England 1066. During an utterly pointless debate at the austere monastery of De'Ath's Dingle, a monk dies in mysterious circumstances. Standing accused is Brother Hermitage, who needs to work out who did it before he's executed. More medieval than detective, he finds a companion in Wat the weaver, producer of tapestry to make Beowulf blush.

Medieval mystery the Howard of Warwick way; funny! Now also a book. Available where all good books gather together. England 1067: Henri de Turold, King William's favourite hunting companion has been murdered. How anyone actually did it, given the remarkably personal nature of the fatal wound, is a bit of a mystery. Lord Robert Grosmal, of disordered mind, disordered castle and Henri's host at the time, knows that King William gets very tetchy when his friends are murdered. He sends to the nearby monastery of De'Ath's Dingle for a monk to investigate. Medieval monks are usually good at this sort of thing. Brother Hermitage is a medieval monk but he's not very good at this sort of thing. Motivated by the point of a sword he and his companion Wat the weaver set off to solve the crime. Oh, by the way King William is arriving that night so they better get a move on. Brother Hermitage's second criminal investigation reveals many things. Improvement is not among them. If you are looking for a poignant evocation of the medieval world, an insightful exploration of the characters of the time, buy a different book. Ellis Peters is quite good. After this debacle he even has another go in The Tapestry of Death. Out now on Kindle What has been said of "The Heretics of Death" 'I laughed 'till I cried,' 5* 'medieval hysterical mystery – must read!' 5* 'buy this book. It is cheap and it will make you laugh ' 5* 'I don't think I'm the target audience,' 1* 'Hermitage you're an idiot' Prior Athan of De'ath's Dingle.

Burning Bodies interrogates the ideas that the authors of historical and theological texts in the medieval West associated with the burning alive of Christian heretics. Michael Barbezat traces these instances from the eleventh century until the advent of the internal crusades of the thirteenth century, depicting the exclusionary fires of hell and judicial execution, the purifying fire of post-mortem purgation, and the unifying fire of God's love that medieval authors used to describe processes of social inclusion and exclusion. Burning Bodies analyses how the accounts of burning heretics alive referenced, affirmed, and elaborated upon wider discourses of community and eschatology. Descriptions of burning supposed heretics alive were profoundly related to ideas of a redemptive Christian community based upon a divine, unifying love, and medieval understandings of what these burnings could have meant to contemporaries cannot be fully appreciated outside of this discourse of communal love. For them, human communities were bodies on fire. Medieval theologians and academics often described the corporate identity of the Christian world as a body joined together by the love of God. This love was like a fire, melting individuals together into one whole. Those who did not spiritually burn with God's love were destined to burn literally in the fires of Hell or Purgatory, and the fires of execution were often described as an earthly extension of these fires. Through this analysis, Barbezat demonstrates how presentations of heresy, and to some extent actual responses to perceived heretics, were shaped by long-standing images of biblical commentary and exegesis. He finds that this imagery is more than a literary curiosity; it is, in fact, a formative historical agent.

An "amazing"* debut historical novel (*Ariana Franklin, national betselling author of Grave Goods) Paris, 1686: When The Bishop of Marseilles discovers that his young cousin Charles du Luc, former soldier and half-fledged Jesuit, has been helping heretics escape the king's dragoons, the bishop sends him far away-to Paris, where Charles is assigned to assist in teaching rhetoric and directing dance at the prestigious college of Louis le Grand. Charles quickly embraces his new life and responsibilities. But on his first day, the school's star dancer disappears from rehearsal, and the next day another student is run down in the street. When the dancer's body is found under the worst possible circumstances, Charles is determined to find the killer in spite of being ordered to leave the investigation.

This innovative textbook recounts famous and infamous incidents of death and disorder in early modern England, including the executions of St. Thomas More and Mary Queen of Scots and the untimely end of thousands of others.

In her sixteenth chronicle of the medieval monk-detective Brother Cadfael, Ellis Peters throws a variety of puzzles at her hero. In the summer of 1143, Brother Cadfael is torn from his herbarium to investigate the deaths of two visitors.

“A tour de force . . . [Storr’s] dogged approach to nailing many of the most celebrated skeptics in lies and misrepresentations is welcome.” —Salon Why, that is, did the obviously intelligent man beside him sincerely believe in Adam and Eve, the Garden of Eden and a six-thousand-year-old Earth, in spite of the evidence against them? It was the start of a journey that would lead Storr all over the world—from Texas to Warsaw to the Outer Hebrides—meeting an extraordinary cast of modern heretics whom he tries his best to understand. Storr tours Holocaust sites with famed denier David Irving and a band of neo-Nazis, experiences his own murder during “past life regression” hypnosis, discusses the looming One World Government with an iconic climate skeptic, and investigates the tragic life and death of a woman who believed her parents were high priests in a baby-eating cult. Using a unique mix of highly personal memoir, investigative journalism, and the latest research from neuroscience and experimental psychology, Storr reveals how the stories we tell ourselves about the world invisibly shape our beliefs, and how the neurological “hero maker” inside us all can so easily lead to self-deception, toxic partisanship and science denial. “The subtle brilliance of The Unpersuadables is Mr. Storr’s style of letting his subjects hang themselves with their own words.” —The Wall Street Journal “Throws new and salutary light on all our conceits and beliefs. Very valuable, and a great read to boot, this is investigative journalism of the highest order.” —The Independent, Book of the Week

A lively examination of the heretics who helped Christianity become the world’s most powerful religion. From Arius, a fourth-century Libyan cleric who doubted the very divinity of Christ, to more successful heretics like Martin Luther and John Calvin, this book charts the history of dissent in the Christian Church. As the author traces the Church’s attempts at enforcing orthodoxy, from the days of Constantine to the modern Catholic Church’s lingering conflicts, he argues that heresy—by forcing the Church to continually refine and impose its beliefs—actually helped Christianity to blossom into one of the world’s most formidable religions. Today, all believers owe it to themselves to grapple with the questions raised by heresy. Can you be a Christian without denouncing heretics? Is it possible that new ideas challenging Church doctrine are destined to become as popular as Luther’s once-outrageous suggestions of clerical marriage and a priesthood of all believers? A delightfully readable and deeply learned new history, Heretics overturns our assumptions about the role of heresy in a faith that still shapes the world. “Wright emphasizes the ‘extraordinarily creative role’ that heresy has played in the evolution of Christianity by helping to ‘define, enliven, and complicate’ it in dialectical fashion. Among the world’s great religions, Christianity has been uniquely rich in dissent, Wright argues—especially in its early days, when there was so little agreement among its adherents that one critic compared them to a marsh full of frogs croaking in discord.” —The New Yorker

On July 21, 1578, the Mexican town of Tecamachalco awoke to news of a scandal. A doll-like effigy hung from the door of the town's church. Its two-faced head had black chicken feathers instead of hair. Each mouth had a tongue sewn onto it, one with a forked end, the other with a gag tied around it. Signs and symbols adorned the effigy, including a sambenito, the garment that the Inquisition imposed on heretics. Below the effigy lay a pile of firewood. Taken together, the effigy, signs, and symbols conveyed a deadly message: the victim of the scandal was a Jew who should burn at the stake. Over the course of four years, inquisitors conducted nine trials and interrogated dozens of witnesses, whose testimonials revealed a vivid portrait of friendship, love, hatred, and the power of rumor in a Mexican colonial town. A story of dishonor and revenge, Death by Effigy also reveals the power of the Inquisition's symbols, their susceptibility to theft and misuse, and the terrible consequences of doing so in the New World. Recently established and anxious to assert its authority, the Mexican Inquisition relentlessly pursued the perpetrators. Lying, forgery, defamation, rape, theft, and physical aggression did not concern the Inquisition as much as the misuse of the Holy Office's name, whose political mission required defending its symbols. Drawing on inquisitorial papers from the Mexican Inquisition's archive, Luis R. Corteguera weaves a rich narrative that leads readers into a world vastly different from our own, one in which symbols were as powerful as the sword.