When a deputy is murdered in cold blood, twenty-one-year-old Billy Free is accused of the crime. A sheriff and his posse attempt to force their way into his mother's cabin and Free shoots them dead, immediately becoming the object of an extensive manhunt. Although he manages to elude a Greene Country posse and make his way back to Texas, a county sheriff named Bill Fink is waiting to teach him that crooked lawmen are by no means unique to Mississippi. Suddenly Free is in more trouble than ever, fleeing across the Texas frontier to a place where all but the beautiful and loyal Bess Noble believe him to be guilty of murder... in The Guns of Billy Free by Doug Bowman. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A comprehensive filmography, this book is composed of lengthy entries on about 75 films depicting legendary New Mexico outlaw Billy the Kid--from the lost Billy the Kid (1911) to the blockbuster Young Guns (1988) to the direct-to-video 1313: Billy the Kid(2012) and everything in between. Each entry gives a synopsis, cast and credits, critical reception, and a discussion of the events of the films compared to the historical record. Among the entries are made-for-TV and direct-to-video films, foreign movies, and continuing television series in which Billy the Kid made an appearance.

GUNS Edited by Gerald Hausman This anthology with more than 20 contributors from a variety of authors has something to please for every fan. Editor and contributor Gerald Hausman introduces the anthology with a brief history of GUNS. Stories range in tone from The Momaday Gun by Pulitzer Prize-winning author N. Scott Momaday, to Choice of Weapons by New York Times bestselling author Jane Lindskold. There is a spiritual history of firearms as well as a historical one. The truth is, they have been with us for a very long time. Every family has a gun story, a firearm anecdote that bares the bones of the oldest argument there is—the one about the plain old cussedness of the human race. In this unusual and varied collection of tales written by masters of the word, we begin with America's legendary past—with the pirate Blackbeard and the gunslinger Billy the Kid, followed by Teddy Roosevelt and moving forward in time to Andy Warhol. Here are stories that will shock and bewilder. N. Scott Momaday Hilary Hemingway Jeff Lindsay Trent Zelazny Jane Lindskold Aram Saroyan Jan Wiener AND MORE Stories of bravery and murder, stories of love, betrayal and suicide. Sometimes it seems that the gun is doing the talking—not for itself—but for all of us.

A SEARING INDICTMENT OF THE MASTER OF CHARM, BARACK OBAMA, FOR HIS HISTORIC WAR ON AMERICAN YOUTH “Let me be clear.” It was his come-hither call, his winsome whistle, his lingual lure. Barack Obama employed this phrase to sell his lies as maxims and his ineptitude as expertise. From JFK to Bill Clinton, America has experienced charming and coy presidents. But the most charming and coy is Obama, who seduced a generation of 95 million young Americans he used for his own political gain. Katie Kieffer is a gutsy commentator who gives it back to Barack. She turns his words against him. She grabs the high bar of transparency that Obama set for himself and snaps it with her wit. In Let Me Be Clear, Kieffer gives us an unflinching yet entertaining account of this administration’s exploitation of Millennials: · How: Obama spearheaded the Great Recovery—and young people could tell when their law degrees landed them jobs as baristas. · What: the “New Shacking Up” entails. (Hint: parents AND young people hate this trend.) · How: Barack’s buddy essentially wrote Obama-care without Congress. Plus, nearly 300 doctors offer free-market solutions to improve health care. · How: a constitutional law–professor president failed to rationally discuss gay marriage. · Why: Barack wouldn’t have been the best father for Trayvon Martin; he deserved better. · What: “Assuming We Don’t Die Tonight” reveals about the bloodcurdling story of Benghazi. · How: liberal lies about guns have “tattooed” all youths as criminals. Kieffer implodes the naïve War on Guns and presents solutions for mass violence with more love and more guns. Inspiring hope, Kieffer outlines how conser­vatives and independents can win electoral races and achieve entrepreneurial dreams. Kieffer’s got grit. She’s very clear with her president: she brings smooth-tongued bullies to justice. See for yourself.

The good memories, the great memories, and a few bad memories depicted on the pages of this book span several decades of my life, with music and music makers being the central themes. The names I drop in the book are not only superstars but also personal friends. Dolly Parton, Vince Gill, Nancy “Mrs. George” Jones, Bill Anderson, Don Williams, Ronnie Milsap, Rhonda Vincent, and dozens more are my country music idols, and they’ve all played a great part in my life. Now that I’m aging in place (I’m retired), I find that the great lyrics in good country songs mean more to me than ever before. The love and friendships of my music friends, the love of my worldwide fans, and the love of everyday people are the fabrics that hold my life together.

When Kirb Renfro and his wife left Tennessee for the vast plains of Texas, they were looking for a place to call home. Kirb acquires a small ranch and finds his dreams coming true. Then during their first winter, that dream is shattered. Kirb finds his wife raped and murdered. Kirb goes on a manhunt, acquiring the reputation as the most heartless killer in Texas history. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Jubal Kane was twenty-two years old. For the past year, he'd been in the saddle every day, riding from town to town on a seemingly endless search for three cold-blooded killers. They were the men who'd shot his parents in cold blood while Jubal watched, hidden inside a pile of hay. Mitchell was one of these men. And with his death, Kane found some relief from the memories that had been haunting him. But two murderers lived on. Jubal knew that until he found them, he would have no peace. So he set out again, into the wide-open country, on a quest for revenge, and most of all, the truth. It was a voyage that would lead him into the face of danger--but also into the arms of Jenny, the beautiful innocent who believed in Jubal with all her heart. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

When Seth Copeland returns home to Kentucky after the Civil War, he is a different man. Having expanded his horizons during the war, he finds himself suddenly restless, his mind filled with the tales of his fellow soldiers in arms about the wide-open spaces and cheap lands of Texas. Packing up his family and earthly belongings, he sets out on a daunting trek across three states. The journey is perilous and filled with many obstacles, including fighting off cougars and sneaky mule thieves who plague the post-Civil War South. Deeper into Texas is worse, a land of fearless Comanches and ruthless bandits, but Seth and the family forge on. Certain of their belief that if they make it, they will become one of the big cattle-baron families of the Lone Star State. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Doug Bowman, a staple of the western for decades, takes the genre to new heights in this story of a young man seeking fame and fortune in the wide open plains of Texas. Eli Pilgrim gave up his simple life as a pig farmer in Ohio to chase his dream on the ranges of Texas. Eli believed what he had heard about the legendary state, a land so vast, with so much opportunity, that a man has no choice but to get rich. So, when the first frost ended, Eli sold off everything he owned, traded in his pigs for a horse, packed up his things, and went, never realizing that a man has to roll with the punches to get ahead, and that the world, especially the rough untamed fields of Texas, aren't exactly waiting for him. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera. Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.