Iolaus, Heracles' nephew and his companion during his Twelve Labours but now an old man, is in hiding with Heracles' fatherless children at the altar of the temple of Zeus at Marathon, near Athens. They have been moving from city to city, as Iolaus tries to protect them from the vengeful King Eurystheus of Argos, who has vowed to kill them. A herald from Eurystheus appears calling on them once more to return to Argos to face the consequences, and Iolaus begs the Chorus of aged Athenians to take pity and help them.

Responding to Plato's challenge to defend the political thought of poetic sources, Marlene K. Sokolon explores Euripides's understanding of justice in nine of his surviving tragedies. Drawing on Greek mythological stories, Euripides examines several competing ideas of justice, from the ancient ethic of helping friends and harming enemies to justice as merit and relativist views of might makes right. Reflecting Dionysus, the paradoxical god of Greek theater, Euripides reveals the human experience of understanding justice to be limited, multifaceted, and contradictory. His approach underscores the value of understanding justice not only as a rational idea or theory, but also as an integral part of the continuous and unfinished dialogue of political community. As the first book devoted to Euripidean justice, Seeing with Free Eyes adds to the growing interest in how citizens in democracies use storytelling genres to think about important political questions, such as "What is justice?"