This book presents a survey of rural and urban Chinese people examining the dramatic changes in traditional culture that have taken place, and documenting the nature of contemporary Chinese culture. Chu and Ju examine attitudes about family relations, social relations, job preferences and work ethic, organizational relations, community life, and belief systems. Although there remains some limited continuity with the past, mainly in family stability, the book shows how lifestyle and values in post-Mao China today reveal a radical departure from traditional Chinese culture. The authors discover that Chinese people no longer endorse the Confucian precepts of harmony and tolerance, nor do they submit compliantly to authority as previous generations did. They now demonstrate, in an environment of rising aspirations and mounting frustration, a new assertiveness, as seen in the tragic outburst in the Tiananmen demonstrations.

In this seminal and controversial debut, Julia Lovell tackles the history of China - and its relationship with the wider world - through the dramatic story of its most famous landmark. Fabled to be 2200 years old and 4300 miles long, the Great Wall seems to make an overwhelmingly confident physical statement about China's age-old sense of itself as an advanced civilisation anxious to draw a line, keeping the "barbarians" at its borders. But behind the Wall's intimidating exterior - and the myths that have built up around it - lies a complex history of China's view of the outside world, and itself. Lovell looks behind the modern mythology of the Great Wall, uncovering a three-thousand-year history far more fragmented, bloody and less illustrious than its crowds of visitors imagine today. The story of the Wall winds through that of the Chinese empire and the frontier policy that defined it. Lovell restores a human dimension to this astonishing structure, writing about the emperors who planned new phases of building, the people who constructed, lived next to and guarded the walls, and the millions who died - of overwork, starvation, cold and battle. The Great Wall is an epic history which explores the conquests and cataclysms of the Chinese empire over the past 3000 years. It is essential reading for anyone who wants to understand China's past, present and future.

A story about friendships and commitment to one another so incredible you wouldn't believe it if it wasn't true. Kevan is just one of the guys. It's impossible to know him and not become a little more excited about life. He is an inspiring man permeated by joy, unafraid of sorrow, full of vitality and life! His sense of humor is infectious and so is his story. He grew up, he says, at "belt-buckle level" and stayed there until Kevan's beloved posse decided to leave his wheelchair at the Atlanta airport, board a plane for France, and have his friends carry him around Europe to accomplish their dream to see the world together! Kevan's beloved posse traveled to Paris, England, and Ireland where, in the climax of their adventure, they scale 600 feet up to the 1,400-year-old monastic fortress of Skellig Michael. In We Carry Kevan the reader sits with Kevan, one head-level above everyone else for the first time in his life and enjoys camaraderie unlike anything most people ever experience. Along the way they encounter the curiosity and beauty of strangers, the human family disarmed by grace, and the constant love of God so rich and beautiful in the company of good friends. We Carry Kevan displays the profound power of friendship and self-sacrifice.

Family members hurt us. Friends betray us. Fellow Christians deceive us. But Jesus provides a path through the pain—the Lord’s Prayer. In The Wall Around Your Heart, Mary DeMuth shows you that you can reach wholeness and healing in the aftermath of painful relationships by following the road map of the Lord’s Prayer. You’ll walk through story after story of hurt people who are led through biblical truth into amazing, life-sustaining, joyful growth. Life is hard. People can be mean and petty and awful. But they can also be amazing and beautiful and sacrificial. God is good. He is faithful. You can trust him with your relationships. “He’ll send people to call out what is hard in your heart,” Mary shares. “And that’s a gift to you.” Allow God to access the wall around your heart. Dare to say, “Tear down the bricks, Lord, whatever it takes.” Pray first. Ask for bravery—for yourself and for others. Risk engaging despite your hurt. Seek the shelter of Jesus. You don’t have to resign yourself to your wounds! You can rise above the pain. You’ll usher in a new life—an openhearted way of relating to others that expands the kingdom of God. In the process, you’ll draw closer to Jesus, be healed, and become an agent of healing to others.

It is arguably the greatest feat of civil engineering in history, and indisputably earth s largest single cultural relic: begun during the Qin Dynasty (around 208 BC) and completed nearly 1,800 years later during the Ming Dynasty, the Great Wall of China spans more than 4,000 miles. At the dawn of the Beijing Olympics, the eyes of all the world are upon it. Two men who navigated every inch of the Wall have collaborated on a lavishly-illustrated tribute to this amazing structure. Michael Yamashita, an award-winning "National Geographic" photographer, spent a year shooting the Wall, its environs, and the people who live in its shadow, for the magazine. One hundred and sixty of his magnificent photos grace this volume, which features text by William Lindesay, who not only conducts tours of the Wall and spearheads the movement to preserve it, but has actually run its entire length. Broken into three sections, "The Great Wall" provides an overview that debunks myths and dishes up rare facts and figures, a comprehensive history that proceeds dynasty by dynasty through its construction, and an account of Lindesay s personal experiences of the Wall."

"First published by Hodder & Stoughton in Great Britain, 1989"--T.p. verso.

This is the first full scholarly study of the Great Wall of China to appear in any language, and it challenges many deeply held ideas about Chinese history. Drawing both on primary sources and on the latest archaeology, the book first demonstrates that the standard account of the Great Wall is untrue and misleading and then presents a convincing new account. It begins by tracing the various walls and systems of frontier defences that existed in early Chinese history, and shows how the greatest of these achieved a mythical symbolic stature which long survived the Wall itself. A striking concluding chapter traces how the true history of the Wall was lost in the early twentieth century as it was gradually transformed into a Chinese national symbol explained through historical myth. The book is an important contribution to the history of China's defensive policy, and her ideological attitudes, and will be of interest both to students of Chinese history and of international relations in the pre-modern world.

This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to “ruin culture” in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.

Yi Min, a young girl living outside of Beijing, China, has a problem. A hungry bunny has started munching on the plants in her classroom garden. A trip to the Great Wall of China inspires Yi Min to enlist the help of her friend Chen in building a Great Wall of their very own. Grandfather, a former materials engineer, tells Yi Min about the materials he developed in his work. Yi Min begins to explore the properties of earth materials, and she realizes that not all materials are created equal when it comes to building a wall. Together, Yi Min and Chen design and build a bunny-proof solution for the school garden.

"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--