A richly rewarding narrative about a young painter's love affair with the Greek island of Sifnos When Christian Brechneff first set foot on the Greek island of Sifnos, it was the spring of 1972 and he was a twenty-one-year-old painter searching for artistic inspiration and a quiet place to work. There, this Swiss child of Russian émigrés, adrift and confused about his sexuality, found something extraordinary. In Sifnos, he found a muse, a subject he was to paint for years, and a sanctuary. In The Greek House, Brechneff tells a funny, touching narrative about his relationship to Sifnos, writing with warmth about its unforgettable residents and the house he bought in a hilltop farm village. This is the story of how he fell in love with Greece, and how it became a haven from the complexities of his life in Western Europe and New York. It is the story of his village and of the island during the thirty-odd years he owned the house—from a time when there were barely any roads, to the arrival of the modern world with its tourists and high-speed boats and the euro. And it is the story of the end of the love affair—how the island changed and he changed, how he discovered he had outgrown Sifnos, or couldn't grow there anymore. The Greek House is a celebration of place and an honest narrative of self-discovery. In its pages, a naïve and inexperienced young man comes into his own. Weaving himself into the life of the island, painting it year after year, he finds a place he can call home.

First published in 1916, this book presents archaeological evidence about Greek domestic dwellings from the Neolithic Period to the Hellenistic age.

Greek myths make up the very pillar of Western culture. But they are more than classic stories every child should know. They are rousing tales—rich in character, drama, and high adventure—that have captured readers through the ages. In The Random House Book of Greek Myths, Hugo Award-winning author Joan D. Vinge introduces the Greek gods and goddesses and retells fourteen favorite myths with wit, style, and compassion. This sophisticated but accessible collection is stunningly illustrated with paintings by Oren Sherman that evoke the mystery and majesty of ancient Greece. Perfect for readers of all ages.

Beginning with the premise that we must cease to view the classical Greek house through the lens of contemporary Western notions, Janett Morgan provides a fresh evaluation of what home meant to different communities in the ancient Greek world. By employing textual analysis alongside archaeological scholarship, The Classical Greek House seeks to explain some of the contradictions that previous approaches have left unresolved. --from publisher description.

Seeking to expand both the geographical range and the diversity of sites considered in the study of ancient Greek housing, Ancient Greek Houses and Households takes readers beyond well-established studies of the ideal classical house and now-famous structures of Athens and Olynthos. Bradley A. Ault and Lisa C. Nevett have brought together an international team of scholars who draw upon recent approaches to the study of households developed in the fields of classical archaeology, ancient history, and anthropology. The essays cover a broad range of chronological, geographical, and social contexts and address such topics as the structure and variety of households in ancient Greece, facets of domestic industry, regional diversity in domestic organization, and status distinctions as manifested within households. Ancient Greek Houses and Households views both Greek houses and the archeological debris found within them as a means of investigating the basic unit of Greek society: the household. Through this approach, the essays successfully point the way toward a real integration between material and textual data, between archeology and history. Contributors include William Aylward (University of Wisconsin, Madison), Nicholas Cahill (University of Wisconsin, Madison), Manuel Fiedler (Freie Universität, Berlin), Franziska Lang (Humboldt Universität, Berlin), Monike Trümper (Universität Heidelberg), and Barbara Tsakirgis (Vanderbilt University, Nashville).

The tang of salt in the air. Sunlight sparkling on clear blue water. Pomegranate seeds glistening like jewels in your palm. Australian artist, designer and photographer Claire Lloyd had a successful career in London, a beautiful apartment and a life filled with excitement and travel. However, she was beginning to feel exhausted by her life's hectic pace. One day a chance conversation with a friend led her to the Greek island of Lesvos, where she finally found what she was looking for - a sense of peace and the return of her creative drive. This book describes Claire's journey to a small village in Greece - the ancient land of gods and poets, where the seasons govern a way of life that has barely changed over thousands of years. Accompanied by Claire's stunning photographs filled with colour and light, this inspirational story of reconnecting with nature and community, and finding beauty in the smallest details, will make you see the world anew. For more please visit: ClaireLloyd.com ClaireLloydloves.wordpress.com

This 1999 book re-examines traditional assumptions about the nature of social relationships in Greek households during the Classical and Hellenistic periods. Through detailed exploration of archaeological evidence from individual houses, Lisa Nevett identifies a recognisable concept of the citizen household as a social unit, and suggests that this was present in numerous Greek cities. She argues that in such households relations between men and women, traditionally perceived as dominating the domestic environment, should be placed within the wider context of domestic activity. Although gender was an important cultural factor which helped to shape the organisation of the house, this was balanced against other influences, notably the relationship between household members and outsiders. At the same time the role of the household in relation to the wider social structures of the polis, or city state, changed rapidly through time, with the house itself coming to represent an important symbol of personal prestige.

Daily religious devotion in the Greek and Roman worlds centered on the family and the home. Besides official worship in rural sacred areas and at temples in towns, the ancients kept household shrines with statuettes of different deities that could have a deep personal and spiritual meaning. Roman houses were often filled with images of gods. Gods and goddesses were represented in mythological paintings on walls and in decorative mosaics on floors, in bronze and marble sculptures, on ornate silver dining vessels, and on lowly clay oil lamps that lit dark rooms. Even many modest homes had one or more religious objects that were privately venerated. Ranging from the humble to the magnificent, these small objects could be fashioned in any medium from terracotta to precious metal or stone. Showcasing the collections in the Getty Villa, this book’s emphasis on the spiritual beliefs and practices of individuals promises to make the works of Greek and Roman art more accessible to readers. Compelling representations of private religious devotion, these small objects express personal ways of worshiping that are still familiar to us today. A chapter on contemporary domestic worship further enhances the relevance of these miniature sculptures for modern viewers.

This volume will give students a look at what daily life was like for the ancient Greeks. Students will learn about marriage, entertainment, and education, as well as what the role of women was in ancient Greece. They will also learn about the Greek house and diet, and what it was like to be a child in Greece.