The Beano is Britain's longest-running and best-loved comic. Since 1938 it has brought thrills and laughter to generation after generation of children, seeing the young and young-at-heart through World War 2, the social changes of the 1950s and 60s and on into a new millennium. How has the comic evolved since its early days? How many of the classic characters and their stories do you remember? What are the important changes that have happened through the years, why have they happened and why has The Beano survived when all the other comics have folded? Every child in the UK since the 1950s has known Dennis the Menace, the Bash Street Kids, Minnie the Minx and Roger the Dodger, but how many know the writers and artists who created these iconic comic characters? How do they write the scripts week after week? Where did the inspiration come from? How did the artists come to work for this Great British institution? This is the story of the Beano Comic, told in the words of the people who made it, going back to the dark, harsh days of the 1930s and continuing through to the present day. A unique insight into the country’s most beloved comic.

Can a group of ten year old mates (and one scruffy dog) really outwit the most fiendish, cunning adults in the universe and save a frightened friend from the worst fate imaginable?

This crucial collection of cartoons looks at the ace eighties through the eyes of our very own comic heroes.

In this volume a range of distinguished contributors provide an original analysis of the book in Scotland during a period that has been until now greatly under-researched and little understood. The issues covered by this volume include the professionalisation of publishing, its scale, technological developments, the role of the state, including the library service, the institutional structure of the book in Scotland, industrial relations, union activity and organisation, women and the Scottish book, and the economics of publishing. Separate chapters cover Scottish publishing and literary culture, publishing genres, the art of print culture, distribution, and authors and readers. The volume also includes an innovative use of illustrative case studies.

Part of a five-volume history of the rise and development of broadcasting in the United Kingdom.