime, Fussell turns to the Second World War, the conflict he himself fought in, to weave a narrative that is both more intensely personal and more wide-ranging. Whereas his former book focused primarily on literary figures, on the image of the Great War in literature, here Fussell examines the immediate impact of the war on common soldiers and civilians. He describes the psychological and emotional atmosphere of World War II. He analyzes the euphemisms people needed to deal with unacceptable reality (the early belief, for instance, that the war could be won by "precision bombing," that is, by long distance); he describes the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most important, he emphasizes the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity and wit. Of course, no Fussell book would be complete without some serious discussion of the literature of the time. He examines, for instance, how the great privations of wartime (when oranges would be raffled off as valued prizes) resulted in roccoco prose styles that dwelt longingly on lavish dinners, and how the "high-mindedness" of the era and the almost pathological need to "accentuate the positive" led to the downfall of the acerbic H.L. Mencken and the ascent of E.B. White. He also offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world. Fussell conveys the essence of that wartime as no other writer before him. For the past fifty years, the Allied War has been sanitized and romanticized almost beyond recognition by "the sentimental, the loony patriotic, the ignorant, and the bloodthirsty." Americans, he says, have never understood what the Second World War was really like. In this stunning volume, he offers such an understanding.