Varla Ventura, Coast to Coast favorite, Weird News blogger on Huffington Post, and author of The Book of the Bizarre and Beyond Bizarre, introduces Weiser Books’ new Collection of forgotten occult classics. Paranormal Parlor is an eerie assemblage of affordable digital editions, curated with Varla’s sixth sense for tales of the weird and unusual. In the 1859 Christmas edition of his regular publication, All Year Round, Charles Dickens solicited his favorite authors to take up residence in his Haunted House. With an introductory story by Dickens (The Mortals in the House) each author writes from the point of view of the ghost residing in a room. On the Twelfth Night of Christmas, a night believed to hold supernatural powers, the ghost begin to speak. Adelaide Anne Procter, who was Queen Victoria’s favorite poet, delivers the tale of “The Ghost in the Picture Room” entirely in rhyming verse. Wilkie Collins, a lifelong friend of Dickens and a well known author and playwright, delights with his nautical story of “The Ghost in the Cupboard Room.” And Elizabeth Gaskell, in the longest of the stories in the collection, paints a vivid portrait of the ghost of a judge in “The Ghost in the Garden Room.” For any lover of Dickens, Gaskell, or even just a good ghost story, this unique collection will warm the heart and chill the bones.

Everything is bigger in Texas—including ghosts—especially in San Antonio, considered one of the ten most haunted cities in the world by National Geographic. As the saying goes, “dead men tell no tales.” Or do they? From its humble beginnings as a Spanish settlement in 1691 to the bloody battle at the Alamo, San Antonio’s history is rich in haunting tales. Discover Old San Antonio’s most haunted places and uncover the history that lies waiting for those who dare enter their doorways. Take a peek inside the Menger Hotel, the “Most Haunted Hotel in Texas,” and just a block away, peer into the Emily Morgan Hotel, renovated after a decade of being vacant, was once the city’s first hospitals where many men and women lost their lives. Explore the San Fernando Cathedral, where people are buried within the walls and visitors claim to see faces mysteriously appear. Uncover the legends behind Bexar County Jail. Join authors James and Lauren Swartz and decide for yourself what truly lurks behind the Alamo City’s fabled past. Includes photos!

First published in 1859 for the weekly periodical “All the Year Round”, “The Haunted House" is a collection of short stories by Charles Dickens and others, with Dickens writing the opening and closing stories. They include: "The Mortals in the House" (Charles Dickens), "The Ghost in the Clock Room" (Hesba Stretton), "The Ghost in the Double Room" (George Augustus Sala), "The Ghost in the Picture Room" (Adelaide Anne Procter), "The Ghost in the Cupboard Room" (Wilkie Collins), "The Ghost in Master B's Room" (Charles Dickens), "The Ghost in the Garden Room" (Elizabeth Gaskell), and "The Ghost in the Corner Room" (Charles Dickens). Charles John Huffam Dickens (1812–1870) was an English writer and social critic famous for having created some of the world's most well-known fictional characters. His works became unprecedentedly popular during his life, and today he is commonly regarded as the greatest Victorian-era novelist. Although perhaps better known for such works as “Great Expectations” or “A Christmas Carol”, Dickens first gained success with the 1836 serial publication of “The Pickwick Papers”, which turned him almost overnight into an international literary celebrity thanks to his humour, satire, and astute observations concerning society and character. This classic work is being republished now in a new edition complete with a specially-commissioned new biography of the author.

Settle in for a series of spooky tales that will delight even the most discerning reader. This collection of ghost stories from literary luminaries is the perfect choice for curling up in front of a roaring fire or reading aloud on a dark and stormy night.

The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America. “[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed’s text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution. Now, for the first time, we can hear Austin Reed’s story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan’s brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor. Seven years later, Reed found himself at New York’s infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America’s first reformatory and first industrial prison from an inmate’s point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York. Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed’s memoir illuminates his own life and times—as well as ours today. Praise for The Life and the Adventures of a Haunted Convict “One of the most fascinating and important memoirs ever produced in the United States.”—Annette Gordon-Reed, The Washington Post “Remarkable . . . triumphantly defiant . . . The book’s greatest value lies in the gap it fills.”—O: The Oprah Magazine “Reed displays virtuosic gifts for narrative that, a century and a half later, earn and hold the reader’s ear.”—Thomas Chatterton Williams, San Francisco Chronicle “[The book’s] urgency and relevance remain undiminished. . . . This exemplary edition recovers history without permanently trapping it in one interpretation.”—The Guardian “A sensational, novelistic telling of an eventful life.”—The Paris Review “Vivid and painful.”—NPR “Lyrical and graceful in one sentence, burning with fury and hellfire in the next.”—Columbus Free Press

A psychological horror with a literary twist, Kill Creek delivers elevated prose, while evoking the unnerving, atmospheric terror essential to greats like Peter Straub and Stephen King—a haunting that lingers long after turning the last page.

Varla Ventura, Coast to Coast favorite, Weird News blogger on Huffington Post, and author of The Book of the Bizarre and Beyond Bizarre, introduces Weiser Books’ new Collection of forgotten occult classics. Paranormal Parlor is an eerie assemblage of affordable digital editions, curated with Varla’s sixth sense for tales of the weird and unusual. From 1859's Christmas edition of All Year Round, edited by Charles Dickens, a collection set in an abandoned house where the guests are each asked to take up residence in one of the haunted rooms on the Twelfth Night of Christmas (a night of high magical power when the veil between the mortal and the spirit world was thinnest). Read what lurks in Master B.'s room.