The Homeless of "Ironweed" is both a meditation on Kennedy's remarkable novel and a literary and cultural analysis. Benedict Giamo's explorations of the social conditions, cultural meanings, and literary representations of classic and contemporary homelessness in America and abroad inform his understanding of the literary merit and social resonance of Ironweed. Throughout Giamo remains grounded in a close reading of the novel. He moves with great relevance from Dante to Kenneth Burke, from Sartre to Robert Jay Lifton, to locate meaning and value in the lives of Kennedy's characters; by extension, with intelligence and compassion, he regards the lives of the homeless who wander through our streets and shefters today.

The beloved Pulitzer Prize-winning novel, basis of the film starring Jack Nicholson and Meryl Streep. Francis Phelan, ex-big-leaguer, part-time gravedigger, full-time bum with the gift of gab, is back in town. He left Albany twenty-two years earlier after he dropped his infant son accidentally, and the boy died. Now he's on the way back to the wife and home he abandoned, haunted at every corner by the ghosts of his violent life. Francis; his wino ladyfriend of nine years, Helen; and his stumblebum pal, Rudy, shuffle their ragtag way through the city's bleakest streets, surviving on gumption, muscatel, and black wit. estiny is not their business. 'The premise of Ironweed was so unpromising, that in marketing terms the writer still to this day finds it funny: the story of a bunch of itinerant alcoholics, knocking around Kennedy's hometown, falling out, having visions, trying to pass for sober to cadge a bed for the night in the homeless shelter.' Guardian 'But for all the rich variety of prose and event, from hallucination to bedrock realism to slapstick and to blessed quotidian peace, ''Ironweed'' is more austere than its predecessors. It is more fierce, but also more forgiving.' Quoted from the classic New York Times review of Ironweed, which made it an overnight sensation.

Offers a sympathetic yet critical look at the life of homeless advocate David Owen, who was tortured and killed in 2006 by those he intended to help.

The second novel in William Kennedy’s much-loved Albany cycle depicts Billy Phelan, a slightly tarnished poker player, pool hustler, and small-time bookie. A resourceful man full of Irish pluck, Billy works the fringes of the Albany sporting life with his own particular style and private code of honor, until he finds himself in the dangerous position of potential go-between in the kidnapping of a political boss’s son.

Looks at the nineteenth-century convergence of a new kind of excessive, habitual drinking, and a new way of thinking about the self, which we came to label ‘existential’.

Occupying Space in American Literature and Culture inscribes itself within the spatial turn that permeates the ways we look at literary and cultural productions. The volume seeks to clarify the connections between race, space, class, and identity as it concentrates on different occupations and disoccupations, enclosures and boundaries. Space is scaled up and down, from the body, the ground zero of spatiality, to the texturology of Manhattan; from the striated place of the office in Melville’s "Bartleby, the Scrivener" on Wall Street, to the striated spaces of internment camps and reservations; from the lowest of the low, the (human) clutter that lined the streets of Albany, NY, during the Depression, to the new Towers of Babel that punctuate the contemporary architecture of transparencies. As it strings together these spatial narratives, the volume reveals how, beyond the boundaries that characterize each space, every location has loose ends that are impossible to contain.

Thinking Home challenges and extends the existing scholarship on the subject of ‘home’ in a period which has seen unprecedented levels of movement cross the globe. Sanja Bahun and Bojana Petric have collated essays that revisit existing ideas to introduce new ways of thinking on home, from the individual and local, through communal, to the international levels. While home informs our feelings of belonging and displacement, and our activities, such as migration, housing, and language learning, Bahun, Petric and contributors look to specific under-studied areas and encompass them within a major framework that allows for assessment through multiple disciplinary and expressive lenses. Thinking Home examines examples such as temporary homes, homes on the road, new and emergent modes of home-making, and minority groups in home and housing debates. Fresh, timely and topical, Thinking Home is rooted in activism and policy-making in the sector of 'home'; the essays both challenge and extend the existing scholarship on this subject. This collection combines perspectives of aesthetics, anthropology, cultural and literary studies, law, linguistics, philosophy, sociology, psychoanalysis, political science and activist responses in one whole. It will be essential reading for students of anthropology, literary studies, cultural studies and philosophy.

"Reefer Charlie" Fox rode the rails from 1928 to 1939; from 1939 to 1965 he hitched rides in automobiles and traveled by foot. From Indiana to British Columbia, from Arkansas to Texas, from Utah to Mexico, he was part of the grand hobo tradition that has all but passed away from American life. He camped in hobo jungles, slept under bridges and in sand houses at railroad yards, ate rattlesnake meat, fresh California grapes, and fish speared by the Indians of the Northwest. He quickly learned both the beauty and the dangers of his chosen way of life. One lesson learned early on was that there are distinct differences among hoboes, tramps, and bums. As the all-time king of hoboes, Jeff Davis, used to say, "Hoboes will work, tramps won't, and bums can't." Tales of an American Hobo is a lasting legacy to conventional society, teaching about a bygone era of American history and a rare breed of humanity who chose to live by the rails and on the road.

A readerʼs guide is provided to assist readers in locating entries on related topics. It classifies entries into 14 general categories: Causes, Cities, Demography and Characteristics, Health issues, History, Housing, Legal issues, Advocacy and policy, Lifestyle issues, Organizations, Perceptions of homelessness, Populations, Research, Service systems and settings, World perspectives and issues.

Four chronically homeless people–Amelia One Sky, Timber, Double Dick and Digger–seek refuge in a warm movie theatre when a severe Arctic Front descends on the city. During what is supposed to be a one-time event, this temporary refuge transfixes them. They fall in love with this new world, and once the weather clears, continue their trips to the cinema. On one of these outings they meet Granite, a jaded and lonely journalist who has turned his back on writing “the same story over and over again” in favour of the escapist qualities of film, and an unlikely friendship is struck. A found cigarette package (contents: some unsmoked cigarettes, three $20 bills, and a lottery ticket) changes the fortune of this struggling set. The ragged company discovers they have won $13.5 million, but none of them can claim the money for lack proper identification. Enlisting the help of Granite, their lives, and fortunes, become forever changed. Ragged Company is a journey into both the future and the past. Richard Wagamese deftly explores the nature of the comforts these friends find in their ideas of “home,” as he reconnects them to their histories.