A comprehensive reference to the identification of Shakespeare's dramatic passages and poetic verse

The Globe Guide to Shakespeare is the ultimate guide to the life and work of the world's greatest playwright: William Shakespeare. With full coverage of the 39 Shakespearian plays, including a synopsis, full character list, stage history and a critical essay for each, this comprehensive guide is both a quick reference and in-depth background guide for theatre goers, students, film buffs and lovers of literature alike. The Globe Guide to Shakespeare also explores Shakespeare's sonnets and the narrative poems, combined with fascinating accounts of Shakespeare's life and theatre, exploring in colourful detail each play's original performances. This comprehensive guide includes up-to-date reviews of the best films and audio recordings of each play, from Laurence Olivier to Baz Luhrmann, Kozintsev to Kurosawa. The Globe Guide to Shakespeare is a celebration of all things Shakespearian. Published to coincide with the 400th anniversary of Shakespeare's death.

Shakespeare's English: A Practical Linguistic Guide provides students with a solid grounding for understanding the language of Shakespeare and its place within the development of English. With a prime focus on Shakespeare and his works, Keith Johnson covers all aspects of his language (vocabulary, grammar, sounds, rhetorical structure etc.), and gives illuminating background information on the linguistic context of the Elizabethan Age. As well as providing a unique introduction to the subject, Johnson encourages a "hands-on" approach, guiding students, through the use of activities, towards an understanding of how Shakespeare's English works. This book offers: · A unique approach to the study of Early Modern English which enables students to engage independently with the topic · Clear and engagingly written explanations of linguistic concepts · Plentiful examples and activities, including suggestions for further work · A glossary, further reading suggestions and guidance to relevant websites Shakespeare's English is perfect for undergraduate students following courses that combine English language, linguistics and literature, or anyone with an interest in knowing more about the language with which Shakespeare worked his literary magic.

Editors of Shakespeare's Complete Works must decide what to include. Although not in the First Folio collection of 1623, The Two Noble Kinsmen and Edward III have now entered the canon as plays co-authored by Shakespeare. Determining the Shakespeare Canon makes the case for lifting Arden of Faversham, first published in 1592, over the same threshold. A wealth of evidence indicates that Shakespeare was wholly or largely responsible for several of its central scenes (constituting Act III in editions divided into acts), and that the domestic tragedy can thus be added to the mounting list of his dramatic collaborations. Shakespeare's beginnings as a playwright are due for reconsideration. The second half of this volume provides solid grounds for accepting that publisher Thomas Thorpe's inclusion of A Lover's Complaint within the 1609 quarto of Shakespeare Sonnets was justified. While A Lover's Complaint has long been part of the Shakespeare canon, according to most editors, the poem's authenticity has been vigorously challenged in recent years. Its status is crucial to how critics assess the authority of the quarto's ordering of sonnets and interpret the structure of the sequence as a whole. These two problems of attribution are each addressed in five separate chapters that describe the converging results of different approaches and rebut counter-arguments. Stylometric techniques, using the resources of computers and electronic databases, are applied and the research methodologies of other scholars explained and evaluated. Quantitative tests are supplemented with traditional literary-critical analysis.

Written by a team of leading international scholars, this Companion is designed to illuminate Shakespeare's works through discussion of the key topics of Shakespeare studies. Twenty-one essays provide lively and authoritative approaches to recent scholarship and criticism for readers keen to expand their knowledge and appreciation of Shakespeare. The book contains stimulating chapters on traditional topics such as Shakespeare's biography and the transmission of his texts. Individual readings of the plays are given in the context of genre as well as through the cultural and historical perspectives of race, sexuality and gender, and politics and religion. Essays on performance survey the latest digital media as well as stage and film. Throughout the volume, contributors discuss Shakespeare in a global as well as a national context, a dramatist with a long and constantly mutating history of reception and performance.

Focusing on new reference sources published since 2008 and reference titles that have retained their relevance, this new edition brings O’Gorman’s complete and authoritative guide to the best reference sources for small and medium-sized academic and public libraries fully up to date.

Professor Hussey looks at the vocabulary, syntax and register of Renaissance English, following this with a more detailed analysis of particular kinds of language in the plays such as prose, verse, rhetoric and the soliloquy. For this new edition, the text has been revised throughout with, in particular, a completely new chapter providing detailed readings of selected plays, illustrating the ways particular aspects of language can be studied in practice.

By connecting Shakespeare's language to the stunning artwork that depicted the end of the world, this study provides not only provides a new reading of Shakespeare but illustrates how apocalyptic art continues to influence popular culture today. Drawing on extant examples of medieval imagery, Roger Christofides uses poststructuralist and psychoanalytic accounts of how language works to shed new light on our understanding of Hamlet, Othello, Macbeth, and King Lear. He then links Shakespeare's dependence on his audience to appreciate the allusions made to the religious paintings to the present day. For instance, popular television series like Battlestar Galactica, seminal horror movies such as An American Werewolf in London and Carrie and recent novels like Cormac McCarthy's The Road. All draw on imagery that can be traced directly back to the depictions of the Doom, an indication of the cultural power these vivid imaginings of the end of the world have in Shakespeare's day and now.