The clash between the Victorian spirit of subservience to tradition and the revolt against it.

Sounding a favorite theme the power of the elderly, especially the power of elderly ladies this early (1917) novel shows the influence of the author's mentor, Henry James. It encapsulates Walpole's gift for lighting on the small, telling detail and also his surprising humor. Second in the Rising City sequence, after The Duchess of Wrexe.

Magic, danger, and adventure abound for messenger Karigan G'ladheon in author Kristen Britain's New York Times-bestselling Green Rider fantasy series • "First-rate fantasy." —Library Journal Karigan G’ladheon is a Green Rider—a seasoned member of the elite messenger corps of King Zachary of Sacoridia. King Zachary sends Karigan and a contingent of Sacoridians beyond the edges of his nation, into the mysterious Blackveil Forest, which has been tainted with dark magic by a twisted immortal spirit named Mornhavon the Black. In a magical confrontation against Mornhavon, Karigan is jolted out of Blackveil Forest and wakes in darkness. She’s lying on smooth, cold stone, but as she reaches out, she realizes that the stone is not just beneath her, but above and around her as well. She’s landed in a sealed stone sarcophagus, some unknown tomb, and the air is becoming thin. Is this to be her end? If she escapes, where will she find herself? Is she still in the world she remembers, or has the magical explosion transported her somewhere completely different? To find out, she must first win free of her prison— before it becomes her grave. And should she succeed, will she be walking straight into a trap created by Mornhavon himself?

Hailed for her “remarkably accomplished and poignant work” (Washington Post), acclaimed author Elizabeth McGregor returns with a haunting love story about two lost souls brought together by chance—and bonded forever by a mystery that transcends madness, tragedy, and time itself.... Catherine Sergeant is adept at going through the motions. After losing her parents at an early age, she buried her grief in the study of antiquities. Now, deserted by her husband without warning or explanation, she reports to work at Pearson’s auction house, exchanging pleasantries with colleagues, never revealing her pain. Cocooned in loneliness, she couldn’t be more surprised to find herself opening up to a total stranger—a new client, no less. In widowed architect John Brigham, Catherine finds a kindred spirit. The two share a fascination with Richard Dadd, an early Victorian painter who lived most of his life incarcerated in an insane asylum. There he produced his most stunning works—works that have deeply moved Catherine and now draw her inexorably to John. Soon the two are falling in love. The reawakening of passion in a woman like Catherine is more than John ever hoped for. But when she discovers his possession of an unknown Dadd, it is just the first in a series of revelations that leave her wondering if she knows this man who has shown her life’s true beauty. For John, it may be a last chance to free himself from the priceless secrets he has been harboring too long. Secrets about a soul laid bare on canvas, and a legacy that could shatter all he holds dear in the space of a heartbeat… A compelling blend of human drama, art, and history, this intriguing tale casts a spell that lingers far beyond the final page—and celebrates the strength we all must find within our hearts. From the Hardcover edition.

In this twisting time-travel thriller, a woman faints on the eve of her wedding—and awakens at the turn of the century in her grandmother’s body . . . The night before she is supposed to get married, Shay Garrett has no idea that a glimpse into her grandmother’s antique Chinese mirror will completely transform her seemingly ordinary life. But after a bizarre blackout, she wakes up to find herself in the same house—but in the year 1900. Even stranger, she realizes she is now living in the body of her grandmother, Brandy McCabe, as a young woman. Meanwhile, Brandy, having looked into the same mirror, awakens in Shay’s body in the present day—and discovers herself pregnant. As Rachael—the woman who links these two generations, mother to one and daughter to another—weaves back and forth between two time periods, this imaginative thriller explores questions of family, identity, and love. Courageous, compassionate Shay finds herself fighting against the confines of a society still decades away from women’s liberation, while Brandy struggles to adapt to the modern world she has suddenly been thrust into. The truth behind this inexplicable turn of events is more complex than either woman can imagine—and The Mirror is a tribute to the triumph of the female spirit, even in the face of seemingly insurmountable obstacles. “What happens will surprise you. In the meantime, settle down for a good read.” —The Denver Post

It is said that a mirror can trap a person's soul... Martin Williams is a broke, two-bit screenwriter living in Hollywood, but when he finds the very mirror that once hung in the house of a murdered 1930s child star, he happily spends all he has on it. He has long obsessed over the tragic story of Boofuls, a beautiful and successful actor who was slaughtered and dismembered by his grandmother. However, he soon discovers that this dream buy is in fact a living nightmare; the mirror was not only in Boofuls house, but witness to the death of this blond-haired and angelic child, which in turn has created a horrific and devastating portal to a hellish parallel universe. So when Martin's landlord loses his grandson it is soon apparent that the mirror is responsible. But if a little boy has gone into the mirror, what on earth is going to come out?

This is the English translation of Professor Voisin's book reflecting the discovery of the mirror symmetry phenomenon. The first chapter is devoted to the geometry of Calabi-Yau manifolds, and the second describes, as motivation, the ideas from quantum field theory that led to the discovery of mirror symmetry. The other chapters deal with more specialized aspects of the subject: the work of Candelas, de la Ossa, Greene, and Parkes, based on the fact that under the mirror symmetry hypothesis, the variation of Hodge structure of a Calabi-Yau threefold determines the Gromov-Witten invariants of its mirror; Batyrev's construction, which exhibits the mirror symmetry phenomenon between hypersurfaces of toric Fano varieties, after a combinatorial classification of the latter; the mathematical construction of the Gromov-Witten potential, and the proof of its crucial property (that it satisfies the WDVV equation), which makes it possible to construct a flat connection underlying a variation of Hodge structure in the Calabi-Yau case. The book concludes with the first "naive" Givental computation, which is a mysterious mathematical justification of the computation of Candelas, et al.

Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.

The twisty-turny journey of a girl searching for her heart’s desire—glimpsed in a magic mirror. Perfect for fans of Rump or Catherine, Called Birdy A foundling girl with a crooked leg and a crutch doesn’t expect life to be easy. Indeed, Maggie’s dearest wish is to simply not feel so alone. So when she spies a man behind bars in a magic mirror said to show one’s truest desire, she feels sure he is the father she’s always longed for—and she sets off on a quest to find him. Along the way, Maggie meets both kindly pilgrims and dastardly highwaymen. She discovers she bears a striking resemblance to the princess Petranilla. Their connection is so remarkable that Petra believes Maggie must be her lost sister who fell from the castle wall and was swept downriver as a baby. What a turn of fate! From reviled foundling to beloved royal! But being the lost princess turns out to be more curse than blessing given the schemes of the current king... And if Maggie’s a princess, then who is the man she spied in the magic mirror? This is a grand middle grade adventure story full of mistaken identities, lost loves, found families, and a tantalizing tinge of magic. "I love this book—an uproarious, thoughtful, touching, absurd, ans altogether splendid adventure." —Karen Cushman, Newbery Medal-winning author of The Midwife's Apprentice and Catherine, Called Birdy