The Hawthorne University Witch Series is available in this three book collection including: Broomstick, Book I: I used to not believe in witches. Cadence Hawthorne enrolls in a special honors program at Hawthorne University to be with a super cute teaching assistant. She hopes the program can help with visions of ghosts and witches, while evil from within threatens her and her newfound love. Windstorm, Book II: Believe in witches, for sometimes you need magic to ward off the evil in darkness. Cadence enters her junior year at Hawthorne University when her friend deals her a reversed Lovers tarot card. That means trouble in paradise. And there's plenty of trouble when she learns of a new wicked witch's involvement in her boyfriend's past. The Hawthorne Witch, Book III: Sometimes I’d rather shield my eyes than see darkness in light. Cadence stresses over the possibility of losing the love of her life as she plans to graduate from Hawthorne University. She’s also a bit distracted by a witch threatened with sacrificial murder and another murmuring to herself on a painted pentagram in her dorm room. Might the Abaddon witch be upsetting her plans? Content warning: The Hawthorne University Witch Series is a new adult college paranormal romance containing profanity, sexual scenes, adult situations, and, of course, witchcraft.

The Hawthorne University Witch Series, Books 4-6, is now available in this three-book collection. This trilogy is a standalone series that can be enjoyed without having read the previous books. Witch Mirror, Book 4: Reflections of a wicked witch. Cadence Hawthorne's love life is threatened by a demon-witch, but she has her teacher’s magic to protect her. Actually, not only does she have her magic, she has Alondra’s spirit inside her, possessing her. Ravens, Book 5: When evil lands on my doorstep. Cadence’s friends believe she is fighting a curse. But Cadence feels like she has to do whatever it takes to save the town, even if it means teaming up with her archenemy witch, Enora. Evil empowers Cadence, but her dark spellcasting threatens to drive a stake right through her heart and the heart of Hawthorne University. Shadow Cast, Book 6: You can't cast shadows in darkness. Enora claims Cadence is haunting her coven’s dreams. A séance is performed. But during the séance, Cadence doesn’t just see ghosts or spirits, she sees evil. Her new revelation might be enough to protect Bryce and her unborn baby—or save her greatest adversary. Content warning: The Hawthorne University Witch Series is a new adult college paranormal romance containing profanity, sexual scenes, adult situations, and, of course, witchcraft.

I fell in love with a goth, but she’s a witch. Starting school at Hawthorne University was not going well, until I met my classmate Alondra. Allie was different. She was goth. But she was also mysterious, confident and fun. I was into that. My name’s Liam. My friends call me Lee. Things got weird after I accompanied her to her haunts. Poltergeists and demons attacked little girls. I watched Alondra help exorcise these ghosts, but some of their evil stuck to me. Well, being attracted to a witch was one thing; dating one was quite another. It seemed the closer I got to Allie, the more her witchcraft endangered my friends. And my soul. You decide. I chronicled everything here in her book. Alondra is a prequel to the internationally bestselling Hawthorne University Witch series. The novel takes place twenty years before Broomstick. Content warning: Alondra is a new adult college paranormal romance containing profanity, sexual scenes, adult situations, and, of course, witchcraft.

I used to not believe in witches. Until I enrolled in Dr. Alondra Johansen’s metaphysical history class. Bryce, Alondra’s super cute teaching assistant, told me my element sign is Earth. I am, in fact, a pragmatic sort of girl. My name is Cadence Hawthorne, but you can call me Katie. Darkness fell over me and my family during my sophomore year. I thought maybe Alondra could help me with my grief and visions of ghosts. But there was this guy working with her, with a goatee and sardonic smile, who looked more like the devil than a professor. He did terrible things to my best friend, threatening my growing love for Bryce. Do you believe in ghosts? How ‘bout witches? I do. See, it was at Hawthorne University that I learned all about them. Come take a look in my grimoire. I wrote it all down here in Broomstick.

'A comfortable chair and a Mary Stewart: total heaven. I'd rather read her than most other authors.' Harriet Evans The rambling house called Thornyhold is like something out of a fairy tale. Left to Gilly Ramsey by the cousin whose occasional visits brightened her childhood, the cottage, set deep in a wild wood, has come just in time to save her from a bleak future. With its reputation for magic and its resident black cat, Thornyhold offers Gilly more than just a new home. It offers her a chance to start over. The old house, with it tufts of rosy houseleek and the spreading gilt of the lichens, was beautiful. Even the prisoning hedges were beautiful, protective with their rusty thorns, their bastions of holly and juniper, and at the corners, like towers, their thick columns of yews. 'Mary Stewart is magic' New York Times 'One of the great British storytellers of the 20th century' Independent

This book synthesizes ecofeminist theory, American studies, and postcolonial theory to interrogate what New Americanist William V. Spanos articulates as the "errand into the wilderness": the ethic of Puritanical expansionism at the heart of the U.S. empire that moved westward under Manifest Destiny to colonize Native Americans, non-whites, women, and the land. The project explores how the legacy of the errand has been articulated by women writers, from the slave narrative to contemporary fiction. Uniting texts across geographical and temporal boundaries, the book constructs a theoretical approach for reading and understanding how women authors craft counter-narratives at the intersection of metaphorical and literal landscapes of colonization. It focuses on literature from the United States and the Caribbean, including the slave narratives by Sojourner Truth, Harriet E. Wilson, and Harriet Jacobs, and contemporary work by Toni Morrison, Maryse Condé, Edwidge Danticat, and Native American writer Linda Hogan. It charts the contrast between America’s earliest idyllic visions and the subsequent reality: an era of unprecedented violence against women of color and the environment. This study of many canonical writers presents an important and illuminating analysis of American mythologies that continue to impact the cultural landscape today. It will be a significant discussion text for students, scholars, and researchers in environmental humanities, ecofeminism, and postcolonial studies.

"What was it like to be there and, if you were lucky, to live through it? In a compelling combination of narrative and groundbreaking historical research, Salem Witch Trial scholar Marilynne K. Roach vividly brings the terrifying times to life while skillfully illuminating the lives of the accused, the accusers, and the afflicted."--Back cover.

The witch as a cultural archetype has existed in some form since the beginning of recorded history. Her nature has changed through technological developments and sociocultural shifts--a transformation most evident in her depictions on screen. This book traces the figure of the witch through American screen history with an analysis of the entertainment industry's shifting boundaries concerning expressions of femininity. Focusing on films and television series from The Wizard of Oz to The Craft, the author looks at how the witch reflects alterations of gender roles, religion, the modern practice of witchcraft, and female agency.