“A teenager’s psychotic break unhinges her family in this sure-footed first novel.” —The New York Times Book Review A New York Times Editors’ Choice Winner of the Kate Chopin Writing Award Winner of the Ken/NAMI Award One day, Angie Voorster—diligent student, all-star swimmer, and ivy-league bound high school senior—dives to the bottom of a pool and stays there. In that moment, everything the Voorster family believes they know about each other changes. Katharine Noel’s extraordinary debut illuminates the fault lines in one family’s relationships, as well as the complex emotional ties that bind them together. With grace and precision rarely seen in a first novel, Noel guides her reader through a world where love is imperfect, and where longing for an imagined ideal can both destroy one family’s happiness and offer them redemption. Halfway House introduces a powerful, eloquent new literary voice. “An eloquent literary performance . . . [A] memorable first novel with a uniquely powerful grace.” —The Boston Globe

A "persuasive and essential" (Matthew Desmond) work that will forever change how we look at life after prison in America through Miller's "stunning, and deeply painful reckoning with our nation's carceral system" (Heather Ann Thompson). Each year, more than half a million Americans are released from prison and join a population of twenty million people who live with a felony record. Reuben Miller, a chaplain at the Cook County Jail in Chicago and now a sociologist studying mass incarceration, spent years alongside prisoners, ex-prisoners, their friends, and their families to understand the lifelong burden that even a single arrest can entail. What his work revealed is a simple, if overlooked truth: life after incarceration is its own form of prison. The idea that one can serve their debt and return to life as a full-fledge member of society is one of America's most nefarious myths. Recently released individuals are faced with jobs that are off-limits, apartments that cannot be occupied and votes that cannot be cast. As The Color of Law exposed about our understanding of housing segregation, Halfway Home shows that the American justice system was not created to rehabilitate. Parole is structured to keep classes of Americans impoverished, unstable, and disenfranchised long after they've paid their debt to society. Informed by Miller's experience as the son and brother of incarcerated men, captures the stories of the men, women, and communities fighting against a system that is designed for them to fail. It is a poignant and eye-opening call to arms that reveals how laws, rules, and regulations extract a tangible cost not only from those working to rebuild their lives, but also our democracy. As Miller searchingly explores, America must acknowledge and value the lives of its formerly imprisoned citizens. PEN America 2022 John Kenneth Galbraith Award for Nonfiction Finalist Winner of the 2022 PROSE Award for Excellence in Social Sciences 2022 PROSE Awards Finalist 2022 PROSE Awards Category Winner for Cultural Anthropology and Sociology An NPR Selected 2021 Books We Love As heard on NPR’s Fresh Air

Cuban exile William Figueras, a thirty-eight-year-old writer suffering from schizophrenia, is sent to a shabby boarding home for the mentally ill in Miami.

"Halfway House draws on three and a half years of intensive ethnographic fieldwork to open a window on the little-known web of organizations governing prisoner reentry at the frontier of mass incarceration. It tells the story of Joe Badillo, along with a small cast of connected characters, by following the ups and downs of his unfolding experience as he leaves jail and searches for a place in the world outside while confronting overwhelming obstacles. Joe's first stop after release is Bridge House, and the author moves into the program as a researcher around the same time he arrives, the beginnings of the long-term collaboration at the heart of the book. This deeply personal account is weaved into a larger analysis of the halfway house as an institution, a site of punishment and carceral control as well as housing and social support. With a national push underway for decarceration and alternatives to imprisonment, it provides an opportunity to rethink the pitfalls and possibilities of using the halfway house to challenge the worst excesses of mass incarceration"--

Nearly sixty teens awaken halfway through their training, stranded on a harsh alien world with few supplies, no adults, and led by a treacherous artificial intelligence, but their greatest enemy is each other.

Halfway House: The Poetics Of Australian Spaces Drains On Gaston Bachelard's Landmark 1958 Work, The Poetics Of Space, To Explore The Concept Of Creative Space-Making Within An Australian Context. The Collection Reflects The Dialogue And Response Of Artists, Writers, Performers And Cultural theorists.

"An important contribution to the sociological and social service literature. It is also a well-documented work that, with little jargon, neatly blends theoretical and applied sociology with historical description. Salvation City provides the reader with a penetrating analysis of the problematic relationship between local communities and people in need of vital services." - Jerome Krase, Emeritus and Murray Koppelman Professor, Brooklyn College, The City University of New York

A National Book Foundation "5 Under 35" Honoree “An enchanting, sparkling book about the many meanings of sisterhood.” —Kristin Iversen, Refinery29 Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don’t), and the unexpected friends who help you find your truest self Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn’t with her sisters? These women, the church, have been her home. Or has she just been hiding? Disarming, delightfully deadpan, and full of searching, Claire Luchette’s Agatha of Little Neon offers a view into the lives of women and the choices they make.

From a searing new literary voice, a raw, compulsively readable memoir about a young man seeking hope, community, and ultimately recovery from addiction in a series of halfway houses and boys’ homes—the first book to so vividly capture this world. In his late teens Tom Macher rebelled against a world that seemed stacked against him. Raised in a broken family and estranged from an absentee father suffering with AIDS, Macher turned to alcohol to escape the painful loneliness of his reality. In quick succession, he is kicked out of school, and then his mother’s house, sent to a boys’ home in Montana, and later, a halfway house in a truck-stop town of Louisiana. It was there that Macher encounters a community of young men struggling to survive—outcasts and thieves, liars and ex-cons, men seeking redemption, men running from the past. As he moves further away from boyhood and embraces a hard-won sobriety, these men—the broken, the hardscrabble, the near gone—become his salvation. Macher captures the trials of sobriety—suicide, death, recovery—and the unusual beauty that forms in the bonds of those who suffer. In visceral, striking prose, he introduces the unforgettable characters he meets along the way, from a former child actor, a young teen struggling with schizophrenia, a tough-love addiction counselor, a sex-addicted social worker, to Matt O, who became Macher’s loyal friend and wingman. Raw, disarming, frenetic, and subversive, Halfway is a brutally honest portrait of the world of down-and-out recovering alcoholics, and a story of how, in their darkest hour, these men create the bonds that form a family.

A study of the influence of Lonergan's reading of Stewart's book on Plato's doctrine of Ideas on the development of his thought.