A doomed romance brings a town to its knees in this teen gothic graphic novel from acclaimed comics writer Tapalansky and phenomenal newcomer artist Espinosa.

Men in St. Louis are being murdered. Is it a serial killer, or something beyond reasonable explanation? For detective Billye Washington, uncovering the clues to the crimes will lead her to the edge of the impossible, and reveal hidden secrets of her own family lineage. Who is the mysterious Donovan Kane? And what is the link Billye has to the brother of one of the victims – a power she refers to as The Knowing? In this gripping first novel, the connections between life, death and beyond will be blurred, as Billye Washington attempts to stop the killing - and discovers that in between light and darkness, you cast no shadow.

The legend of Betty Pack is simple enough. She was a beautiful American spy recruited first by the British Secret lntelligence Service in 1938 and later by the American OSS. Her method of obtaining information was singular: seduction. In Cast No Shadow Mary Lovell, author of Straight On Till Morning, the internationally acclaimed and best-selling biography of Beryl Markham, gives us for the first time the complete story behind the legend of this modern-day Mata Hari, a story more astounding than the legend. Betty Pack's milieu was the aristocratic world of international diplomatic society The wife of a career British diplomat-the marriage for both partners had quickly become an arrangement of convenience, not passion - Betty would be witness to and participant in many of the most intense historic moments of the twentieth century: in civil war-torn Madrid, besieged Warsaw occupied Paris, wartime Washington. In each locale, Betty's entrée into diplomatic circles and her own penchant for seeking out men at the center of conflict made her a spy whose love of adventure was matched only by her talent for uncovering the enemy's secrets. Betty often knew what information her spymasters wanted; more important, she knew whom to approach and seduce in order to obtain it. Relying on top-secret and heretofore unrevealed documents from British Intelligence as well as on Betty's own memoir written shortly before her death, Mary Lovell offers a remarkable portrait of a woman whose adeptness for intrigue in affairs of espionage and passion is astonishing. Cast No Shadow is a story of subterfuge and romantic expediency the exposes the hidden human intrigue of World War II and the life of a woman whose contribution to the Allied effort was invaluable and unique.

A journalist’s investigation leads her into danger and murder: “This contemporary thriller, set in India and London, is intriguing and thought provoking.” —NB Magazine Samantha is a journalist in search of a big break that could make a career. When she comes across a little-reported story in India about a hotelier named Amit Joshi—who was accused of rape but exonerated when it was revealed he is actually female—Samantha believes there’s more to uncover. She begins to investigate, helped by a colleague, Gregory, whose brother Simon works for the British High Commission in Delhi. But as more comes to light, Simon is found brutally murdered. And when Gregory travels to India to discover what happened to his brother, he goes missing. With the authorities seemingly unable to help, Samantha heads to India to search for Gregory and discover the truth behind Amit’s story and Simon’s murder. But thrown into a dark underworld with danger at every turn, she fears that the truth could prove to be the death of not just the story but Samantha herself . . .

Seven years have passed since a catastrophic explosion on the Klingon moon Praxis touched off a chain of events that would result in the assassination of the reformist High Chancellor Gorkon, and the eventual creation of the historicKhitomer Accords. Now, as part of the ongoing efforts to undo the disastrous fallout from the destruction of Praxis and with the help of aid supplies from the United Federation of Planets, reconstruction is in progress, and after years of slow going hindered by political pressures and old prejudices, headway is at last being made. But the peace process begun by theKhitomer Accords is still fragile just as the deadly plans of what is believed to be a hard-line Klingon isolationist group violently come to fruition. Yet the group thought responsible for the deadly attack has been dormant for decades, and its known modus operandi doesn’t match up to the manner of the strike. And further investigation leads to an unexpected revelation connected to the Gorkon conspiracy of 2293, and in particular one disgraced and very familiar Starfleet lieutenant….

"In a near-future Southern city, everyone is talking about a new experimental medical procedure that boasts unprecedented success rates. In a society plagued by racism, segregation, and private prisons, this operation saves lives with a controversial method--by turning people white. Like any father, our unnamed narrator just wants the best for his son Nigel, a biracial boy whose black birthmark is getting bigger by the day. But in order to afford Nigel's whiteness operation, our narrator must make partner as one of the few black associates at his law firm, jumping through a series of increasingly absurd hoops--from diversity committees to plantation tours to equality activist groups--in a tragicomic quest to protect his son. This electrifying, suspenseful novel is, at once, a razor-sharp satire of surviving racism in America and a profoundly moving family story. In the tradition ofRalph Ellison's Invisible Man, We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love"--

In the aftermath of Covid-19, the subject of ‘empty places’ has gained renewed topicality and resonance. Watching, Waiting presents a collection of essays that brings emptiness into interdisciplinary focus as an object of study that extends beyond the present. The contributors approach the specific interrelationships of photography and place through emptiness by considering historical and contemporary material in equal measure. Drawing on architecture, anthropology, sociology, and public health, among other fields, they provide insights into geographically and temporally diverse production models of empty places and their corresponding complex and sensitive global and local relations, while also tackling the ethics of behaviour and protests that unfold within them. The book's chapters, both photographic and scholarly essays, cover areas that range widely both thematically and geographically, spanning static film footage of Nicosia's Buffer Zone, protest photographs in the wake of the Black Lives Matter movement in Bristol, staged images from the University of Zagreb's ethnological archives, historic landscape and architectural photography, aerial shots of Covid-19 mass graves in Brazil, photos of artificially built field hospitals and quarantine rooms during the pandemic, and images of empty airports at night. Through still and moving images, Watching, Waiting examines the photographic aestheticisation of emptiness, existing stereotypes of ‘empty places’, and transformations of human experiences.

Upon arriving in the port city of Tradocco, Falco becomes apprentice to master shadow thief Maestro Astolfo, and as his education progresses, he is plunged into the company of con men, monsters, pirates, and the King of the Cats.