With entries that range from specific works to authors, folklore, and popular culture (including music, film, television, urban legend, and gaming), this book provides a single-volume resource on all things ghostly in the United States and in other countries. The concept of ghosts has been an ongoing and universal element in human culture as far back as recorded history can document. In more modern popular culture and entertainment, ghosts are a popular mainstay—from A Christmas Carol and Casper the Friendly Ghost to The Amityville Horror, Ghostbusters, Poltergeist, The Sixth Sense, and Ghost Whisperer. This book comprehensively examines ghost and spirit phenomena in all its incarnations to provide readers with a holistic perspective on the subject. It presents insightful information about the contribution of a specific work or author to establish or further the evolution of ghost lore, rather than concentrating solely on the film, literature, music, or folklore itself. The book focuses on ghosts in western culture but also provides information about spirit phenomena and lore in international settings, as many of the trends in popular culture dealing with ghosts and spirits are informed by authors and filmmakers from Germany, Japan, Korea, and the United Kingdom. The writers and editors are experts and scholars in the field and enthusiastic fans of ghost lore, ghost films, ghost hunting, and urban legends, resulting in entries that are informative and engaging—and make this the most complete and current resource on ghost and spirit lore available.

Pulitzer Prize-winning critic Michael Dirda has been hailed as "the best-read person in America" (The Paris Review) and "the best book critic in America" (The New York Observer). His latest volume collects fifty of his witty and wide-ranging reflections on a life in literature. Reaching from the classics to the post-moderns, his allusions dance from Samuel Johnson, Ralph Waldo Emerson and M. F. K. Fisher to Marilynne Robinson, Hunter S. Thompson, and David Foster Wallace. Dirda's topics are equally diverse: literary pets, the lost art of cursive writing, book inscriptions, the pleasures of science fiction conventions, author photographs, novelists in old age, Oberlin College, a year in Marseille, writer's block, and much more. As admirers of his earlier books will expect, there are annotated lists galore—of perfect book titles, great adventure novels, favorite words, books about books, and beloved children's classics, as well as a revealing peek at the titles Michael keeps on his own nightstand.Funny and erudite, Browsings is a celebration of the reading life, a fan's notes, and the perfect gift for any booklover.

"A striking contribution to the literature of darkness." - Humbert Wolfe "A disturbing study of spiritual domination . . . subtle and terrifying." - Daily Telegraph "Mr. Onions is an inspired writer . . . A poet of prose." - John Betjeman When Peter Byles's father dies shortly before the boy's thirteenth birthday, the young orphan is sent to live at the Victorian Gothic mansion of his father's friend, Dr. Kornelius Voyt. Peter arrives at the dreary house, surprised to find that he sees nothing of the enigmatic Voyt, instead passing his time in lessons with a young German tutor. But it soon becomes clear to Peter that these lessons are only preparations for something much more sinister that Voyt intends to teach him. Voyt, unable either to hear or speak, has learned to compensate for his disability by developing extraordinary powers of the mind, powers which allow him to communicate telepathically, control the wills of others, and even inflict pain on those who anger him. Voyt has a terrifying vision of the world's future, and he is determined to use Peter as a pawn in his inscrutable plans. . . . Best known today for his ghost stories, Oliver Onions (1873-1961) was also a masterful novelist, and all his talents are on display in The Hand of Kornelius Voyt (1939), which, as Mark Valentine writes in the new introduction to this edition, "is a formidable achievement in sustaining an atmosphere of uncanny dread." This edition, the first in nearly fifty years, reprints the unabridged text of the rare first edition and features a reproduction of the original dust jacket illustration.

Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.

DigiCat Publishing presents to you this special edition of "Cheerfulness Breaks In: A Barsetshire War Survey" by Angela Margaret Thirkell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.