Grandma wears it clasped under her chin. Aunty pins hers up with a beautiful brooch. Jenna puts it under a sun hat when she hikes. Zara styles hers to match her outfit. As a young girl observes six very different women in her life who each wear the hijab in a unique way, she also dreams of the rich possibilities of her own future, and how she will express her own personality through her hijab. Written in sprightly rhyme and illustrated by a talented newcomer, Under My Hijab honors the diverse lives of contemporary Muslim women and girls, their love for each other, and their pride in their culture and faith.

THE INSTANT NEW YORK TIMES BESTSELLER! A powerful, vibrantly illustrated story about the first day of school--and two sisters on one's first day of hijab--by Olympic medalist and social justice activist Ibtihaj Muhammad. With her new backpack and light-up shoes, Faizah knows the first day of school is going to be special. It's the start of a brand new year and, best of all, it's her older sister Asiya's first day of hijab--a hijab of beautiful blue fabric, like the ocean waving to the sky. But not everyone sees hijab as beautiful, and in the face of hurtful, confusing words, Faizah will find new ways to be strong. Paired with Hatem Aly's beautiful, whimsical art, Olympic medalist Ibtihaj Muhammad and Morris Award finalist S.K. Ali bring readers an uplifting, universal story of new experiences, the unbreakable bond between siblings, and of being proud of who you are. **Discover more of Faizah and Asiya’s stories in The Kindest Red, a story of hijab and friendship; and The Boldest White, a story of hijab and community!

The hijab is arguably the most discussed and controversial item of women's clothing today. It has become the primary global symbol of female Muslim identity for Muslims and non-Muslims alike and is the focus of much debate in the confrontation between Islam and the West. Nowhere has this debate been more acute or complex than in France. In Hijab and the Republic, Bronwyn Winter provides a riveting account of the controversial 2004 French law to ban Islamic headscarves and other religious signs from public schools. While much has been written on the subject, Winter offers a unique feminist perspective, carefully delineating its political and cultural aspects. Drawing on both scholarly literature and popular commentary, she examines the headscarf debate from its inception in 1989 through fluctuations in its intensity over the 1990s to its surging significance in the wake of 9 / 11 and the consequent shift in global politics.

This book compares how British and Spanish media have covered the French ban on hijab wearing in public schools. Using interdisciplinary approaches ranging from social psychology, semiology, cognitive linguistics and sociology, it seeks to explain how the hijab is interpreted as a sign by the mainstream culture, and hijab-wearing Muslim sub-culture. Based on an analysis of 108 articles published in the national newspaper from each context, this comparative study operates on two levels: a micro-level analysis of within-culture variations between mainstream culture and the hijab-wearing women; and a macro-level analysis of the cross-cultural variation between the British context and the Spanish one. The result is a profound insight into how each discourse reveals the different level of social integration of hijab-wearing women in these two different contexts. The Analysis methodology combines between Critical Discourse Analysis CDA, Conceptual Metaphor Theory CMT, and Cognitive Linguistics CL. The book introduces a novel analysis methodology for social and linguistic sciences. It is the Cognitive Critical Discourse Analysis methodology CCDA.

"The Hijab Boutique is a wonderful book that will appeal to young readers age 10 and up. Black and white illustrations add to the message's impact. One of the striking attributes of The Hijab Boutique is its sensitive treatment of the topic of respecting cultural differences, and rethinking automatic responses." —The Midwest Book Review "Michelle Khan's first children's book, The Hijab Boutique, is a quick read with a deep and resounding message... I’m excited to have such a simple yet profound story to share with my nieces, and any other girl who cares to read and learn a meaningful lesson about inner strength, faith, and womanhood through another’s eyes." —Luxury Reading Farah enjoyed her private girls' school and fun with her friends. Then an assignment meant she had to talk about her mother for "International Woman's Day" in front of the whole class. Compared to her friends' glamorous actress, make-up artist, and tap-dancing mothers, what can her modest mother possibly have that is worth sharing with her classmates? To Farah's surprise, her mother was quite the business woman before putting her career on hold to care for her daughter. Michelle Khan is an award-winning Indian Canadian writer. She started her career at a University of Toronto student paper, and eventually her words hit daily newspaper pages. For six years, Michelle wrote an internationally syndicated youth advice column. Her work led her to win a $5,000 scholarship from book publisher Harlequin Enterprises Ltd. She went onto earn a $15,000 award from Global Television Network. Michelle lives in Toronto, Canada, with her parents and younger sister. This is her first chapter book for kids.

Jacqueline Saper, named after Jacqueline Kennedy, was born in Tehran to Iranian and British parents. At eighteen she witnessed the civil unrest of the 1979 Iranian revolution and continued to live in the Islamic Republic during its most volatile times, including the Iran-Iraq War. In a deeply intimate and personal story, Saper recounts her privileged childhood in prerevolutionary Iran and how she gradually became aware of the paradoxes in her life and community--primarily the disparate religions and cultures. In 1979 under the Ayatollah regime, Iran became increasingly unfamiliar and hostile to Saper. Seemingly overnight she went from living a carefree life of wearing miniskirts and attending high school to listening to fanatic diatribes, forced to wear the hijab, and hiding in the basement as Iraqi bombs fell over the city. She eventually fled to the United States in 1987 with her husband and children after, in part, witnessing her six-year-old daughter's indoctrination into radical Islamic politics at school. At the heart of Saper's story is a harrowing and instructive tale of how extremist ideologies seized a Westernized, affluent country and transformed it into a fundamentalist Islamic society.

This anthology of informative and thought-provoking articles and poems from Muslim and non-Muslim women tackles a contentious issue that has rocked society in modern times--the veil or Hijab.

Debut collection by a young Western Sydney poet, focussed on the hijab, and exploring the complexities of growing up Muslim in Australia Maryam Azam's poems take the mysteries of the hijab as their object of scrutiny. Though shamed and angered by the prejudice towards Muslims the scarf arouses, Azam is also aware of its sensuality and allure, and the power and protection it offers. In A Brief Guide to Hijab Fashion, Miss Khan Takes off her Hijab and Places I've Prayed, she reflects on the rich possibilities of the scarf, the moral values it embodies, and the commitment required to maintain these values in a secular society. In another section, 'Wallah Bro', she examines the tensions young Muslims experience when negotiating the technology of modern dating. Azam's style is simple and direct, and informed with humour: it frames as it reveals, showing how ritual confers dignity on gestures and objects.

A children's learn your colors book where a Muslim girl chooses what color hijab she'll wear today! Hijab is the crown I wear every day. It is worn many ways, and it comes in every color. What color hijab should I choose today? Yellow, like my doctor's hijab? Brown, like my teacher's hijab? Pink, like my mother's hijab? Help me decide!