The Hereditary Estate functions as a ten-year retrospective and as a conceptual work of art in its own right. Coburn's work investigates the medium of the family photo album. Frustrated by the lack of images that document the true and sometimes troubling nature of his own familial history, the photographer set out to create a new archive, a potent reminder of the falsity of most family photo albums. Using photographs taken over the last decade and altered Coburn creates a family narrative that is simultaneously beautiful and terrifying.

OVER 3 MILLION COPIES SOLD OF THE #1 BESTSELLING SERIES! Don't miss this New York Times bestselling "impossible to put down" (Buzzfeed) novel with deadly stakes, thrilling twists, and juicy secrets—perfect for fans of One of Us is Lying and Knives Out. Avery Grambs has a plan for a better future: survive high school, win a scholarship, and get out. But her fortunes change in an instant when billionaire Tobias Hawthorne dies and leaves Avery virtually his entire fortune. The catch? Avery has no idea why—or even who Tobias Hawthorne is. To receive her inheritance, Avery must move into sprawling, secret passage-filled Hawthorne House, where every room bears the old man's touch—and his love of puzzles, riddles, and codes. Unfortunately for Avery, Hawthorne House is also occupied by the family that Tobias Hawthorne just dispossessed. This includes the four Hawthorne grandsons: dangerous, magnetic, brilliant boys who grew up with every expectation that one day, they would inherit billions. Heir apparent Grayson Hawthorne is convinced that Avery must be a conwoman, and he's determined to take her down. His brother, Jameson, views her as their grandfather's last hurrah: a twisted riddle, a puzzle to be solved. Caught in a world of wealth and privilege with danger around every turn, Avery will have to play the game herself just to survive. **The games continue in The Hawthorne Legacy, The Final Gambit, and The Brothers Hawthorne!

Longstanding and resilient local ideas of property and practices of inheritance control the destinies of those living in Bearn, a region of south-west France in the foothills of the French Pyrenees. Based on extensive fieldwork and archival research that combines ethnography and intellectual history, this book explores these long-term continuities of a particular way of life within a broad framework. These local ideas have found expression twice at the national level: first, in sociological arguments proposed by Frederique Le Play about the family that shaped debates on social reform and the repair of national identity in the last third of the nineteenth century-debates that would play a part in subsequent European thought and in contemporary European social policy. Second, they fed into late twentieth-century sociological categories through the influential work of Pierre Bourdieu. This study of Bearn illustrates the multi-layered life of local concepts and practices, and the continuing contribution of the local to modern European national history.

She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.