SOMEONE IS UP TO NO GOOD… When Ted Fitzgerald asks the Gunsmith to come to Tuscon, Arizona, Deputy Marshal Clint Adams agrees, even without knowing the reason why. It turns out that Ted is in charge of constructing the new University of Arizona, and he thinks someone is trying to sabotage his work. Some of the townspeople aren’t happy with the new addition to Tuscon, a fact made clear when fires and damage plague the site. With the sabotage attempts escalating quickly, Clint agrees to watch Ted’s back, because the Gunsmith isn’t the sort of man to turn a blind eye on a friend in need… OVER 15 MILLION GUNSMITH BOOKS IN PRINT!

Reprint of the original, first published in 1883.

Roy F. Dunlap's classic book on making and repairing guns is reprinted here as part of Stackpole's Classic Gun Book series. Dunlap shows the skilled gunsmith how to produce professional-quality work in every phase of gunwork; included are instructions on working with metals, chamber and barrel work, and designing and crafting gunstocks. Dunlap's detailed instructions are illustrated with diagrams, drawings, and photographs of a variety of firearms.

Read about the rifle that was made in America by gunsmiths who migrated to Lancaster Co., Pa., from central Europe in the first half of the 18th century. This intensive study and exacting research by Kauffman has brought to light a tremendous amount of information on America's first great rifle. First printed in 1960, this book has an extensive listing of gunsmiths and the stylized work of the makers. Various rifles are identified with many photos and sketches and documentary data. (374pp. illus. index. Masthof Press, 2005 reprint.)

"An acclaimed historian explodes the myth about the 'special relationship' between Americans and their guns, revealing that savvy 19th century businessmen--not gun lovers--created American gun culture"--

NAMED ONE OF THE BEST BOOKS OF 2018 BY THE SAN FRANCISCO CHRONICLE AND SMITHSONIAN MAGAZINE By a prize-winning young historian, an authoritative work that reframes the Industrial Revolution, the expansion of British empire, and emergence of industrial capitalism by presenting them as inextricable from the gun trade "A fascinating and important glimpse into how violence fueled the industrial revolution, Priya Satia's book stuns with deep scholarship and sparkling prose."--Siddhartha Mukherjee, Pulitzer Prize-winning author of The Emperor of All Maladies We have long understood the Industrial Revolution as a triumphant story of innovation and technology. Empire of Guns, a rich and ambitious new book by award-winning historian Priya Satia, upends this conventional wisdom by placing war and Britain's prosperous gun trade at the heart of the Industrial Revolution and the state's imperial expansion. Satia brings to life this bustling industrial society with the story of a scandal: Samuel Galton of Birmingham, one of Britain's most prominent gunmakers, has been condemned by his fellow Quakers, who argue that his profession violates the society's pacifist principles. In his fervent self-defense, Galton argues that the state's heavy reliance on industry for all of its war needs means that every member of the British industrial economy is implicated in Britain's near-constant state of war. Empire of Guns uses the story of Galton and the gun trade, from Birmingham to the outermost edges of the British empire, to illuminate the nation's emergence as a global superpower, the roots of the state's role in economic development, and the origins of our era's debates about gun control and the "military-industrial complex" -- that thorny partnership of government, the economy, and the military. Through Satia's eyes, we acquire a radically new understanding of this critical historical moment and all that followed from it. Sweeping in its scope and entirely original in its approach, Empire of Guns is a masterful new work of history -- a rigorous historical argument with a human story at its heart.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.