Reprinting the first appearances of Golden Age Green Lantern Alan Scottfrom All-American Comics #16-30 and Green Lantern (1st series) #1 in theirentirety, this volume features a brand-new cover by legendary Green Lanternartist Martin Nodell, inked by Jerry Ordway. Included: the debut ofGreen Lantern sidekick Doiby Dickles, as well as the establishing of certainelements - the power ring, the Green Lantern oath, etc. - that would endure formore than fifty years.

Reprints issues 14-21 (1962-1963) of Green Lantern.

From Comics' Golden Age, a collection of one of comics' premier anthology titles! Never before have these comics been reprinted, making this volume a must-have for all collectors. Featured within are stories of Wonder Woman, The Flash, Green Lantern, Wildcat, Black Pirate, Ghost Patrol and many more! Included in this volume is an introduction by movie producer Michael Uslan (Batman films).

Perhaps the most famous of all the Green Lanterns, Hal Jordan put on the lantern’s ring for the first time in 1959. A re-envisioning of the original crime-fighting Green Lantern (Alan Scott), created by John Broome in the 1940s, this new Green Lantern was a science fiction adventurer. He battled aliens, giant monsters, wealthy sociopaths out to steal his power ring...and the efforts of his lady love, Carol Ferris, to discover his true identity. As the Green Lantern of the Silver Age of comic books, Hal Jordan captured the imagination of a space-minded society of the ’50s and ’60s. GREEN LANTERN: THE SILVER AGE VOLUME 1 collects the adventures of Hal Jordan as he takes on the responsibility of the ring and the lantern for the first time in SHOWCASE #22-24 and GREEN LANTERN #1-9.Perhaps the most famous of all the Green Lanterns, Hal Jordan put on the lantern’s ring for the first time in 1959. A re-envisioning of the original crime-fighting Green Lantern (Alan Scott), created by John Broome in the 1940s, this new Green Lantern was a science fiction adventurer. He battled aliens, giant monsters, wealthy sociopaths out to steal his power ring...and the efforts of his lady love, Carol Ferris, to discover his true identity. As the Green Lantern of the Silver Age of comic books, Hal Jordan captured the imagination of a space-minded society of the ’50s and ’60s. GREEN LANTERN: THE SILVER AGE VOLUME 1 collects the adventures of Hal Jordan as he takes on the responsibility of the ring and the lantern for the first time in SHOWCASE #22-24 and GREEN LANTERN #1-9.

It's a Rogues Gallery parade in these tales from THE FLASH #142-150 as the Scarlet Speedster battles The Trickster Weather Wizard Mirror Master Mr Element The Reverse Flash Captain Boomerang and Captain Cold! Plus a tale guest-starring Green Lantern!

Reprinting for the first time some of DC Comics' rarest publictions from the Golden Age of comics, including three early anthology titles in their entirety. Features appearances by virtually every Golden Age hero: Superman, Batman, Wonder, Sandman, Hawkman, Scribbly, The Atom, Wildcat and more. An action-packed adventure, this volume of classic tales is sure to entertain!

Another in DCs high-quality Archives series, this hardcover reprints the original stories of the Flash! Jay Garrick was just a normal Joe until an accident turned him into the Flash! This reprint of 1940s-era classics follows the success of the All Star Comics Archives series, and is the first to feature the solo adventures of this iconic character.

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.

Ever since the first appearances of Superman and Batman in comic books of the late 1930s, superheroes have been a staple of the popular culture landscape. Though initially created for younger audiences, superhero characters have evolved over the years, becoming complex figures that appeal to more sophisticated readers. While superhero stories have grown ever more popular within broader society, however, comics and graphic novels have been largely ignored by the world of academia. In Enter the Superheroes:American Values, Culture, and the Canon of Superhero Literature, Alex S. Romagnoli and Gian S. Pagnucci arguethat superheroes merit serious study, both within the academy and beyond. By examining the kinds of graphic novels that are embraced by the academy, this book explains how superhero stories are just as significant. Structured around key themes within superhero literature, the book delves into the features that make superhero stories a unique genre. The book also draws upon examples in comics and other media to illustrate the sociohistorical importance of superheroes—from the interplay of fans and creators to unique narrative elements that are brought to their richest fulfillment within the world of superheroes. A list of noteworthy superhero texts that readers can look to for future study is also provided. In addition to exploring the important roles that superheroes play in children’s learning, the book also offers an excellent starting point for discussions of how literature is evolving and why it is necessary to expand the traditional realms of literary study. Enter the Superheroes will be of particular interest to English and composition teachers but also to scholars of popular culture and fans of superhero and comic book literature.