In The Hemingway Short Story: A Study in Craft for Writers and Readers, Robert Paul Lamb delivers a dazzling analysis of the craft of this influential writer. Lamb scrutinizes a selection of Hemingway's exemplary stories to illuminate the author's methods of construction and to show how craft criticism complements and enhances cultural literary studies. The Hemingway Short Story, the highly anticipated sequel to Lamb's critically acclaimed Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story, reconciles the creative writer's focus on art with the concerns of cultural critics, establishing the value that craft criticism holds for all readers. Beautifully written in clear and engaging prose, Lamb's study presents close readings of representative Hemingway stories such as "Soldier's Home," "A Canary for One," "God Rest You Merry, Gentlemen," and "Big Two-Hearted River." Lamb's examination of "Indian Camp," for instance, explores not only its biographical contexts -- showing how details, incidents, and characters developed in the writer's mind and notebook as he transmuted life into art -- but also its original, deleted opening and the final text of the story, uncovering otherwise unseen aspects of technique and new terrains of meaning. Lamb proves that a writer is not merely a site upon which cultural forces contend, but a professional in his or her craft who makes countless conscious decisions in creating a literary text. Revealing how the short story operates as a distinct literary genre, Lamb provides the meticulous readings that the form demands -- showing Hemingway practicing his craft, offering new inclusive interpretations of much debated stories, reevaluating critically neglected stories, analyzing how craft is inextricably entwined with a story's cultural representations, and demonstrating the many ways in which careful examinations of stories reward us.

With the release of a flurry of feature and TV films about his life and work, and the publication of new books looking at his correspondence, his boat and even his favorite cocktails, Ernest Hemingway is once again center stage of contemporary culture. There’s something about Papa that makes any retirement to the wings only fleeting. Now, in this concise and sparkling account of the life and work of America’s most storied writer, Clancy Sigal, himself a National Book Award runner-up, presents a persuasive case for the relevance of Ernest Hemingway to readers today. Sigal breaks new ground in celebrating Hemingway’s passionate and unapologetic political partisanship, his stunningly concise, no-frills writing style, and an attitude to sex and sexuality much more nuanced than he is traditionally credited with. Simply for the pleasure provided by a consummate story teller, Hemingway is as much a must-read author as ever. Though Hemingway Lives! will provide plenty that’s new for those already familiar with Papa’s oeuvre, including substantial forays into his political commitments, the women in his life, and the astonishing range of his short stories, it assumes no prior knowledge of his work. Those venturing into Hemingway’s writing for the first time will find in Sigal an inspirational and erudite guide.

Arthur Waldhorn discusses Hemingway's sense of the world as well as his writing style. He also analyzes, in chronological order, the writings—beginning with the early stories and sketches—tracing major patterns that recur throughout Hemingway's career. His approach to each book is a critical examination of its achievements and failures.

Offers a selection of twenty-six short stories that includes famous classics as well as rare and previously unpublished works and an essay on the art of the short story.

A selection of stories by Hemingway.

Essays by popular children's authors reveal the books that shaped their personal and literary lives, explaining how the stories they loved influenced them creatively, politically, and intellectually.

The hoax proposed to John Baird by a two-bit con man in a seedy Key West bar was shady but potentially profitable. With little left to lose, the struggling, middle-aged Hemingway scholar agreed to forge a manuscript and pass it off as Papa's lost masterpiece. But Baird never realized his actions would shatter the history of his own Earth . . . and others. Now the unsuspecting academic is trapped out of time - propelled through a series of grim parallel worlds - and pursued by an interdimensional hitman with a literary license to kill.