"Something is on the prowl in the forests and foothills outside the small Wyoming town of Potter's Field, something that mutilates but does not feed, that kills indiscriminately and without reason, at night, by moonlight. As the body count mounts, police chief Nathan Slaughter and the town's medical examiner try to find out who or what is doing the killing....Morrell embeds compelling human drama in a taut, hell-for-leather plot consisting of equal parts police procedural, medical detective story, biological horror story, disaster novel and Gothic thriller. Beneath its multi-genre surface, The Totem engages broader sociological issues....A thriller of rare ambition and achievement, as thought-provoking as it is exciting and scary." Washington Post Book World

Garret Hunters earliest memory of Banister House was one of fear. Upstairs, the dead animal heads and the dark oil painting of the long gone Banister men bothered him. But downstairs, the wooden animal carvings that decorated the double doors of the formal dining room frightened him the most. Only in his adult life would he learn how much influence they had over him.

China's runaway bestseller and winner of the inaugural Man Asian Literary Prize Published in China in 2004, Wolf Totem has broken all sales records, selling millions of copies (along with millions more on the black market). Part period epic, part fable for modern days, Wolf Totem depicts the dying culture of the Mongols--the ancestors of the Mongol hordes who at one time terrorized the world--and the parallel extinction of the animal they believe to be sacred: the fierce and otherworldly Mongolian wolf. Beautifully translated by Howard Goldblatt, the foremost translator of Chinese fiction, this extraordinary novel is finally available in English.

First critical exploration of the history and endurance of masks in horror cinema Written by an established , award-winning author with a strong reputation for research in both academia and horror fans Interdisciplinary study that incorporates not only horror studies and cinema studies, but also utilises performance studies, anthropology, Gothic studies, literary studies and folklore studies.

Silver RavenWolf dishes out tried-and-true Witch wisdom, covering the essentials of Witchcraft. She leads us to the next step in craft practice, focusing on intermediate-level magical practices, such as the proper mechanics of circle casting and 10 ways to raise power.

This newly translated volume of the Collected Works of Marie-Louise von Franz, one of the most renowned authorities on fairytales, presents a systematic and wide-ranging approach. Von Franz amplifies a variety of fairytale motifs to show that the magical realm is alien to the profane and mundane realm of ordinary daily life. She was one of Analytical Psychology’s most original thinkers and here she presents a lucid, concise exploration of the archetypal symbols found in fairytales. Fairytales, like myths, provide a cultural and societal backdrop that helps the human imagination narrate the meaning of life’s events. The remarkable similarities in fairytale motifs across different lands and cultures inspired many scholars to search for the original homeland of fairytales. While peregrinations of fairytale motifs occur, the common root of fairytales is more archetypal than geographic. A striking feature of fairytales is that a sense of space, time, and causality is absent. This situates them in a magical realm, a land of the soul, where the most interesting things happen in the center of places like Heaven, mountains, lakes, and wells. At the age of eighteen, Marie-Louise von Franz was invited to meet Carl Gustav Jung at Bolingen Tower. She immediately recognized that there exist two levels of reality, one outer and the other inner. Within months she had enrolled at the University of Zürich and began attending Jung’s lectures at the E.T.H. (Eidgenösiche Technische Hochshule or the Swiss Federal Institute of Technology). Less than a decade after meeting Jung, von Franz had completed her doctorate in classical philology and begun seeing her first analysands. She was a prolific writer, a dedicated teacher and lecturer, and was possessed of a “far-reaching and often non discriminating Eros that accepted everyone seeking help.” (Alfred Ribi, MD in Fountain of the Love of Wisdom, Chiron, 2006)

Never-before-published, firsthand accounts of under-sea action presented with a summary of torpedo tactics illustrate how a submarine's crew can hit a target trying to avoid being hit. Legendary figures in American submarine history come to life in actual logs of undersea warfare, and in accounts of sailors who were in the van of torpedo tactics development. The technology is explained in detail, showing how American subs have been so successful in their hundred-year history. Outlandish gags and pranks of submarine skippers are included, showing just how brazen this elite group of super-competent sailors could be. The reader travels through World War II and the Cold War as submarines and torpedoes enter the nuclear age. The book is filled with diagrams and illustrations.

"This comprehensive sourcebook is destined to become a lasting and definitive resource on the art and aesthetic philosophy of the American artist David Smith (1906-1965). A pioneer of twentieth-century modernism, Smith was renowned for the expansive formal and conceptual ambitions of his broadly diverse and inventive welded-steel abstractions. His groundbreaking achievements drew freely on cubism, surrealism, and constructivism, profoundly influencing later movements such as minimalism and environmental art. By radically challenging older conventions of monolithic figuration and refuting arbitrary distinctions between painters and sculptors, Smith asserted sculpture's equal role in advancing modern art. A compilation of Smith's poems, sketchbook notes, essays, lectures, letters to the editor, reviews, and interviews, these previously unpublished texts underscore the varied ways in which his writing functioned as a means to examine and articulate his private identity and to promote the social ideals that made him a key participant in contemporary discourses surrounding modernism, art and politics, and sculptural aesthetics. All the documents in David Smith: collected writings, lectures, and interviews have been newly corrected against the original manuscripts, typescripts, and audiotapes. Each text in this collection is annotated with historical and contextual information that reflects Smith's own process of continually reviewing and revising his writings in response to his evolving aspirations as a visual artist."--Provided by publisher.