The story of Manon Lescaut is a tale of passion and betrayal, of delinquency and misalliance, which moves from eighteenth-century Paris - with its theatres, assemblies, and gaming-houses - via prison and deportation to a tragic denouement among the treeless wastes of Louisiana. It is one of the great love stories, and also one of the most enigmatic. This new translation includes the vignette and eight illustrations that were published in the edition of 1753. - ;'The sweetness of her glance - or rather, my evil star already in its ascendant and drawing me to my ruin - did not allow me to hesitate for a moment' So begins the story of Manon Lescaut, a tale of passion and betrayal, of delinquency and misalliance, which moves from early eighteenth-century Paris - with its theatres, assemblies, and gaming-houses - via prison and deportation to a tragic denouement in the treeless wastes of Louisiana. It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Pr--eacute--;vost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion. This new translation includes the vignette and eight illustrations that were approved by Pr--eacute--;vost and first published in the edition of 1753. -

Set in France and Louisiana in the early 18th century, the story follows the hero, the Chevalier des Grieux, and his lover, Manon Lescaut. Des Grieux comes from a noble and landed family, but forfeits his hereditary wealth and incurs the disappointment of his father by running away with Manon. In Paris, the young lovers enjoy a blissful cohabitation, while Des Grieux struggles to satisfy Manon's taste for luxury. He scrounges together money by borrowing from his unwaveringly loyal friend Tiberge and by cheating gamblers. On several occasions, Des Grieux's wealth evaporates (by theft, in a house fire, etc.), prompting Manon to leave him for a richer man because she cannot stand the thought of living in penury. The two lovers finally end up in New Orleans, to which Manon has been deported as a prostitute, where they pretend to be married and live in idyllic peace for a while. But when Des Grieux reveals their unmarried state to the Governor and asks to be wed with Manon, the Governor's nephew sets his sights on winning Manon's hand. In despair, Des Grieux challenges the Governor's nephew to a duel and knocks him unconscious. Thinking he had killed the man and fearing retribution, the couple flee New Orleans and venture into the wilderness of Louisiana, hoping to reach an English settlement. Manon dies of exposure and exhaustion the following morning and, after burying his beloved, Des Grieux is eventually taken back to France by Tiberge.

'The sweetness of her glance - or rather, my evil star already in its ascendant and drawing me to my ruin - did not allow me to hesitate for a moment' So begins the story of Manon Lescaut, a tale of passion and betrayal, of delinquency and misalliance, which moves from early eighteenth-century Paris - with its theatres, assemblies, and gaming-houses - via prison and deportation to a tragic denouement in the treeless waste of Louisiana. It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Prévost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion. This new translation includes the vignette and eight illustrations that were approved by Prévost and first published in the edition of 1753. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

With The Greek Girl’s Story, Alan Singerman presents the first reliable, stand-alone translation and critical edition of Abbé Prévost’s 1740 literary masterpiece Histoire d’une Grecque moderne. The text of this new English translation is based on Singerman’s 1990 French edition, which Jonathan Walsh called “arguably the most valuable critical edition” of Prévost’s novel to date. This new edition also includes a complete critical apparatus comprising a substantial introduction, notes, appendixes, and bibliography, all significantly updated from the 1990 French edition, taking into account recent scholarship on this work and providing some additional reflection on the question of Orientalism. Prévost’s roman à clef is based on a true story involving the French ambassador to the Ottoman Porte from 1699 to 1711. It is narrated from the ambassador’s viewpoint and is a model of subjective, unreliable narration (long before Henry James). It is remarkably modern in its presentation of an enigmatic, ambiguous character, as the truth about the heroine can never be established with certainty. It is the story of the tormented relationship between the diplomat and a beautiful young Greek concubine, Théophé, whom he frees from a pasha’s harem. While her benefactor becomes increasingly infatuated with her and bent on becoming her lover, the Greek girl becomes obsessed with the idea of becoming a virtuous and respected woman. Viewing the ambassador as a father figure, she condemns his quasi-incestuous passion and firmly rejects his repeated seduction attempts. Unable to possess the young woman or tolerate the thought that she might grant to someone else what she has refused him, the narrator subjects her behavior to minute scrutiny in an effort to catch her in an indiscretion. His investigations are fruitless, however, and Théophé, the victim of incessant persecution, simply dies, leaving all the questions about her behavior unanswered.

"The exhibition at the Dahesh Museum that the publication of this book celebrates is the first in a century to feature Dagnan Bouveret's work. Against the Modern pays special attention to the evolution of this artist's style and subject matter and brings to the public gaze the real diversity, accessibility - and surprising modernity - that has made Dagnan-Bouveret worthy of our attention today."--BOOK JACKET.

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