Starting in 1909 with the beginnings of military aviation and the aviation industry and ending with their catastrophic postwar contraction, the book examines the totality of the air war: its heroism, romantic myths, politics, strategies, and cost in men and materiel. John H. Morrow, Jr., also elaborates on the advancements in aircraft and engine technology and production during airpower's development into a viable and threatening military weapon within a decade of its origins.

This treatise provides incisive discussions on the protection of the expression of ideas. The forms portion helps you navigate through US Copyright Office practice, and provides examples of state-of-the-art agreements and outstanding litigation forms. These model litigation and transactional documents represent real-life agreements and court filings, as well as bare bones forms easily adapted to the needs of your clients. Two volumes of primary source materials contain the text of the US Copyright Act and the regulations adopted thereunder, and the text of relevant international treaties, including the Berne Convention and the WIPO Copyright Treaties.

A remarkable photographic record of World War One, its relentless progression and the destruction it wrought, as seen from the skies above Flanders Fields

"The Great Air War is the first comprehensive account of the battle fliers, their planes, and their vital role in World War I. Aerial combat in "the war to end war" was an utterly unprecedented new chapter in military potential of the flying machine was unfathomed. It had been only a decade since Orville Wright had made history's first successful airplane flight. High- ranking officers in all countries dismissed the use of the plane for any purpose except possible reconnoitering. But as the war progressed, aviation technology boomed, the plane became a lethal weapon - and a new warrior breed was born. The story of these men - the now legendary heroes and their man-to-man encounters, their breathtaking victories and heartbreaking defeats is spellbinding: Aaron Norman seats the reader right in the cockpit beside the great aces and many less famous but equally courageous airmen. Some of the individual stories rank with the classics of adventure literature. Colourful biographies of the top aces of each nation, and their victory scores, are a feature of the Great Air War. The various war planes are described in detail: the Sopwiths, Nieuports, Fokkers, Spads, Albatroses, SE-5's, and performance, strong points and weaknesses. The incredible story of Count Zeppelin's terrifying if vulnerable dirigibles is recounted at length. It was with this giant craft that the German high command hoped to bring Britain to her knees, and the dramatic picture of these monsters hovering ominously in the night skies over England is one of the many high spots of the book. For its complete story of the monumental action as the seesaw battle went on for supremacy in the sky, and for its many anecdotal stories in human terms throughout, The Great Air War is superb reading; the book in its entirely is also of major importance as history, since the chronicle of World War I is incomplete without this first full coverage of the part played in it by ariel combat. The illustrations add to the comprehensive coverage. There are two 16-page inserts of photographs - 65 photos in all - and 54 side -view drawings of the planes. With full index, appendices and bibliography". - Publisher

A dramatic and fascinating account of aerial combat during World War I, revealing the terrible risks taken by the men who fought and died in the world's first war in the air. Little more than ten years after the first powered flight, aircraft were pressed into service in World War I. Nearly forgotten in the war's massive overall death toll, some 50,000 aircrew would die in the combatant nations' fledgling air forces. The romance of aviation had a remarkable grip on the public imagination, propaganda focusing on gallant air 'aces' who become national heroes. The reality was horribly different. Marked for Death debunks popular myth to explore the brutal truths of wartime aviation: of flimsy planes and unprotected pilots; of burning nineteen-year-olds falling screaming to their deaths; of pilots blinded by the entrails of their observers. James Hamilton-Paterson also reveals how four years of war produced profound changes both in the aircraft themselves and in military attitudes and strategy. By 1918 it was widely accepted that domination of the air above the battlefield was crucial to military success, a realization that would change the nature of warfare forever.

In a few short years after 1914 the Royal Navy practically invented naval air warfare, not only producing the first effective aircraft carriers, but also pioneering most of the techniques and tactics that made naval air power a reality. By 1918 the RN was so far ahead of other navies that a US Navy observer sent to study the British use of aircraft at sea concluded that any discussion of the subject must first consider their methods. Indeed, by the time the war ended the RN was training for a carrier-borne attack by torpedo-bombers on the German fleet in its bases over two decades before the first successful employment of this tactic, against the Italians at Taranto.Following two previously well-received histories of British naval aviation, David Hobbs here turns his attention to the operational and technical achievements of the Royal Naval Air Service, both at sea and ashore, from 1914 to 1918. Detailed explanations of operations, the technology that underpinned them and the people who carried them out bring into sharp focus a revolutionary period of development that changed naval warfare forever. Controversially, the RNAS was subsumed into the newly created Royal Air Force in 1918, so as the centenary of its extinction approaches, this book is a timely reminder of its true significance.

In the early twentieth century, the new technology of flight changed warfare irrevocably, not only on the battlefield, but also on the home front. As prophesied before 1914, Britain in the First World War was effectively no longer an island, with its cities attacked by Zeppelin airships and Gotha bombers in one of the first strategic bombing campaigns. Drawing on prewar ideas about the fragility of modern industrial civilization, some writers now began to argue that the main strategic risk to Britain was not invasion or blockade, but the possibility of a sudden and intense aerial bombardment of London and other cities, which would cause tremendous destruction and massive casualties. The nation would be shattered in a matter of days or weeks, before it could fully mobilize for war. Defeat, decline, and perhaps even extinction, would follow. This theory of the knock-out blow from the air solidified into a consensus during the 1920s and by the 1930s had largely become an orthodoxy, accepted by pacifists and militarists alike. But the devastation feared in 1938 during the Munich Crisis, when gas masks were distributed and hundreds of thousands fled London, was far in excess of the damage wrought by the Luftwaffe during the Blitz in 1940 and 1941, as terrible as that was. The knock-out blow, then, was a myth. But it was a myth with consequences. For the first time, The Next War in the Air reconstructs the concept of the knock-out blow as it was articulated in the public sphere, the reasons why it came to be so widely accepted by both experts and non-experts, and the way it shaped the responses of the British public to some of the great issues facing them in the 1930s, from pacifism to fascism. Drawing on both archival documents and fictional and non-fictional publications from the period between 1908, when aviation was first perceived as a threat to British security, and 1941, when the Blitz ended, and it became clear that no knock-out blow was coming, The Next War in the Air provides a fascinating insight into the origins and evolution of this important cultural and intellectual phenomenon, Britain's fear of the bomber.

Michael Neiberg offers a concise history based on the latest research and insights into the soldiers, commanders, battles, and legacies of the Great War.

“The memoir of . . . an American pilot flying with the famous French Flying Corps’ American Layfayette Escadrille and provides a unique personal insight.”—Firetrench In 1915 James Roger McConnell enlisted as a US volunteer in the French Flying Corps. He was part of a remarkable band of American volunteers which were formed into the famous Lafayette Escadrille, which was then based at Verdun. This book brings his personal account of the war, Flying for France, to a new generation of readers. His memoirs produce an amazing insight into the early aerial battles and trace the evolution of aerial warfare as the rickety aircraft of 1915 rapidly evolved into the purpose-built fighters of 1917. Casualties among the American Escadrille were very high and McConnell’s own luck finally ran out when he was ambushed by two German fighters and was killed in action in March 1917. His gripping and detailed memoir of the war is his lasting memorial; his honest account of the everyday life of a pilot in the Great War is matched only by Sagittarius Rising. However, his dramatic description of the battlefield of Verdun viewed from above is one of the classic descriptions of any wartime memoir and is unmatched by any other Great War writer. “Resurrects an important part of the first-person literature of the Lafayette Escadrille. A long-lost gem.”—Over the Front “The memoir and letters give a surprising amount of detail about the pilot’s life and tactics employed. McConnell’s story is certainly an interesting one and this is a short and easily digestible introduction to the life of a First World War pilot.”—WW1 Geek