"This book is a must for spy film buffs and the serious students of this genre." --MOVIE COLLECTOR'S WORLD

The authors take a look at some 350 motion pictures from the detective genre. They provide cast and credits (including character names), plot synopsis, and critical comments for each of the films covered, from both the silent and the sound eras. The volume includes a list of detective radio and television programs, as well as many captioned photographs from the films included in the text. Annotation copyrighted by Book News, Inc., Portland, OR

Spies, secret messages, and military intelligence have fascinated readers for centuries but never more than today, when terrorists threaten America and society depends so heavily on communications. Much of what was known about communications intelligence came first from David Kahn's pathbreaking book, The Codebreakers. Kahn, considered the dean of

The focus of this book is on the combat feature film and, in particular, English-language theatrical releases and telefeatures dealing with twentieth-century wars, especially World War I, World War II, the Korean War and the Indo-China/Vietnam War.

Spyscreen is a genre study of English-language spy fiction film and television between the 1930s and 1960s. Taking as his focus many well-known films and television series, Toby Miller uses a wide range of critical approaches - from textual interpretation, audience studies, and culturalhistory, through auteurism, imperial history, class, and governmentality, to genre, cultural imperialism, and gender.Beginning with an overview of the social and political background to the history, production, and analysis of spy fiction, topics discussed include the first canonical espionage movie, The 39 Steps, key film noir texts such as Gilda and The Third Man, the figure of popular spies, including JamesBond, and the importance of women to the genre. The result is not just an insightful new study of key texts in this popular genre; it is an important intervention in the methodology and practice of Screen Studies.

Stories from the Civil War through WWII In The Greatest Spy Stories Ever Told, our editor has pulled together some of the finest writings about spies that capture readers imaginations. The one thing the heroes in this collection have in common is the ability to seamlessly shift identities. Each of the men and women in these stories had the courage to meet and study their enemies, gather critical intelligence, and then relay those secrets at risk of being exposed—to do what they had to because that was their duty and the lives of others meant more to them than their own. Chosen from hundreds of accounts of singular devotion to duty, the stories in Greatest Spy Stories stand out for their jaw-dropping tales of bravery. They are the best. No small feat.

This belated sequel is even more important than the same author's first volume ( LJ 9/15/77), which predated Star Wars/ET/Close Encounters and the films they inspired. This book also fills in that volume's omissions. Information on some 400 films (and updated TV and radio listings) yields credits, detailed cast lists, synopses, quotes from contemporary reviews and genre encyclopedias, brief critical evaluations, and entertaining film buff-y tidbits. There are a few nitpicky errors, and the quality of the entries unavoidably varies somewhat, but generally the level of scholarship is high, as it usually is for all the products emanating from the veteran Parish/Pitts reference book ``factory,'' in part because they are, and utilize other, crackerjack researchers. Highly recommended.-- Da vid Bartholomew, NYPL -Library Journal.