As the final days of the war between Heaven and Hell play out on earth, Holly peters is brought back to life as 'The High Priestess'. A woman of immense power but surrounded by secrets. Remaking the 2015 small press comic book, 'The High Priestess' is a reboot of the unfinished series that'll build upon and finally conclude the heart-breaking tale.

When Warren Ritter, by amazing luck, escaped the Greenwich Village explosion that brought down a house and several of his colleagues in the anti–Vietnam War movement, he was able to evade everyone who knew him and begin a new and very different life. Decades later, he is living in Berkeley, California, and is known by most of his few acquaintances as "that guy who has the street tarot stand on weekends." That's exactly what Warren wants. It's not, however, always what he gets. When an old man approaches his table and waves a large sum of money at him for some service, Warren refuses before even asking what the job is. But the man calls him by his real name, forcing him to reconsider. Warren knows the man; he's the twin brother of a woman whom Warren remembers as always stirring up trouble. The old man and his sister preside over the "Church of Satan." Two church members have been murdered in what were made to look like accidents, and the man is certain that he and his sister are next. He wants Warren to find the killer, and with the threat of exposure, Warren must comply. The reluctant hero soon finds himself entangled in a situation that not only threatens the church members, but could spell death for Warren himself. High Priestess, the second in the wildly original and entertaining Tarot Card mystery series, further reveals the secrets of Warren's past and what he'll do to keep them hidden.

DeLeon Davies bursts into the cafe where Xana Bard and Thorne Ardall are having lunch. How will they rescue DeLeon's daughter Netta from the cult that has kidnapped her? And how will they escape the cult's retribution?"

How do you go after your dreams when your dreams are forbidden? Fifteen-year-old Kenda knows what she wants in life, but unfortunately, independence is the one thing she can't have. When she is tricked into an arranged marriage, she makes a daring escape to the city, but that's where things get way more complicated than she could imagine. As shocking revelations about who she is come to light, her mission changes. Now she must harness her newfound abilities to uncover an ancient curse that has held her village hostage and oppressed its women. If she succeeds, the lives of countless women will be saved. If she fails, humanity will cease to exist. Follow Kenda on her brave quest to save the world in this adrenaline-rushing coming of age fantasy novel. High Priestess was previously published in October 2019 as a standalone novel. This is a revised second edition.

Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India’s largest film industries. Since its inception a century ago, Tamil cinema has undergone major transformations, and today it stands as a foremost cultural institution that profoundly shapes Tamil culture and identity. This book investigates the structural, ideological, and societal cleavages that continue to be reproduced, new ideas, modes of representation and narratives that are being created, and the impact of new technologies on Tamil cinema. It advances a critical interdisciplinary approach that challenges the narratives of Tamil cinema to reveal the social forces at work.

The recent years have seen an upswing in studies of women in the ancient Near East and related areas. This volume, which is the result of a Danish-Japanese collaboration, seeks to highlight women as actors within the sphere of the religious. In ancient Mesopotamia and other ancient civilizations, religious beliefs and practices permeated all aspects of society, and for this reason it is not possible to completely dissociate religion from politics, economy, or literature. Thus, the goal is to shift the perspective by highlighting the different ways in which the agency of women can be traced in the historical (and archaeological) record. This perspectival shift can be seen in studies of elite women, who actively contributed to (religious) gift-giving or participated in temple economies, or through showing the limits of elite women’s agency in relation to diplomatic marriages. Additionally, several contributions examine the roles of women as religious officials and the language, worship, or invocation of goddesses. This volume does not aim at completeness but seeks to highlight points for further research and new perspectives.