Faith's only limits are what she believes to be impossible, and the Guild Master who will do anything to stop her. In 1816 New York City, there is no place for women in the world of art, especially not for Faith, the gifted step-daughter of a renowned artist. Her step-father expects young women to be dutiful, reserved, and respectable, traits utterly incompatible with Faith’s innate nature and the attention her extraordinary talent would attract. Faith masks her feelings, holds her tongue, and hides her drawings. But when her step-father draws an apple that Faith can pick up off the page and hold in her hand, she can no longer deny her calling. The mystical Ink he uses to bring the imaginary to life offers freedom and power she can never have on this side of reality. It may not get her out of an arranged marriage, but it might keep her from suffocating in it. Denied access to the Ink by the Guild that guards it and the Guild Master, her own step-father, Faith finds a way to train in secret. As she learns to manipulate the imaginary world where fantasy and fear are equally real, she discovers that even her reality is not what it seems. As the lines between real and imagined blur, Faith’s quest for self-agency may cost her everything she holds dear in both worlds. The Guild Master's Daughter is the award winning tale of one young woman's journey to create her own destiny through courage, self-discovery, and the extraordinary power of belief. Lose yourself in her world of artistry and magic, where dreams take form, art becomes life, and the imagination knows no limits.

Looking especially at widows of master craftsmen in early modern Paris, this study provides analysis of the social and cultural structures that shaped widows' lives as well as their day-to-day experiences. Janine Lanza examines widows in early modern Paris at every social and economic level, beginning with the late sixteenth century when changes in royal law curtailed the movement of property within families up to the time of the French Revolution. The glimpses she gives us of widows running businesses, debating remarriage, and negotiating marriage contracts offer precious insights into the daily lives of women in this period. Lanza shows that understanding widows dramatically alters our understanding of gender, not only in terms of how it was lived in this period but also how historians can use this idea as a category of analysis. Her study also engages the historiographical issue of business and entrepreneurship, particularly women's participation in the world of work; and explicitly examines the place of the law in the lived experience of the early modern period. How did widowed women use their newly acquired legal emancipation? How did they handle their emotional loss? How did their roles in their families and their communities change? How did they remain financially solvent without a man in the house? How did they make decisions that had always been made by the men around them? These questions all touch upon the experience of widows and on the ways women related to prevalent structures and ideologies in this society. Lanza's study of these women, the ways they were represented and how they experienced their widowhood, challenges many historical assumptions about women and their roles with respect to the law, the family, and economic activity.

Play, thrills, danger and excitement

Winner of the 2002 Berkshire Prize, presented by the Berkshire Conference of Women Historians Fabricating Women examines the social institution of the seamstresses’ guild in France from the time of Louis XIV to the Revolution. In contrast with previous scholarship on women and gender in the early modern period, Clare Haru Crowston asserts that the rise of the absolute state, with its centralizing and unifying tendencies, could actually increase women’s economic, social, and legal opportunities and allow them to thrive in corporate organizations such as the guild. Yet Crowston also reveals paradoxical consequences of the guild’s success, such as how its growing membership and visibility ultimately fostered an essentialized femininity that was tied to fashion and appearances. Situating the seamstresses’ guild as both an economic and political institution, Crowston explores in particular its relationship with the all-male tailors’ guild, which had dominated the clothing fabrication trade in France until women challenged this monopoly during the seventeenth century. Combining archival evidence with visual images, technical literature, philosophical treatises, and fashion journals, she also investigates the techniques the seamstresses used to make and sell clothing, how the garments reflected and shaped modern conceptions of femininity, and guild officials’ interactions with royal and municipal authorities. Finally, by offering a revealing portrait of these women’s private lives—explaining, for instance, how many seamstresses went beyond traditional female boundaries by choosing to remain single and establish their own households—Crowston challenges existing ideas about women’s work and family in early modern Europe. Although clothing lay at the heart of French economic production, social distinction, and cultural identity, Fabricating Women is the first book to investigate this immense and archetypal female guild in depth. It will be welcomed by students and scholars of French and European history, women’s and labor history, fashion and technology, and early modern political economy.

This innovative new book is overtly and explicitly about female agency in eighteenth-century European towns. However, it positions female activity and decisions unequivocally in an urban world of institutions, laws, regulations, customs and ideologies. Gender politics complicated and shaped the day-to-day experiences of working women. Town rules and customs, as well as police and guilds’ regulations, affected women’s participation in the urban economy: most of the time, the formally recognized and legally accepted power of women – which is an essential component of female agency – was very limited. Yet these chapters draw attention to how women navigated these gendered terrains. As the book demonstrates, "exclusion" is too strong a word for the realities and pragmatism of women’s everyday lives. Frequently guild and corporate regulations were more about situating women and regulating their activities, rather than preventing them from operating in the urban economy. Similarly corporate structures, which were under stress, found flexible strategies to incorporate women who through their own initiative and activities put pressure on the systems. Women could benefit from the contradictions between moral and social unwritten norms and economic regulations, and could take advantage of the tolerance or complicity of urban authorities towards illicit practices. Women with a grasp of their rights and privileges could defend themselves and exploit legal systems with its loopholes and contradictions to achieve economic independence and power.

Based on a solid foundation of archival research that ranges from tax rolls to notarial records, this study adds an important chapter to our understanding of women in pre-industrial Europe. Through a rigorous examination of primary documents peculiar to eighteenth-century Brittany, the author demonstrates the difficulties engendered in broad generalities about European women, and makes a strong case for the necessity for historians to account for regional differences in women's experiences. In particular, Nancy Locklin makes a compelling argument for the need to incorporate a broader basis upon which women attained their identity. Indeed, Locklin rightly contends that most women in pre-industrial European societies were recognized (and perhaps saw themselves) through a variety of identities over the course of their lives, depending on their age, familial connections, marital status, and the type of work they performed, and that often these identities overlapped. Locklin also shows the extent to which legal and ideological prescriptions painted a relatively negative picture of women's status, but that a close examination of women's participation in family, community, and commercial affairs reveals a much more complex and divergent reality.

"Guilds ruled many crafts and trades from the Middle Ages to the Industrial Revolution, and have always attracted debate and controversy. They were sometimes viewed as efficient institutions that guaranteed quality and skills. But they also excluded competitors, manipulated markets, and blocked innovations. Did the benefits of guilds outweigh their costs? Analyzing thousands of guilds that dominated European economies from 1000 to 1880, The European Guilds uses vivid examples and clear economic reasoning to answer that question. Sheilagh Ogilvie's book features the voices of honorable guild masters, underpaid journeymen, exploited apprentices, shady officials, and outraged customers, and follows the stories of the "vile encroachers"--Women, migrants, Jews, gypsies, bastards, and many others--desperate to work but hunted down by the guilds as illicit competitors. She investigates the benefits of guilds but also shines a light on their dark side. Guilds sometimes provided important services, but they also manipulated markets to profit their members. They regulated quality but prevented poor consumers from buying goods cheaply. They fostered work skills but denied apprenticeships to outsiders. They transmitted useful techniques but blocked innovations that posed a threat. Guilds existed widely not because they corrected market failures or served the common good but because they benefited two powerful groups--guild members and political elites."--Rabat de la jaquette.

"They killed my parents. They took my name. They imprisoned me in darkness. I would not be broken." Viola, a child sold to pay her father's debts, has lost everything: her mother, her home, and her identity. Thrown into a life among criminals, she has no time for grief as she endures the brutal training of an apprentice thief. The Night Guild molds an innocent waif into a cunning, agile outlaw skilled in the thieves' trade. She has only one choice: steal enough to pay her debts. The cutthroat streets of Praamis will test her mettle, and she must learn to dodge the City Guards or swing from a hangman's rope. But a more dangerous foe lurks within the guild walls. A sadistic rival apprentice, threatened by her strength, is out for blood. What hope does one girl have in a world of ruthless men?

Using recent approaches in economic, social, labour and institutional history, this volume analyses guilds in the period 500-1700 AD.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.