In stark contrast to the widespread preoccupation with the wartime looting of priceless works of art, Bożena Shallcross focuses on the meaning of ordinary objects—pots, eyeglasses, shoes, clothing, kitchen utensils—tangible vestiges of a once-lived reality, which she reads here as cultural texts. Shallcross delineates the ways in which Holocaust objects are represented in Polish and Polish-Jewish texts written during or shortly after World War II. These representational strategies are distilled from the writings of Zuzanna Ginczanka, Władysław Szlengel, Zofia Nałkowska, Czesław Miłosz, Jerzy Andrzejewski, and Tadeusz Borowski. Combining close readings of selected texts with critical interrogations of a wide range of philosophical and theoretical approaches to the nature of matter, Shallcross's study broadens the current discourse on the Holocaust by embracing humble and overlooked material objects as they were perceived by writers of that time.

In stark contrast to the widespread preoccupation with the wartime looting of priceless works of art, BoÅ1⁄4ena Shallcross focuses on the meaning of ordinary objects -- pots, eyeglasses, shoes, clothing, kitchen utensils -- tangible vestiges of a once-lived reality, which she reads here as cultural texts. Shallcross delineates the ways in which Holocaust objects are represented in Polish and Polish-Jewish texts written during or shortly after World War II. These representational strategies are distilled from the writings of Zuzanna Ginczanka, WÅ‚adysÅ‚aw Szlengel, Zofia NaÅ‚kowska, CzesÅ‚aw MiÅ‚osz, Jerzy Andrzejewski, and Tadeusz Borowski. Combining close readings of selected texts with critical interrogations of a wide range of philosophical and theoretical approaches to the nature of matter, Shallcross's study broadens the current discourse on the Holocaust by embracing humble and overlooked material objects as they were perceived by writers of that time.

This volume reflects the discussions during the Princeton University Conference on Polish-Jewish Studies (April 2015). It focuses on the meaning of the POLIN Museum of the History of Polish Jews, on Polish politics of memory, and on the developments in researching and teaching Polish-Jewish subjects.

Philo-Semitic Violence: Poland’s Jewish Past in New Polish Narratives addresses the growing popularity of philo-Semitic violence in Poland between the 2000 revelation of Polish participation in the Holocaust and the 2015 authoritarian turn. Elżbieta Janicka and Tomasz Żukowski examine phenomena termed a “new opening in Polish-Jewish relations,” thought to stem from sociocultural change and the posthumous inclusion of those subjected to anti-Semitic violence. The authors investigate the terms and conditions of this inclusion whose object is an imagined collective Jewish figure. Different creators and media, same friendly intentions, same warm reception beyond class and political cleavages, regardless of gender and age. The made-to-measure Jewish figure confirms and legitimizes the majority narrative—especially about Polish stances and behaviors during the Holocaust. Enabled by this, philo-Semitic feelings indulge the dominant group in Baudrillard’s retrospective hallucinations. The consequence: aggression toward anyone who dares to interrupt the narcissistic self-staging. This book exposes the Polish ethnoreligious identity regime that privileges the concern for the collective image over reality. The authors’ inquiry shows how patterns of exclusion and violence are reproduced when anti-Semitism—with its Christian sources and community-building function—is not openly problematized, reassessed, and rejected in light of its consequences and the basic principle of equal rights.

The title of this monograph, ‘Polish-Jewish Re-Remembering’, refers to the post-1989, thirty-year-long process of reviving attention to Polish-Jewish relations in historical, cultural, and literary studies, including the impact of Jews on the development of Polish culture, their presence in Polish social life, and the relationships between Jews and non-Jews in Poland. The book consists of four parts: the first focuses on Polish, Jewish and Polish-Jewish Literature (dealing mainly with pre-1939 literary works); the second, on the post-war literary output of the Polish-Jewish writer Arnold Słucki (1920–1972); the third, on Polish-Israeli literary images in the works of writers who were active in Israel (1948–2018); and the fourth, on recent (after 2000) Polish Holocaust literature.

How can genocide be witnessed through imaginative literature? How can the Holocaust affect readers who were not there? Reading the work of major figures such as Elie Wiesel, Paul Celan, Avrom Sutzkever, Ida Fink, Wladyslaw Szlengel, Itzhak Katzenelson, and Czeslaw Milosz, Poesis in Extremis poses fundamental questions about how prose and poetry are written under extreme conditions, either in real time or immediately after the Holocaust. Framed by discussion of literary testimony, with Wiesel's literary memoir Night as an entry point, this innovative study explores the blurred boundary of fact and fiction in Holocaust literature. It asks whether there is a poetics of the Holocaust and what might be the criteria for literary witnessing. Wartime writing in particular tests the limits of “poesis in extremis” when poets faced their own annihilation and wrote in the hope that their words, like a message in a bottle, would somehow reach readers. Through Poesis in Extremis, Daniel Feldman and Efraim Sicher probe the boundaries of Holocaust literature, as well as the limits of representation.

The Holocaust and World War II: In History and In Memory is a thematic volume of nineteen articles based on papers presented at the 9th Middle Tennessee State University International Holocaust Studies Conference in October, 2009. It focuses on the connection between World War II and the Holocaust as it was lived as well as how it is remembered, commemorated and taught. It is interdisciplinary in terms of subject and content, and it explores a variety of methodological approaches to the topic, including historical analysis, pedagogy, oral testimony, literary criticism and museology. The volume features three articles written by the conference’s featured speakers. Two of them were authored by the keynote speaker, internationally acclaimed historian Gerhard L. Weinberg. Arguably the world’s foremost authority on WWII, Weinberg is the author of A World at Arms: A Global History of World War II and several other prize-winning books. He contributes “World War II: A Brief History” and an article titled “Roosevelt, Truman and the Holocaust” that evaluates the difficult decisions concerning the Holocaust made by two American presidents. The second featured speaker, Raffael Scheck, author of Hitler’s African Victims: The German Army Massacres of Black French Soldiers in 1940, contributes an article titled “Racial Hatred: The German Army Massacres of Black French Soldiers in 1940” to this volume. Scheck’s essay places the experiences of these black French African prisoners of war into the broader context of the treatment of black people by the Nazis. The remaining sixteen articles, contributed by prominent scholars from North America, Europe and Asia, represent a broad spectrum of disciplines, methodological approaches, and points of view concerning the Holocaust and the Second World War. The editors believe this anthology will be both an important acquisition for libraries and a useful tool for scholars, teachers, researchers and general readers interested in the World War II era as well as in the Holocaust.

The eighth and final volume of The Cambridge History of Judaism covers the period from roughly 1815–2000. Exploring the breadth and depth of Jewish societies and their manifold engagements with aspects of the modern world, it offers overviews of modern Jewish history, as well as more focused essays on political, social, economic, intellectual and cultural developments. The first part presents a series of interlocking surveys that address the history of diverse areas of Jewish settlement. The second part is organized around the emancipation. Here, chapter themes are grouped around the challenges posed by and to this elemental feature of Jewish life in the modern period. The third part adopts a thematic approach organized around the category 'culture', with the goal of casting a wide net in terms of perspectives, concepts and topics. The final part then focuses on the twentieth century, offering readers a sense of the dynamic nature of Judaism and Jewish identities and affiliations.

The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives—survivor writing, second and third generation—and genres—memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.

In 1944, members of the Sonderkommando—the “special squads,” composed almost exclusively of Jewish prisoners, who ensured the smooth operation of the gas chambers and had firsthand knowledge of the extermination process—buried on the grounds of Auschwitz-Birkenau a series of remarkable eyewitness accounts of Nazi genocide. This careful and penetrating study examines anew these “Scrolls of Auschwitz,” which were gradually recovered, in damaged and fragmentary form, in the years following the camp’s liberation. It painstakingly reconstructs their historical context and textual content, revealing complex literary works that resist narrow moral judgment and engage difficult questions about the limits of testimony.