The Heart of Hyacinth, originally published in 1903, tells the coming-of-age story of Hyacinth Lorrimer, a child of white parents who was raised from infancy in Japan by a Japanese foster mother and assumed to be Eurasian. A crisis occurs when, 18 years after her birth, her American father returns to Japan to reclaim her just as Hyacinth has become engaged to a Japanese aristocrat, and she forcefully asserts her Japanese ties only to find that her prospective father-in-law will not tolerate a white wife for his son. Onoto Watanna creates in her protagonist a young white woman who not only claims a Japanese identity but shifts between her Japaneseness and her whiteness as expediency dictates. In this novel Watanna is on the cutting edge of what we now call race theory, using that theory—of racial constructions and fluidity—in the service of an avant-garde feminism.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Talented actor. Charismatic celebrity. Woman magnet. Author. A free thinker and an independent soul. That’s the shorthand when it comes to the worldwide perception of Keanu Reeves. But there’s more to the real Keanu than pop culture talking points and, in Keanu Reeves’ Excellent Adventure: An Unauthorized Biography by New York Times bestselling author Marc Shapiro, the star of Speed, John Wick, Point Break and countless big and small films proves to be a lot more contrary and anti-establishment than most Hollywood cookie cutter celebrities. Equal parts biography and character study, Keanu Reeves’ Excellent Adventure: An Unauthorized Biography is an ink blot/rat in a maze journey as the actor deals with his life and times in straightforward, often philosophical and spiritual manner. He can be shy, self -effacing, an introvert and somebody who has been a pain in the side of the Hollywood establishment. He’s also found time to be an all around good guy as he deals with life’s ups and downs. But at the end of the day, Keanu Reeves is nothing less than human. He’s dealt with the deaths of those he’s loved the most. He makes no bones about the fact that he comes from a dysfunctional upbringing. He’s walked away from big-budget studio films in favor of doing Hamlet for peanuts. And, early on, he didn’t think twice about starring in the overtly gay-themed way out of the mainstream theater production Wolfboy. He’s readily admits to having done drugs and has had his run ins with the law. And along the way his risen to that rarified air of international star.

Excerpt from The Heart of Hyacinth The missionary grew old and white and bent. His gentle wife passed away. He lingered wistfully, a strangely iso lated, though beloved, figure in the little community. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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