In the midst of oppression, poverty, violence, and insufficiency where survival takes priority over salvation, what theology speaks to this condition? Black Theology and Holy Hip-hop are important to understand and promote, especially in their relationship to inner-city ministry and spiritual development, primarily in regards to black and brown youth. This work investigates the complex crises experienced among our black and brown youth, with special focus on the inner-city. Black Theology and Holy Hip-hop is less about people and more about institutions--the dichotomy between the institution of the church and the social institution of music that affects young people's mindset. This book will examine how a double-edged sword of Black Theology and Holy Hip-hop will cut a new faith in inner-city ministry that will initiate freedom against personal pain and systemic oppression, on the one hand, and free minds from self-hate and submissive control on the other.

Anointed Fire is a song book that is fun for all ages. It is designed to inspire, encourage, and help those who are interested in writing music, poetry, songs, or lyrics. Whether you are making music alone, with a partner, or in a group, you can use these lessons to fulfill your desire to make inspiring songs. If you love to sing or participate in making music, then Anointed Fire can help you follow your musical dreams. Remember that anything is possible, and that dreams can come true. So now's the time to fulfill your musical dreams and start learning how to create music and turn your ideas into your very own songs! Tracy "Condet" Coles is from Indiana, and he spent twelve years in the U.S. Army and Indiana National Guard. He studied sociology at City College of Chicago, and language arts at Temple University; he has also taken biblical correspondence courses and went to the Biblical Studies College in Tallahassee, Florida. He is a self-taught musician.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences.

Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.

"The seed of the dance produces destruction to the physical, to the moral and to the spiritual man ... "--Page 5.