Arranged by geographical regions, an anthology of American folktales offers legends, myths, folktalkes, jokes, and personal experiences.

Paul Bunyan, Br'er Rabbit, Bluebeard, and Billy the Kid. These are just some of the many character alive today through folktales. A goldmine for students, storytellers, and general readers, this massive work gives easy access to the stories and legends that have captivated us for generations and continue to influence film, television, literature, and popular culture. The most ambitious undertaking of its kind, this collection conveniently groups American folktales by region and includes common and less familiar stories from a wide range of ethnic traditions. It also provides a generous sampling of electronic lore circulating on the Internet. Introductions, notes, appendices, and other helpful aids cover the fascinating background of these tales and bring them alive for students of history, literature, social studies, and the arts. Included are selections from various types of tales, such as legend, joke, tall tale, personal narrative, and myth, along with a generous sampling of electronic lore circulating on the Internet. Introductions, notes, appendices, and other aids link the tales to their origins and afterlives, so that students in social studies classes can learn about American history and culture, while literature students can learn about language, genres, and dialects.

Arranged by geographical regions, an anthology of American folktales offers legends, myths, folktalkes, jokes, and personal experiences.

Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.

A world list of books in the English language.