Did you ever wonder what your teens wanted to know about sex (without asking)? Do you need a book to jump-start your discussion of sex with your teen? Mrs. R. has been able to generate discussion in her classroom by having her students anonymously submit questions each class period that she would answer. The questions that the students submitted were blunt and honest. She attempted to answer all questions submitted, and tied the answers to the physiology of human sexuality and the maturity needed for responsible decision-making. The frank and innocent questions are contained in the book, and her candid, informative and sometimes humorous answers are captured in the pages. The High School Sex Pot gives readers the opportunity to get inside the minds of teenagers today. Mrs. R. has compiled sex-related questions that she has anonymously received from teens over the past several years and has answered them scientifically, humorously, and with a frankness that puts adults and teens at ease about todays sexual issues. This book is a must-read for teens, parents, and educators. Everyone is bound to learn something and may come away inspired to more frankly discuss sexuality with those closest to them.

More irreverent than ever, the popular guide to fully understanding and enjoying sex has now been revised with new chapters such as "Sex When You're Really Old, " "When Sex Gets Boring, " and "How to Be Cool When You're Not." 65 illustrations.

The co-creator of the popular online Midwest Teen Sex Show brings us a hilarious, honest, and in-depth look at every teen's favorite subject: sex. This isn't your mother's sex book: It's punchy and unapologetic. At the same time, it teaches teens the practical ins and outs of being sexually active and, above all, how to stay safe. With humorous illustrations by San Francisco Chronicle cartoon artist Michael Capozzola, this book features chapters on everything including: foreplay, different forms of sex (all of them!), masturbation, sexual orientation and gender identity, body issues, relationships, virginity, birth control, and protection against diseases. Modern teens are faced daily with making decisions about whether to have sex and how to protect themselves if they do, and they need an engaging and relatable resource for getting the right information. That's what this book is about.

Discover the works of Joe Brainard, whose quirky style earned him a reputation as a “recognizable American phenomenon” and “oddball classicist”—with a foreword by 4321 author Paul Auster (John Ashbery) An artist associated with the New York School of poets, Joe Brainard (1942-1994) was a wonderful writer whose one-of-a-kind autobiographical work I Remember has had a wide and growing influence. It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. “Brainard disarms us with the seemingly tossed-off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance,” writes Paul Auster in the introduction to this collection. “These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits.” Assembled by the author’s longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.

"Now, with "The making of the American essay' the editor includes selections ranging from Anne Bradstreet's secular prayers to Washington Irving's satires, Emily Dickinson's love letters to Kenneth Goldsmith's catalog's, Gertrude Stein's portraits to James Baldwin's and Norman Mailer's mediations on boxing. In this volume the editor uncovers new stories in the American essay's past and shows us that some of the most fiercely daring writers in the American literary canon have turned to the essay in order to produce some of our culture's most exhilarating art."-- book jacket.

A landmark work of cultural history that tells the story of how four young poets, John Ashbery, Frank O'Hara, James Schuyler, and Kenneth Koch, reinvented literature and turned New York into the art capital of the world. Greenwich Village, New York, circa 1951. Every night, at a rundown tavern with a magnificent bar called the Cedar Tavern, an extraordinary group or painters, writers, poets, and hangers-on arrive to drink, argue, tell jokes, fight, start affairs, and bang out a powerful new aesthetic. Their style is playful, irreverent, tradition-shattering, and brilliant. Out of these friendships, and these conversations, will come the works of art and poetry that will define New York City as the capital of world culture--abstract expressionism and the New York School of Poetry. A richly detailed portrait of one of the great movements in American arts and letters, The Last Avant-Garde covers the years 1948-1966 and focuses on four fast friends--the poets Frank O'Hara, James Schuyler, John Ashbery, and Kenneth Koch. Lehman brings to vivid life the extraordinary creative ferment of the time and place, the relationship of great friendship to art, and the powerful influence that a group of visual artisits--especially Jane Freilicher, Larry Rivers, and Fairfield Porter--had on the literary efforts of the New York School. The Last Avant-Garde is both a definitive and lively view of a quintessentially American aesthetic and an exploration of the dynamics of creativity.

Looking for an escape from childhood abuse, Reymundo Sanchez turned away from school and baseball to drugs, alcohol, and then sex, and was left to fend for himself before age 14. The Latin Kings, one of the largest and most notorious street gangs in America, became his refuge and his world, but its violence cost him friends, freedom, self-respect, and nearly his life. This is a raw and powerful odyssey through the ranks of the new mafia, where the only people more dangerous than rival gangs are members of your own gang, who in one breath will say they'll die for you and in the next will order your assassination.

In 1985, tobacco heiress Margaret Benson and two of her children were victims of a car bombing. One year later, her surviving son was sentenced to life imprisonment for the murders. Here is the story of what may have been a travesty of justice resulting in the conviction of an innocent man.

Romantic Love in America: Cultural Models of Gay, Straight, and Polyamorous Relationships introduces the reader to the love and sex lives of two polyamorous,five gay, and eight straight individuals. Coupled with rich interviewmaterial, Victor C. de Munck provides a guided tour through the variablegeography of love relationships as studied in the social sciences. de Munckdescribes evolutionary, cognitive, social, prototypical, triadic, and neural theoriesof romantic love and sex, concluding with an American cultural model ofromantic love that also includes its relational properties as a dyad.

Maybe she doesn't wear eye shadow like a 'decent woman, ' but Hank thinks that the mysterious hippy selling trinkets at the 1974 Bay Area drag race might offer a clue to help him win ported cylinder heads for his beloved hot rod 'Cuda. Hank can't stand his supermarket cashier job, or life with his lonely, drunken mother; his 'Cuda is all he has. Instead, the hippy furnishes a lead on a vastly bigger prize: the legendary Cuauhtemoc cup, missing since a Civil War era seance with a great Sioux warrior, and said to be charged with fearsome supernatural power.