The 10th Winner of the 2019 PEN/Bellwether Prize for Socially Engaged Fiction, Awarded by Barbara Kingsolver “What a read this is, right from its startling opening scene. But even more than plot, it’s the richly layered details that drive home a lightning bolt of empathy. To read At the Edge of the Haight is to live inside the everyday terror and longings of a world that most of us manage not to see, even if we walk past it on sidewalks every day. At a time when more Americans than ever find themselves at the edge of homelessness, this book couldn’t be more timely.” —Barbara Kingsolver, author of Unsheltered and The Poisonwood Bible Maddy Donaldo, homeless at twenty, has made a family of sorts in the dangerous spaces of San Francisco’s Golden Gate Park. She knows whom to trust, where to eat, when to move locations, and how to take care of her dog. It’s the only home she has. When she unwittingly witnesses the murder of a young homeless boy and is seen by the perpetrator, her relatively stable life is upended. Suddenly, everyone from the police to the dead boys’ parents want to talk to Maddy about what she saw. As adults pressure her to give up her secrets and reunite with her own family before she meets a similar fate, Maddy must decide whether she wants to stay lost or be found. Against the backdrop of a radically changing San Francisco, a city which embraces a booming tech economy while struggling to maintain its culture of tolerance, At the Edge of the Haight follows the lives of those who depend on makeshift homes and communities. As judge Hillary Jordan says, “This book pulled me deep into a world I knew little about, bringing the struggles of its young, homeless inhabitants—the kind of people we avoid eye contact with on the street—to vivid, poignant life. The novel demands that you take a close look. If you knew, could you still ignore, fear, or condemn them? And knowing, how can you ever forget?”

30th anniversary edition tells, through photos and words exactly what the psychedelic world of the Haight-Ashbury was like.

It's 1971, and seventeen-year-old Chloe and her best friend MJ head to San Francisco to ring in the New Year. But Chloe has an ulterior motive—and a secret. She's pregnant and has devised a plan not to be. In San Francisco's flower-power heyday, it was (just about) legal to end her pregnancy. But as soon as the girls cross the Golden Gate, the scheme starts to unravel amid the bellbottoms, love-beads, and bongs. Chloe's secrets escalate until she betrays everyone she cares about. MJ, who has grave doubts about Chloe's plan. Her groovy aunt Kiki, who's offered the girls a place to crash. Her self-absorbed mother meditating back in Phoenix. And maybe, especially, the boy she wishes she'd waited for. In Susan Carlton's Love and Haight, Chloe discovers that easy love is anything but easy.

USA Today best-selling author An ex-con traces a victim's clues to set a cold case ablaze Between fending off a lecherous parole officer and trying to get by in 1978 San Francisco, private investigator Colleen Hayes struggles to put her life back together so she can reconnect with her runaway teenage daughter. Then her life changes dramatically. She accepts a case from wealthy, retired industrialist Edward Copeland. The old man is desperate to solve the brutal murder of his daughter, a murder that took place in Golden Gate Park eleven years earlier—during the Summer of Love. The case has since gone cold, her murderer never found. Now, in his final days, Copeland hires Colleen to find his daughter's killer in hopes he might die in peace. Colleen understands what it means to take a life—she spent a decade in prison for killing her ex. Battling her own demons, she immerses herself in San Francisco's underbelly, where police corruption is rampant. Her investigation turns deadly as she pries for information, yet there is little to go on. However, a song on the radio makes her wonder—did the murdered girl leave any clues that others may have missed? Perfect for fans of Elmore Leonard and Gillian Flynn

2005 marks the 40th anniversary of San Franciscos Haight-Ashbury district. The psychedelic community was probably the most widely written-about phenomenon of the 1960s apart from the Vietnam War. As unexpected as it was inevitable, the whole eventfrom public manifestation to gaudy collapsehappened in less than two years. In this acclaimed, definitive work, Charles Perry examines the history, the drama, and the energy of counter-cultures defining moment. First published by Rolling Stone Press in 1984 and now re-releasedwith a new introduction by the Grateful Deads Bob Weirto time with Haight-Ashburys 40th anniversary, this highly acclaimed work is a must-have for anyone interested in the original sex, drugs, and rock n roll lifestyle.

Drawing upon the methodology developed in his Dynamics of Theology (1990) and exemplified in Jesus Symbol of God (1999), Roger Haight, in this magisterial work, achieves what he calls an historical ecclesiology, or ecclesiology from below. In contrast to traditional ecclesiology from above, which is abstract, idealist, and ahistorical, ecclesiology from below is concrete, realist, and historically conscious. In this first of two volumes, Haight charts the history of the church's self-understandings from the origins of the church in the Jesus movement to the late Middle Ages. In volume 2 Haight develops a comparative ecclesiology based on the history and diverse theologies of the worldwide Christian movement from the Reformation to the present. While the ultimate focus of the work falls on the structure of the church and its theological self-understanding, it tries to be faithful to the historical, social, and political reality of the church in each period.

Capitalizing on the current fascination with the 1960s, THE HAIGHT is the first book in a crime fiction series set in Haight-Ashbury in the late 1960s. Book 1 starts in May 1968. The music, art and aura of peace and love still pervade Haight-Ashbury, but heroin is becoming the prevalent drug and the scene is turning violent. Jimmy Spracklin thinks he knows Haight-Ashbury when he’s called out to the neighborhood to investigate the murder of artist John Blakely in the spring of 1968. Marie, Spracklin’s beloved step-daughter, ran away to the birthplace of acid rock during the Summer of Love the previous year. What Spracklin learns quickly is that heroin is now replacing acid as the most popular drug in Haight-Ashbury. Gangs are taking over. The scene is getting violent. Now Spracklin, the head of the San Francisco Police Department’s famed Bureau of Inspectors, must catch Blakely’s killer while he struggles to bring his daughter home. THE HAIGHT is the story of Jimmy Spracklin’s mission to solve a string of murders in Haight-Ashbury before they claim Marie as another victim. The first book in The Haight crime series, this is a taut, fast-paced thriller that captures the color and turmoil of the 1960s.

Already hailed as a landmark in contemporary Catholic theology, Jesus Symbol of God surveys scriptural data, the key moments in the development of doctrine, and the distinctive horizons of our contemporary world to develop a comprehensive and systematic christology for our time. The task of christology is to explain what it means to say that Jesus is the bearer and revealer of God in the Christian community, the decisive mediation of God's salvation -- or, in other words, the symbol of God.

At the turn of the 20th century, the Haight-Ashbury first gained prominence as the gateway to Golden Gate Park; six decades later, it would anchor the worldwide cultural revolution that blossomed in the 1960s. Though synonymous with peace, love, and living outside the mainstream, its history goes back long before the Summer of Love. Starting as a dairy farm in San Franciscos Outlands, the area saw a building boom of Queen Anne country homes for well-heeled San Franciscans and served as a refuge for victims of the 1906 earthquake and fire. Through world wars, industrial and cultural revolutions, the dot-com boom, and beyond, the Haight-Ashbury has one of the most fascinating histories of any place, anywhere. Here is the story of a vibrant neighborhood that attracts throngs of visitors, while maintaining a core community of families, young people, and long-timers.

Haight Words presents an anthology of thoughtful poetry from people sharing their experiences of being homeless on one of the most famous streets in one of the most prosperous cities in the world: San Francisco, the heart of America's tech revolution. Colorful illustrations accompanying the writings serve as a visual commentary to the growing plight in so many of our communities. Haight Words' provocative approach aims to awaken the senses through illumination of silenced voices. It sends an invitation to challenge social constructs by taking the smallest of actions toward a collective shift that can prove profoundly beneficial to all concerned.