This book offers a new critical history of the idea of Europe from classical antiquity to the present day.

Discusses how a distinctive 'European' identity has grown over the centuries, especially with the EU.

The quasi-federal European Union stands out as the major exception in the thinly institutionalized world of international politics. Something has led Europeans—and only Europeans—beyond the nation-state to a fundamentally new political architecture. Craig Parsons argues in A Certain Idea of Europe that this "something" was a particular set of ideas generated in Western Europe after the Second World War. In Parsons's view, today's European Union reflects the ideological (and perhaps visionary) project of an elite minority. His book traces the progressive victory of this project in France, where the battle over European institutions erupted most divisively. Drawing on archival research and extensive interviews with French policymakers, the author carefully traces a fifty-year conflict between radically different European plans. Only through aggressive leadership did the advocates of a supranational "community" Europe succeed at building the EU and binding their opponents within it. Parsons puts the causal impact of ideas, and their binding effects through institutions, at the center of his book. In so doing he presents a strong logic of "social construction"—a sharp departure from other accounts of EU history that downplay the role of ideas and ideology.

The Idea of Europe finds George Steiner reckoning with Europe from a number of different angles. “Europe,†? he writes, “is the place where Goethe’s garden almost borders on Buchenwald, where the house of Corneille abuts on the market-place in which Joan of Arc was hideously done to death.†? It is, in other words, a continent rich with contradiction, whose many tensions—cultural, social, political, economic, and religious—have for centuries conspired to pull it apart, even as it has become more and more unified. But what lies ahead for a continent whose borders are growing and economic might is strengthening, even as its cultural identity recedes? A continent where, in Steiner’s words, “young Englishmen choose to rank David Beckham high above Shakespeare and Darwin in their list of national treasures†?? This is the trajectory that Steiner explores so brilliantly in The Idea of Europe.

Husserl and the Idea of Europe argues that Edmund Husserl’s late reflections on Europe should not be read either as departures from his early transcendental phenomenology or as simple exercises of cultural criticism but rather as systematic phenomenological reflections on generativity and historicity. Timo Miettinen shows that Husserl’s deliberations on Europe contain his most compelling and radical interpretation of the intersubjective, communal, and historical dimensions of phenomenology. Husserl and his generation worked in the aftermath of World War I, as Europe struggled to redefine itself, and he penned his late writings as the clouds of World War II gathered. Decades later, the fall of the Soviet Union again altered the continent’s identity and its political and economic divisions. Miettinen writes as a European involved in the question of Europe, and many of the recent authors and critics he addresses in this work—such as Michel Foucault, Jacques Derrida, and Giorgio Agamben—likewise deeply engaged with this new problem of European identity. The book illuminates the multifaceted problem of the idea of European rationality, and it defends novel conceptions of universalism and teleology as necessary components of radical philosophical reflection.

This book is about the history of Europe in the twentieth century and concentrates on two particular aspects. First, it examines the impact of the Great War on Europe; secondly it is concerned with European civilization and with ideas of what is meant to be 'European'. The approach is interdisciplinary, including integrated analyses from politics, international relations, political ideas, literature, and the visual arts. The common focus, which links all the chapters, is the effect of the Great War on a European mentality, or European identity. It targets reactions to the First World War up to 1939, but extends its coverage in many areas up to the 1990s, offering a wide-ranging view of Europe in the twentieth century.

The period between 1917 and 1957, starting with the birth of the USSR and the American intervention in the First World War and ending with the Treaty of Rome, is of the utmost importance for contextualizing and understanding the intellectual origins of the European Community. During this time of 'crisis,' many contemporaries, especially intellectuals, felt they faced a momentous decision which could bring about a radically different future. The understanding of what Europe was and what it should be was questioned in a profound way, forcing Europeans to react. The idea of a specifically European unity finally became, at least for some, a feasible project, not only to avoid another war but to avoid the destruction of the idea of European unity. This volume reassesses the relationship between ideas of Europe and the European project and reconsiders the impact of long and short-term political transformations on assumptions about the continent's scope, nature, role and significance.

Heikki Mikkeli charts the history of the idea of Europe and European identity. The first part introduces the various attempts to unify Europe from antiquity to the European Union. In the second part the relationship of Europe with America and Russia is considered, as well as the ambivalent role of Central Europe.