TWO BOOKS IN ONE!! Book One is the classic grimoire dealing with Faust Magic. Grimoires about Faust go back to the 1500's. Grand Master Blanchard gives you new insights into this type of pact magic. Making the old grimoire clear and supplying you with the original Sigils from the ancient grimoire. This is a rare grimoire with information found nowhere else. Book Two rips open the silly practices of pacts with the devil and other such low level like practices. The stupid technique of submitting to demons, giving them your "soul" for rewards in this reality. This is covered in detail with the Faust stories and magic of the past. It is all a LIE! This book details how to trick and control Satan/devil to work for you here and now. Devils never assist mankind. You are a fool to think so. They trick you into a pact and NEVER fulfill their part of the agreement. Appears like Satan is a modern lawyer! There are ways to force and trick Satan. It is all revealed in this book. Not only Satan. But, all the demons in the Christian/Jewish systems of belief. You have been fooled that demons are powerful. They have power, yes. But, they are easily controlled. They have real world powers that are very useful for financial and sexual gains. You certainly are not going to ask God/Jesus for a piece of tail this Saturday night! But, Satan is happy to help. In these ways, demons are necessary spirits to work with. It is foolish not to! But, on YOUR terms, not Satan's! You get step by step instructions on calling upon and controlling demons of all kinds. Learn to drive fear into demons so they work for you. Learn how to make a "Pact" that the demon must follow in your favor. Learn how to send a demon back to Hell! Symbols that scare the sh*t out of demons. Words of power to command demons with. The Ancient Circle Seal that Control demons from the Red Dragon Order. Lots more!!

Black Magic, Demon Summoning spells and more, The Black Raven is a book of Infernal Power and demonology from one of the most infamous sorcerers of all time. According to legend, Doctor Faust was a German Scholar who became bored and depressed with his life, after trying to kill himself he decides to sell his soul to the Devil for the knowledge of magick and alchemy. He enjoyed 25 years of great knowledge, renown, and power. At the end of the 25 years Johannes Faust was found dismembered in his room, torn apart with blood all over the walls and floor. The Legend of Faust has lived on and has even been incorporated in theater but The Black Raven, also known as The Threefold Coercion of Hell, is a book that has nearly been lost through the years and I am now presenting it in its entirety with a short forward from me. -Brittany Nightshade.

What is a grimoire? The word has a familiar ring to many people, particularly as a consequence of such popular television dramas as Buffy the Vampire Slayer and Charmed. But few people are sure exactly what it means. Put simply, grimoires are books of spells that were first recorded in the Ancient Middle East and which have developed and spread across much of the Western Hemisphere and beyond over the ensuing millennia. At their most benign, they contain charms and remedies for natural and supernatural ailments and advice on contacting spirits to help find treasures and protect from evil. But at their most sinister they provide instructions on how to manipulate people for corrupt purposes and, worst of all, to call up and make a pact with the Devil. Both types have proven remarkably resilient and adaptable and retain much of their relevance and fascination to this day. But the grimoire represents much more than just magic. To understand the history of grimoires is to understand the spread of Christianity, the development of early science, the cultural influence of the print revolution, the growth of literacy, the impact of colonialism, and the expansion of western cultures across the oceans. As this book richly demonstrates, the history of grimoires illuminates many of the most important developments in European history over the last two thousand years.

This work is a powerful and astute examination of the connection between magic in literature and magic in history. It traces the evolution of the Faust tradition and its relationship to the practice of magic in European history. Written by one of the most distinguished scholars in the field of German literature, this book, first published in 1952, is a classic text. Butler follows the magic tradition of the magus--the priest-king--and its reformulation in the Christian world. In the process, the magus was transformed into a wicked sorcerer who comes to a bad end in this world and a worse one hereafter. This conception, which gained ground in the Middle Ages, received its most categorical statement in the Faust legend. The celebrated pact between Faust and the devil was in fact an invention of Christian mythologists who had interpreted occult rituals in accordance with the Christian belief that magicians were the servants of Satan. Occultists replied by denying the pact with the devil and by associating Faust with ritual magic traditions. Butler draws on her detailed knowledge of literature, religion, and history to produce an authoritative synthesis that all those interested in the development of mythology will find indispensable.

Black Magic, Demon Summoning spells and more, The Black Raven is a book of Infernal Power and demonology. According to legend, Doctor Faust was German Scholar who became bored and depressed with his life, after trying to kill himself he decides to sell his soul to the Devil for the knowledge of magic and alchemy. He enjoyed 25 years of great knowledge, renown, and power. At the end of the 25 years Johannes Faust was found dismembered in his room, torn apart with blood all over the walls and floor. The Legend of Faust has lived on and has even been incorporated in theater. The popular television show Supernatural borrows heavily from his demon summoning and soul selling rituals in this book and many of the Sigils can be found inside as well. The Black Raven is one book that has nearly been lost through the years and I am now presenting it in it's entirety with a short forward from me. -Brittany Nightshade.

The Key of Necromancy is a two-volume work that attests to the continuity and changes that underwent the German magical literature through the late 17th to mid-18th century. It stands as an example of the unique techniques and spirit lists that circulated around the Holy Roman Empire that would later consolidate in what today is known as the Faustian Tradition.This text is composed of three different, previously untranslated, texts, sharing key similarities and at the same time each unique in their own way. The Nigromantisches Kunst-Buch, a text related to the Ars Goetia in technique and attributed to King Solomon, details the conjuration and entrapment of spirits into a bottle; The Experimentir Buch, a magical manual containing instructions on consecrating the Liber Spirituum.or Book of Spirits, the creation of ritual implements and pentacles; and finally Der Schlü ssel von dem Zwange der Hölle, a book pseudo-epigraphically attributed to Dr. Johannes Faust consisting on conjurations, a spirit list and unique experiments. This first volume contains an introduction which analyses the influence of alchemical literature on the Faustian grimoires and the role of the spirits in these texts. It also contains two appendices, one dealing with the mysterious Martagon of Solomon and the change of this plant's meaning and use in the magical texts; and the other with the subject of the Bond, Imprisonment of Spirits and the Triangle of Art as they relate to the present text.

Doctor Faustus is a classic; its imaginative boldness and vertiginous ironies have fascinated readers and playgoers alike. But the fact that this play exists in two early versions, printed in 1604 and 1616, has posed formidable problems for critics. How much of either version was written by Marlowe, and which is the more authentic? Is the play orthodox or radically interrogative? Michael Keefer’s early work helped to establish the current consensus that the 1604 text was censored and revised; the Keefer edition, praised for its lucid introduction and scholarship, was the first to restore two displaced scenes to their correct place. Most competing editions presume that the 1604 text was printed from authorial manuscript, and that the 1616 text is of little substantive value. But in 2006 Keefer’s fresh analysis of the evidence showed that the 1604 quarto’s Marlovian scenes were printed from a corrupted manuscript, and that the 1616 quarto (though indeed censored and revised) preserves some readings earlier than those of the 1604 text. This edition has been updated and revised. Keefer’s critical introduction reconstructs the ideological contexts that shaped and deformed the play, and the text is accompanied by textual and explanatory notes and excerpts from sources.

Grimoires are books of spells that were first recorded in the Ancient Middle East and which have developed and spread over the ensuing millennia.