Essays by noted historians of the past and present, on the problems of investigation, offer a series of intriguing case studies in the relationship between historical research and detective fiction.

Readers of detective stories are turning more toward historical crime fiction to learn both what everyday life was like in past societies and how society coped with those who broke the laws and restrictions of the times. The crime fiction treated here ranges from ancient Egypt through classical Greece and Rome; from medieval and renaissance China and Europe through nineteenth-century England and America. Topics include: Ellis Peter’s Brother Cadfael; Umberto Eco’s Name of the Rose; Susanna Gregory’s Doctor Matthew Bartholomew; Peter Heck’s Mark Twain as detective; Anne Perry and her Victorian-era world; Caleb Carr’s works; and Elizabeth Peter’s Egyptologist-adventurer tales.

"Deeper understanding of history is enhanced by encasing it in art and interest. Crime fiction is one of the widest and most rapidly growing forms of literature. Historical crime fiction serves effectively the double purpose of entertaining while it teaches. The "truth" of the narrative account, the editors of this volume believe, is dependent on the understanding of human nature reflected in the author who writes the narrative. "Historical crime fiction," the editors of this volume write, "has an obligation and a golden opportunity. It must bring the past up to the present through the device of timeless crime and it must take the reader into the world about which is being written so that the characters are alive and the events interesting and challenging." Professional writers of fiction need to be more effective than mere authors of dates and assumed motivations. Therefore they can fill in human motivations and drives where no records exist and can aid the professional historians in what historian David Thelen calls the "challenge of history " which is "to recover the past and [interpret it for] the present." The essays in this volume accept the challenge and make major accomplishments for meeting it.

The essays in this collection are based on papers given at a conference on detective fiction in European culture, held at the University of Exeter in September 1997. The range of topics covered is designed to show not only the presence and variety of narratives of detection across different European countries and their different media (although there is a predictable emphasis on the novel). It also illustrates the fertility of the genre, its openness to a spectrum of readings with different emphases, formal as well as thematic. Approaches to detective fiction have often tended to confine them-selves to ‘symptomatic’ interpretation, where details of the fictional world represented are used to diagnose a specific set of social preoccupations and priorities operative at the time of writing. Such approaches can yield valuable insights. Nonetheless there is a risk of limiting the value of the genre as a whole solely to its role as a mirror held up to society. In this perspective, issues of structure and style are sidelined, or, if addressed, are praised to the extent that they approach invisibility — concision, spareness, realism are the qualities singled out for praise. The genre also gives much scope for formal innovation — and indeed has often attracted already established ‘mainstream’ writers and filmmakers for just this reason. The eclectic diversity of the detective narratives considered in this volume reveal the malleability of the traditional constraints of the genre. The essays bear rich testimony to the value of considering the interplay of thematic and structural issues, even in the most apparently unselfconscious and popular (or populist) forms of narrative. The patterns of reassurance, the triumph of intellect and the ordered, rational world ‘of old’ are now challenged by the need to foreground the problems, ambiguities and uncertainties of the self and of society. The plurality of meanings and the antithetical imperatives explored in these detective narratives confirm that the most recent forms of the genre are not mere palimpsests of their ‘golden age’ precursors. The subversion of traditional expectations and the implementation of diverse stylistic devices take the genre beyond mere homage and pastiche. The role of the reader/spectator and critic in conferring meaning is a crucial one.

Consuming History examines how history works in contemporary popular culture. Analysing a wide range of cultural entities from computer games to daytime television, it investigates the ways in which society consumes history and how a reading of this consumption can help us understand popular culture and issues of representation. In this second edition, Jerome de Groot probes how museums have responded to the heritage debate and how new technologies from online game-playing to internet genealogy have brought about a shift in access to history, discussing the often conflicted relationship between ‘public’ and academic history and raising important questions about the theory and practice of history as a discipline. Fully revised throughout with up-to-date examples from sources such as Wolf Hall, Game of Thrones and 12 Years a Slave, this edition also includes new sections on the historical novel, gaming, social media and genealogy. It considers new, ground-breaking texts and media such as YouTube in addition to entities and practices, such as re-enactment, that have been underrepresented in historical discussion thus far. Engaging with a broad spectrum of source material and comparing the experiences of the UK, the USA, France and Germany as well as exploring more global trends, Consuming History offers an essential path through the debates for readers interested in history, cultural studies and the media.

Crime Fiction provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Using examples from a variety of novels, short stories, films and televisions series, John Scaggs: presents a concise history of crime fiction - from biblical narratives to James Ellroy - broadening the genre to include revenge tragedy and the gothic novel explores the key sub-genres of crime fiction, such as 'Rational Criminal Investigation', The Hard-Boiled Mode', 'The Police Procedural' and 'Historical Crime Fiction' locates texts and their recurring themes and motifs in a wider social and historical context outlines the various critical concepts that are central to the study of crime fiction, including gender, narrative theory and film theory considers contemporary television series like C.S.I.: Crime Scene Investigation alongside the 'classic' whodunnits of Agatha Christie. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction and concludes with a look at future directions for the genre in the twentieth-first century.

Now in its fifth edition, The Historian’s Toolbox is designed to help students become skilled in the intellectual process and craft of history, offering an overview of the field and techniques for reading and writing about history. The fifth edition expands the selection of tools available to students entering the workshop of history. These include new chapters on digital history, Indigenous peoples, and gender history and new sections on the Voynich manuscript, LGBTQ+ history, slavery, and a historian who survived the war in Ukraine. The book has been fully updated to address the possibilities and limits of computerized approaches to doing history, with careful attention paid to the benefits and controversies of artificial intelligence, chatbots, and the internet. It demonstrates the continuing relevance of history in a cacophonous world of misinformation and censorship, emphasizing critical thinking, facts, and evidence as valuable means of understanding the past and shaping the future. Engaging and accessible, this volume is ideal for undergraduate courses in historiography and historical methods.

The historical novel is not only an immensely popular genre, but also one that raises fascinating questions about the nature of key foundational concepts such as fact and fiction, history, reading and writing. This wide-ranging guide offers an accessible introduction to both the genre and the critical debates around it.