The longevity of Greek ideas, images, and systems of thought bears witness to the incomparable originality of ancient Greek scientific and artistic achievements and the genius of Hellenist society. It is on the foundation of Hellenist achievements that many of our modern advancements have developed. Greek culture also significantly impacted the development of literature and education, beginning with the Romans and expanding to Europe and the West. While the best-known literary masterpiece of the Archaic Greek period is the so-called Homeric epics – The Illiad and The Odyssey - other influential pieces were written by Hesiod and Sappho. Hesiod’s two known works were religious and instructive: Works and Days and Theogony. The ancient Greeks revered Homer and Hesiod and often cited their names together in theological and theological works. While the two could have been contemporaries, some estimate that Hesiod lived up to 100 years after Homer. Sappho was an ancient Greek poetess and musician. She pioneered song lyrics and the ancient Greeks included her in the canon of nine lyric poets. Plato even numbered her among the Parnassian goddesses, referring to her as the tenth muse. Homer. The Iliad. Translated by Alexander Pope Homer. The Odyssey. Translated by William Cowper Hesiod. Works and Days and Theogony. Translated by Hugh G. Evelyn-White Sappho. The Complete Poems. Translated by John Myers O'Hara

It is well known that the old English poem Beowulf begins and ends with funerals and includes the third as a digression part way through. Now, for the first time, a fourth funeral (hitherto disguised as poetic imagery) is identified from archaeological evidence. A detailed analysis of the four funerals establishes their thematic and structural importance, revealing them as pillars around which the poem is built. The poet is revealed as a literate antiquarian of considerable structural skill; one who explores feminist issues, plays with numbers and enjoys a pun; who establishes an ideal then probes its darker side.The author's unique knowledge of Anglo-Saxon culture provides constant surprises and enlightenment. This book will be invaluable to all students of the poem for its fresh and detailed reading, its identification of a coherent structure and its establishment of the integrity of the surviving texts.

Consisting of more than 70 papers written by scholars concerned with pre-Christian Norse religion, the articles discuss subjects such as archaeology, art history, historical archaeology, history, history of ideas, theological history, literature, onomastics, Scandinavian languages, and Scandinavian studies. The interdisciplinary aim of the book brings together text-based and material-based researchers to improve scholarly exchange and dialogue and provide a variety of contributions that elucidate topics such as worldview and cosmology, ritual and religious practice, myth and memory, as well as reception and present-day use of old Norse religion.

The Indo-Europeans, speakers of the prehistoric parent language from which most European and some Asiatic languages are descended, most probably lived on the Eurasian steppes some five or six thousand years ago. Martin West investigates their traditional mythologies, religions, and poetries, and points to elements of common heritage. In The East Face of Helicon (1997), West showed the extent to which Homeric and other early Greek poetry was influenced by Near Eastern traditions, mainly non-Indo-European. His new book presents a foil to that work by identifying elements of more ancient, Indo-European heritage in the Greek material. Topics covered include the status of poets and poetry in Indo-European societies; metre, style, and diction; gods and other supernatural beings, from Father Sky and Mother Earth to the Sun-god and his beautiful daughter, the Thunder-god and other elemental deities, and earthly orders such as Nymphs and Elves; the forms of hymns, prayers, and incantations; conceptions about the world, its origin, mankind, death, and fate; the ideology of fame and of immortalization through poetry; the typology of the king and the hero; the hero as warrior, and the conventions of battle narrative.

The most revered work composed in Old English,Beowulfis one of the landmarks of European literature. This handbook supplies a wealth of insights into all major aspects of this wondrous poem and its scholarly tradition. Each chapter provides a history of the scholarly interest in a particular topic, a synthesis of present knowledge and opinion, and an analysis of scholarly work that remains to be done. Written to accommodate the needs of a broad audience,A Beowulf Handbookwill be of value to nonspecialists who wish simply to read and enjoy Beowulf and to scholars at work on their own research. In its clear and comprehensive treatment of the poem and its scholarship, this book will prove an indispensable guide to readers and specialists for many years to come.