The fourth book in the hilarious series from Roald Dahl Funny Prize winning author Philip Ardagh and illustrator of The Gruffalo, Axel Scheffler. Over the years, the Grunts have made more than a few enemies. But fortunately they're all safely behind bars. Or are they? There's been a prison break-out, and three of them are after REVENGE. It's time for the Grunts to go On the Run... This last book brings back some familiar faces from the series and solves a couple of mysteries too...

The first in the hilarious series from Roald Dahl Funny Prize winning author Philip Ardagh and illustrator of The Gruffalo, Axel Scheffler. Mr and Mrs Grunt, who are neither clean nor clever, live with their adopted in fact, abducted son, Sunny, in a donkey-drawn caravan somewhere or other at some time that is a bit like now but not exactly now. Sunny is an oddlooking boy, what with his left ear being higher than his right ear and that kind of sticky-up hair which NEVER goes flat, even if you massage glue into it and then jump on it. Together the unusual family find themselves in frankly improbable but very funny adventures involving bendy railings, double-barrelled shotguns, full-fat yoghurt and, always, a beard of bees.

What is an orc? An orc is an 18 stone fighting machine, made of muscle, hide, talon and tusk, with a villainous disposition and a mean sense of humour. And, of course, an orc is a poor dumb grunt - the much abused foot soldier of the Evil Horde of Darkness. The usual last battle of Good against Evil is about to begin. Orc Captain Ashnak and his war-band know exactly what they can expect. The forces of Light are outnumbered, full of headstrong heroes devoid of tactics - but the Light's still going to win. Orcs - the sword fodder in the front line - will die by the thousands. Life's a bitch.

The blood-drenched Navy Corpsman had it right as he labored to keep yet another Marine alive on the mean street of Hue City: “Getting out of Hue alive is like trying to run between raindrops without getting wet.” Nearly half a century has passed since Marine veteran Dale Dye fought in Hue during the 1968 Tet Offensive. That brutal experience prompted him to write a searing, critically acclaimed novel about the surreal experiences of the battle to wrest control of Vietnam’s ancient Imperial capital from regiments of fanatical North Vietnamese Army soldiers. Now he’s taken a long second look at that fight and revised his original work into an even more powerful narrative of one of the Vietnam War’s most brutal battles. The story is told through the eyes of a veteran Marine Corps Combat Correspondent with the observational skills and off-beat attitude to relate what he sees from the close-quarter, house-to-house meat-grinder of the southside to the epic assault on the enemy-infested walls of the city’s medieval Citadel in a voice that reflects the Code of the Grunt: Just do it—or die trying. There it is.

In Hog Pilots, Blue Water Grunts, acclaimed journalist Robert D. Kaplan continues his exploration of the American military's challenging and varied commitments around the world. From protecting sea lanes, to providing disaster relief, to preparing for potential military confrontation with North Korea and Iran, Kaplan describes the astonishing, vital, and often unacknowledged operations regularly performed by American military personnel in the air, at sea, and on the ground. Vivid and illuminating, this book takes us deep into the highly technical and exotic cultures of the armed forces, telling soldiers' stories from the perspective of the troops on the ground.

A New York Times / National Bestseller "America's funniest science writer" (Washington Post) Mary Roach explores the science of keeping human beings intact, awake, sane, uninfected, and uninfested in the bizarre and extreme circumstances of war. Grunt tackles the science behind some of a soldier's most challenging adversaries—panic, exhaustion, heat, noise—and introduces us to the scientists who seek to conquer them. Mary Roach dodges hostile fire with the U.S. Marine Corps Paintball Team as part of a study on hearing loss and survivability in combat. She visits the fashion design studio of U.S. Army Natick Labs and learns why a zipper is a problem for a sniper. She visits a repurposed movie studio where amputee actors help prepare Marine Corps medics for the shock and gore of combat wounds. At Camp Lemmonier, Djibouti, in east Africa, we learn how diarrhea can be a threat to national security. Roach samples caffeinated meat, sniffs an archival sample of a World War II stink bomb, and stays up all night with the crew tending the missiles on the nuclear submarine USS Tennessee. She answers questions not found in any other book on the military: Why is DARPA interested in ducks? How is a wedding gown like a bomb suit? Why are shrimp more dangerous to sailors than sharks? Take a tour of duty with Roach, and you’ll never see our nation’s defenders in the same way again.

It’s been said that software is eating the planet. The modern economy—the world itself—relies on technology. Demand for the people who can produce it far outweighs the supply. So why do developers occupy largely subordinate roles in the corporate structure? Developer Hegemony explores the past, present, and future of the corporation and what it means for developers. While it outlines problems with the modern corporate structure, it’s ultimately a play-by-play of how to leave the corporate carnival and control your own destiny. And it’s an emboldening, specific vision of what software development looks like in the world of developer hegemony—one where developers band together into partner firms of “efficiencers,” finally able to command the pay, respect, and freedom that’s earned by solving problems no one else can. Developers, if you grow tired of being treated like geeks who can only be trusted to take orders and churn out code, consider this your call to arms. Bring about the autonomous future that’s rightfully yours. It’s time for developer hegemony.

From the Edgar Award­–winning author of Acceleration comes a mystery about an old murder and new truths, perfect for fans of Barry Lyga, Madeleine Roux, and Michelle Gagnon. They call her Tiny, but Tyne Greer is six foot six, a high school basketball star who is hoping the game will be her ticket out of the slum. She lives in a run-down building called The Zoo, where her father is the superintendent. One day she discovers a crack in the wall of an abandoned basement room. And sealed up in the wall is a girl’s body. Horrified, she runs to get her dad. But after he goes to take a look, he comes back and tells Tyne that nothing’s there. No girl. No body. He tells her she must be seeing things in the dark. Tyne is sure it was real, though, and when she finds evidence that the body was moved from the hole in the wall, she knows the only one who could have done it is her father. But why? What is he hiding? Tyne’s search for answers uncovers a conspiracy of secrets and lies in her family. The closer she gets to the truth, the more dangerous it becomes for her. Because some will do anything to bury the past . . . and keep her silent.

In her deeply affecting, vividly written memoir, Rosemary L. Bray describes with remarkable frankness growing up poor in Chicago in the 1960s, and her childhood shaped by welfare, the Roman Catholic Church, and the civil rights movement. Bray writes poignantly of her lasting dread of the cold and the dark that characterized her years of poverty; of her mother's extraordinary strength and resourcefulness; and of the system that miraculously enabled her mother to scrape together enough to keep the children fed and clothed. Bray's parents, held together by their ambitions for their children and painfully divided by their poverty, punctuate young Rosemary's nights with their violent fights and define her days with their struggles. This powerful, ultimately inspiring book is a moving testimony of the history Bray overcame, and the racial obstacles she continues to see in her children's way.

"The best book to have been written about the Vietnam War" (The New York Times Book Review); an instant classic straight from the front lines. From its terrifying opening pages to its final eloquent words, Dispatches makes us see, in unforgettable and unflinching detail, the chaos and fervor of the war and the surreal insanity of life in that singular combat zone. Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time. Dispatches is among the most blistering and compassionate accounts of war in our literature.