“More than 60 years ago,” remembered Mr. Stvarnik, “I read the books From Ancient Philosophy to Modern Science of Atoms by prof. dr. Ivan Supek, and the Images from the Lives of Great Scientists by prof. dr. Milutin Milankovic, and for me these are still the most beautiful scientific texts.” From that time, as a much loving hobby, Mr. Stvarnik has studied biographies of great scientists. “I have grown up in an atheistic country,” he once said, “and therefore it was a surprise to find that there were very few atheistic or agnostic scientists; the majority of them were some kind of believers in God. Actually, a good number of the greatest scientific minds were or are Bible-believing Christians.” That realization, along with discoveries of some deliberate distortions of historical facts that made certain Bible-believing scientists look as having an atheistic bent, prompted writing a book The Portraits of the Great Bible-believing Scientists that was published in Croatian and in Serbian languages. Now he has written the same in English, but since many years elapsed from the mentioned publications, he enriched the text with new findings and added 12 new portraits into the book.

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.