The Hidden Chorus investigates the relationship between the chorus of Greek tragedy and other types of choral song in Greek society. Choruses performed on a range of occasions in Greek culture, ranging from private weddings and funerals to large-scale religious festivals, yet the relationship between these everyday or 'ritual' choruses and the choruses of tragedy has never been systematically examined. L. A. Swift discusses choruses from five ritual genres: paian (religious songs of celebration or healing), epinikion (songs for athletic victors), partheneia (songs for the transitions of young girls), hymenaios (wedding song), and thrênos (funerary song), and explores how these choral forms are evoked in tragedy. By examining the relationship between tragic and non-tragic choral song, she not only provides new insights into individual plays, but also enriches our understanding of the role poetry and song played in Greek life.

The first investigation of the relationship between the chorus of Greek tragedy and other types of choral song in Greek society. L. A. Swift not only provides new insights into individual plays, but also enriches our understanding of the role poetry and song played in ancient Greek life.

"This book, a rich display of the dynamic and unique voices that comprise NYWC, sings with both possibliity and pain, laughter and loss, triumph and tragedy. It's as complex as New YOrk City itself, and equally as exciting"--from p. [4] of cover.

This first edition of 'The Hidden Meaning behind the Lyrics of 501 Classic and Popular Songs' has been published as a comprehensive, concise, compact, and efficient guide to the meanings and origins of the lyrics to familiar, well-known and acclaimed songs. Each entry is written in a clear and uncomplicated style.Some songs have been recorded by numerous artists, such as 'Yesterday' by The Beatles, which has over 2,000 cover versions and 'Hallelujah' by Leonard Cohen, over 300. In such cases, we have made reference to the version recorded by the most well-known group or singer.Usually it is simple to interpret the lyrics of some great songs. Most have no profound meaning and just happen to have an appealing chorus, memorable riff, or easy to learn rhyming verses.However, many familiar songs with distinctive music have hidden meanings, which you may not be aware of, or over the years have misinterpreted. How many songs have you listened to and thought, "What is that song actually about?"

Looks at choruses not only as a source of music, but as organizations that come together for aesthetic, social, political, and religious purposes. This volume discusses groups, including an East African chorus; groups from 19th century England, Germany, and America; early twentieth-century Russian Menonites; Soviet workers' clubs; and more.

The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.

A new edition of a major philosophical work This remarkable text, first published in 1964, was a landmark of its era and remains, in the words of Michael Löwy, a work of “remarkable richness.” Drawing on Georg Lukács’ History and Class Consciousness, Lucien Goldmann applies the concept of “world visions” to flesh out the similarities between Pascal’s Pensées and Kant’s critical philosophy, contrasting them with the rationalism of Descartes and the empiricism of Hume. For Goldmann, a leading exponent of the most fruitful method of applying Marxist ideas to literary and philosophical problems, the “tragic vision” marked an important phase in the development of European thought, as it moved from rationalism and empiricism to the dialectical philosophy of Hegel, Marx and Lukàcs. Here he offers a general approach to the problems of philosophy, of literary criticism, and of the relationship between thought and action in human society.

Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and performative. The collected essays demonstrate the dynamic and nuanced relationship between lyric poetry and tragedy within the larger frame of Athenian song- and performance-culture, and reveal a vibrant and symbiotic co-existence between tragedy and lyric. Paths of Song illustrates the effects that this dynamic engagement with lyric possibly had on tragic performances, including performances of satyr drama, as well as on processes of survival and reputation, selection and refiguration, tradition and innovation. The volume is of particular interest to scholars in the field of classics, cultural studies, and the performing arts, as well as to readers interested in poetic transmission and in cultural evolution in antiquity.

A brilliant and provocative exploration of the interconnection of private life and the large-scale horrors of war and devastation. A Pulitzer Prize and National Book Critics Circle Award finalist, and a winner of the Bay Area Book Reviewers Association Award, Susan Griffin’s A Chorus of Stones is an extraordinary reevaluation of history that explores the links between individual lives and catastrophic, world-altering violence. One of the most acclaimed and poetic voices of contemporary American feminism, Griffin delves into the perspective of those whose personal relationships and family histories were profoundly influenced by war and its often secret mechanisms: the bomb-maker and the bombing victim, the soldier and the pacifist, the grand architects who were shaped by personal experience and in turn reshaped the world. Declaring that “each solitary story belongs to a larger story”—and beginning with the brutal and heartbreaking circumstances of her own childhood—Griffin examines how the subtle dynamics of parenthood, childhood, and marriage interweave with the monumental violence of global conflict. She proffers a bold and powerful new understanding of the psychology of war through illuminating glimpses into the personal lives of Ernest Hemingway, Mahatma Gandhi, Heinrich Himmler, British officer Sir Hugh Trenchard, and other historic figures—as well as the munitions workers at Oak Ridge, a survivor of the Hiroshima bombing, and other humbler yet indispensible witnesses to history.