This Chief Inspector Gamache novella is set in Three Pines. This novella is a short and easy read for people on the go.

In 1776, the rebellion of the American colonies against British rule was crushed. Now, in 1777-the year of the hangman-George Washington is awaiting execution, Benjamin Franklin's banned rebel newspaper, Liberty Tree, has gone underground, and young ne'er-do-well Creighton Brown, a fifteen-year-old Brit, has just arrived in the colonies. Having been shipped off against his will, with nothing but a distance for English authorities, Creighton befriends Franklin, and lands a job with his print shop. But the English general expects the spoiled yet loyal Creighton to spy on Franklin. As battles unfold and falsehoods are exposed, Creighton must decide where his loyalties lie...a choice that could determine the fate of a nation.

THE INTERNATIONAL BESTSELLER “Brilliant!” —Jeffery Deaver, New York Times bestselling author “Two well-chewed thumbs up.” —Gregg Hurwitz, New York Times bestselling author An addictive debut thriller starring an FBI consultant with a peculiar taste for crime and punishment… A boy vanishes on his way home from school. His frantic mother receives a ransom call: pay or else. It’s only hours before the deadline, and the police have no leads. Enter Timothy Blake, an FBI consultant with a knack for solving impossible cases but whose expertise comes at a price. Every time he saves a life, he takes one, trying to satisfy an urge he fears he can only control for so long. And this time Blake may have met his match. The kidnapper is more cunning and ruthless than any he’s faced before. And he’s been assigned a new partner within the Bureau: a woman linked to the past he’s so desperate to forget. Because he has a secret, one so dark he will do anything to keep it hidden. For fans of Dexter and Hannibal, Hangman introduces a darkly mesmerizing character whose skill at finding criminals comes from a knowledge that can only be learned firsthand.

After two years of fighting, Great Britain felt confident that the American rebellion would be crushed in 1777, the "Year of the Hangman." Britain devised a bold new strategy. Turning its attention to the frontiers, Britain enlisted its provincial rangers and allied warriors, principally from the Iroquois Confederacy, to wage a brutal backwoods war in support of General John Burgoyne's offensive as it swept southward from Canada. With the defeat of Burgoyne at Saratoga, the Continental command decided to end any further threat along the frontier. In the award-winning Year of the Hangman: George Washington's Campaign Against the Iroquois, historian Glenn F. Williams recreates the riveting events surrounding the largest coordinated American military action against American Indians during the Revolution, including the checkered story of European and Indian alliances, the bitter frontier wars, and the bloody battles of Oriskany and Newtown.

The central question for both the victors and the vanquished of World War II was just how widely the stain of guilt would spread over Germany. Political leaders and intellectuals on both sides of the conflict debated whether support for National Socialism tainted Germany's entire population and thus discredited the nation's history and culture. The tremendous challenge that Allied officials and German thinkers faced as the war closed, then, was how to limn a postwar German identity that accounted for National Socialism without irrevocably damning the idea and character of Germany as a whole. In the House of the Hangman chronicles this delicate process, exploring key debates about the Nazi past and German future during the later years of World War II and its aftermath. What did British and American leaders think had given rise to National Socialism, and how did these beliefs shape their intentions for occupation? What rhetorical and symbolic tools did Germans develop for handling the insidious legacy of Nazism? Considering these and other questions, Jeffrey K. Olick explores the processes of accommodation and rejection that Allied plans for a new German state inspired among the German intelligentsia. He also examines heated struggles over the value of Germany's institutional and political heritage. Along the way, he demonstrates how the moral and political vocabulary for coming to terms with National Socialism in Germany has been of enduring significance—as a crucible not only of German identity but also of contemporary thinking about memory and social justice more generally. Given the current war in Iraq, the issues contested during Germany's abjection and reinvention—how to treat a defeated enemy, how to place episodes within wider historical trajectories, how to distinguish varieties of victimhood—are as urgent today as they were sixty years ago, and In the House of the Hangman offers readers an invaluable historical perspective on these critical questions.

A detective with no one to trust A killer with nothing to lose Detective Emily Baxter is still reeling from the Ragdoll case, and from the disappearance of her friend William “Wolf” Fawkes. Despite her reluctance to jump into another gruesome case, she’s summoned to a meeting of a new FBI/CIA/UK law enforcement task force in New York. There, she is presented with photographs of the latest copycat murder: a body contorted into a familiar pose, strung up from the Brooklyn Bridge, the word “BAIT” carved deep into its chest. As the media pressure intensifies, Baxter is ordered to assist with the investigation and attend the scene of another murder, again with a victim inscribed with a word—“PUPPET.” The murders continue to grow in spectacle and depravity on both sides of the Atlantic, and the team helplessly plays catch-up. Baxter must shake off the grief and fear that have paralyzed her for the last year so she can stop another terrible killer before it’s too late.

Hangman Jakob Kuisl is called upon to investigate whether witchcraft is being practiced in the small town of Schongau in 1659 after a dying boy is pulled from the river with a mark crudely tattooed on his shoulder.

NEW ONGOING SERIES FROM DARK CIRCLE! They say the Hangman is nothing more than an urban legend. A spook story told to scare criminals straight. But those who encounter him—like hitman "Mad Dog" Mike Minetta—know different. They know that when he comes for you… you're dead already. Join fan-favorite writer Frank Tieri (WOLVERINE, BATMAN) and artist extraordinaire Felix Ruiz (WOLVERINE MAX, HALO) for an ongoing tale of horror, the supernatural and violence... and learn why some men may never be redeemed.

An Elizabethan espionage thriller in which playwright Christopher Marlowe spies on Mary, Queen of Scots while navigating the perils of politics, theater, romance—and murder. England, 1585. In Kit Marlowe's last year at Cambridge, he is approached by Queen Elizabeth's spymaster offering an unorthodox career opportunity: going undercover to intercept a Catholic plot to put Mary, Queen of Scots on Elizabeth's throne. Spying on Queen Mary turns out to be more than Kit bargained for, but his salary allows him to mount his first play, and over the following years he becomes the toast of London's raucous theater scene. But when Kit finds himself reluctantly drawn back into the world of espionage and treason, he realizes everything he's worked so hard to attain—including the trust of the man he loves—could vanish in an instant. Pairing modern language with period detail, Allison Epstein brings Elizabeth's lavish court, Marlowe's colorful theater troupe, and the squalor of sixteenth-century London to vivid, teeming life. At the center of the action is Kit himself—an irrepressible, irreverent force of nature.

The account of the murder of Diane Whitmore Pikul describes how her wealthy and violent Wall Street husband murdered her and then won custody of her children while under indictment for her murder. “A young mother, so full of promise, is killed by the ‘perfect’ husband. Sheila Weller takes a domestic tragedy and reveals every nuance so that we see the compelling anatomy of a murder in slow motion, from the dynamics of a marriage to the crime itself, to its chilling aftermath. Powerful reporting of an unforgettable story.”—Vincent Bugliosi