A new edition of a treasured contemplative classic. The author takes readers on a journey based on biblical themes and urges them to seek a personal inner hermitage in which to seek and to reach God. 'Not everyone, obviously, can and should live as a monk or hermit. But no Christian can do without an inner hermitage in which to meet his God.'

New edition of classic book on silence and contemplation.

Not everyone can, or should, live as a hermit. Yet all Christians need an inner hermitage, a place apart where we come face-to-face with our true selves, and listen to the still small voice of God. It is a place of silence, of fear and fascination, of anguish and grace. The writer of this profound yet simple volume encourages us to find our own inner hermitage—a place of calm and contemplation, apart from the demands of the modern world, a place so silent that we can hear God. The desert, the mountain, and the temple provide the focus of the anonymous author's reflections. He meditates on the wilderness experiences of such biblical persons as Jesus, John the Baptist, and Mary Magdalen. He considers the place held in the Christian story by Mount Sinai, the Mount of Olives, and Calvary. He ponders the idea of temples, using such images as our inner temple and Christ the temple, the foundation of the Church.

Highlights from the palatial Hermitage Museum in St. Petersburg, Russia, are beautifully reproduced in an accessible volume celebrating the museum's 250th anniversary. For 250 years, the State Hermitage Museum has been one of the world's most palatial and significant museums. The Hermitage collections were developed beginning in 1764 by Catherine the Great, Empress of Russia, and now encompass more than 3 million works of art and artifacts displayed within a spectacular architectural ensemble, the heart of which is the famed Winter Palace. Now, on this important anniversary, this stunning volume captures the masterpieces that make this world-famous institution a cultural destination and a global treasure. The Hermitage: 250 Masterworks explores this sumptuous collection in the manner of a private tour, showcasing the museum's extraordinary and uniquely underpublished treasures: no other institution has thirty-six Rembrandts; works by Italian Renaissance artists including Leonardo da Vinci, Michelangelo, and Titian; Spanish artists such as Vel‡zquez, Ribera, and Murillo; Flemish baroque artists such as van Dyck, Rubens, and Jan Brueghel the Elder; impressionist and post-impressionist works by Renoir, Monet, Van Gogh, Gauguin, Cezanne, and Degas; and modern paintings by Matisse, Picasso, Malevich, and Kandinsky. Priceless antiquities, feats of mechanical engineering such as the famous Peacock Clock, and works of sculpture and decorative arts will also be shown. With lavish reproductions accompanied by texts by the museum's leading curators, this volume is sure be cherished by art lovers around the world.

In a memoir, the museum’s longtime director takes the reader on a private tour of this global treasure. Holding one of the largest collections of Western art in the world, the Hermitage is also a product of Russia and its dramatic history. Founded by Empress Catherine the Great in 1764, the stunning Winter Palace was built to house her growing collection of Old Masters and to serve as a home for the imperial family. Tsars came and went over the years, artworks were acquired and sold, buildings were burned down in terrible fires, and still the collections grew. After the violent upheavals of the Russian Revolution in 1917, the palaces and collections were opened to the public. Now, in an unprecedented collection of illuminating essays, Piotrovsky explores the cultural history of a collection as rich in adventure as art. From fascinating intrigues to revelatory scholarship on the collection’s incredible art and artifacts, My Hermitage is a profound and captivating story of art’s timelessness and how it brings people together.

In 1969, one year after Thomas Merton's tragic (and suspicious) death, John Howard Griffin was invited to write a biography of America's most famous monk, a monk who strangely had become a best-selling theologian. The result was Follow the Ecstasy: The Hermitage Years of Thomas Merton (1983). Both Merton and Griffin were converts to Catholicism, and they had become fast friends during Griffin's occasional retreats to the Trappist Abbey of Gethsemani where Merton was cloistered. As Robert Bonazzi writes in his Foreword, "With natural humility and intense spirituality, they taught each other by example and silence." Merton and Griffin were both photographers as well as writers. Griffin wrote about Merton's painting and photography in A Hidden Wholeness: The Visual World of Thomas Merton (1970). They also shared a fascination with the French theologian Jacques Maritain, as well as French modernists Pierre Reverdy, George Braque, and Albert Camus. Griffin fell ill before he could finish his biography of Merton, and the mantle of official biographer passed to Michael Mott, author of The Seven Mountains of Thomas Merton, an essential compendium of the monk's life. Yet Follow the Ecstasy gets closer to the man--a portrait made by one who shared not only personal histories and interests with Merton, but an "intuitive perspective of solitude."

The Hermitage houses the world's largest collection of French paintings. Presented here are more than 750 full-color reproductions detailing the treasures of one of the most renowned and historic collection of paintings, from the Dutch Baroque and Italian Renaissance to Spanish El Greco and French Impressionist.