Harry Sinclair Drago writes with authority and a sense of drama about the bloodiest range conflicts in Texas, Arizona, New Mexico, Wyoming, and Montana late in the nineteenth century. He details the background and events surrounding the Lincoln County War of New Mexico (1878-81), a violent struggle for economic supremacy between cattle barons and merchants; the ironically named Pleasant Valley War of Arizona (1886-92), a conflict between cattlemen and sheepmen complicated by personal vendettas and old family rivalries; and the Johnson County War of Wyoming (1892), a folly that turned bloody when big cattlemen rode against suspected and known thieves with orders to shoot. These pages are filled with some showy characters: cowmen Charles Goodnight and Oliver Loving; the Grahams and Tewksburys, western counterparts of the Hatfields and McCoys; William Bonney, alias Billy the Kid, who cut a swath in the Lincoln County War; and Ella Watson, said to have been the notorious Cattle Kate Maxwell, after she was lynched for cattle rustling.

Wyoming attorney John W. Davis retells the story of the West’s most notorious range war. Having delved more deeply than previous writers into land and census records, newspapers, and trial transcripts, Davis has produced an all-new interpretation. He looks at the conflict from the perspective of Johnson County residents—those whose home territory was invaded and many of whom the invaders targeted for murder—and finds that, contrary to the received explanation, these people were not thieves and rustlers but legitimate citizens. The broad outlines of the conflict are familiar: some of Wyoming’s biggest cattlemen, under the guise of eliminating livestock rustling on the open range, hire two-dozen Texas cowboys and, with range detectives and prominent members of the Wyoming Stock Growers Association, “invade” north-central Wyoming to clean out rustlers and other undesirables. While the invaders kill two suspected rustlers, citizens mobilize and eventually turn the tables, surrounding the intruders at a ranch where they intend to capture them by force. An appeal for help convinces President Benjamin Harrison to call out the army from nearby Fort McKinley, and after an all-night ride the soldiers arrive just in time to stave off the invaders’ annihilation. Though taken prisoner, they later avoid prosecution. The cattle barons’ powers of persuasion in justifying their deeds have colored accounts of the war for more than a century. Wyoming Range War tells a compelling story that redraws the lines between heroes and villains.

Details the Lincoln County War, Pleasant Valley Feud, Johnson County War, Conflict on the Clear Fork of Texas and Fence-Cutting War in the Texas Panhandle, etc.

In this lively account of Arizona's Rim Country War of the 1880s--what others have called "The Pleasant Valley War"--Historian Daniel Justin Herman explores a web of conflict involving Mormons, Texas cowboys, New Mexican sheepherders, Jewish merchants, and mixed-blood ranchers. At the heart of Arizona's range war, argues Herman, was a conflict between cowboys' code of honor and Mormons' code of conscience.

Is peace an aberration? The New York Times bestselling author of Paris 1919 offers a provocative view of war as an essential component of humanity. NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW “Margaret MacMillan has produced another seminal work. . . . She is right that we must, more than ever, think about war. And she has shown us how in this brilliant, elegantly written book.”—H.R. McMaster, author of Dereliction of Duty and Battlegrounds: The Fight to Defend the Free World The instinct to fight may be innate in human nature, but war—organized violence—comes with organized society. War has shaped humanity’s history, its social and political institutions, its values and ideas. Our very language, our public spaces, our private memories, and some of our greatest cultural treasures reflect the glory and the misery of war. War is an uncomfortable and challenging subject not least because it brings out both the vilest and the noblest aspects of humanity. Margaret MacMillan looks at the ways in which war has influenced human society and how, in turn, changes in political organization, technology, or ideologies have affected how and why we fight. War: How Conflict Shaped Us explores such much-debated and controversial questions as: When did war first start? Does human nature doom us to fight one another? Why has war been described as the most organized of all human activities? Why are warriors almost always men? Is war ever within our control? Drawing on lessons from wars throughout the past, from classical history to the present day, MacMillan reveals the many faces of war—the way it has determined our past, our future, our views of the world, and our very conception of ourselves.

“The best all-around study of the American cowboy ever written. Every page crackles with keen analysis and vivid prose about the Old West. A must-read!” —Douglas Brinkley, The New York Times–bestselling author of The Wilderness Warrior: Theodore Roosevelt and the Crusade for America The open-range cattle era lasted barely a quarter century, but it left America irrevocably changed. Cattle Kingdom reveals how the West rose and fell, and how its legacy defines us today. The tale takes us from dust-choked cattle drives to the unlikely splendors of boomtowns like Abilene, Kansas, and Cheyenne, Wyoming. We meet a diverse cast, from cowboy Teddy Blue to failed rancher and future president Teddy Roosevelt. This is a revolutionary new appraisal of the Old West and the America it made. “Cattle Kingdom is the smartly told account of rampant capitalism making its home—however destructive and decidedly unromantic—on the range. . . . [A] fresh and winning perspective.” —The Dallas Morning News “Knowlton writes well about all the fun stuff: trail drives, rambunctious cow towns, gunfights and range wars . . . [He] enlists all of these tropes in support of an intriguing thesis: that the romance of the Old West arose upon the swelling surface of a giant economic bubble . . . Cattle Kingdom is The Great Plains by way of The Big Short.” —Wall Street Journal “Knowlton deftly balances close-ups and bird’s-eye views. We learn countless details . . . More important, we learn why the story played out as it did.” —The New York Times Book Review “The best one-volume history of the legendary era of the cowboy and cattle empires in thirty years.” —True West “Vastly informative.” —Library Journal “Absorbing.” —Publishers Weekly

A “wide-ranging and sophisticated anthology” comparing theaters of war to wars in the movie theater (Dennis Showalter, author of Patton and Rommel). Why We Fought makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. A comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath, this volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front, Sands of Iwo Jima, Apocalypse Now, Platoon, and Saving Private Ryan—revealing how film depictions of the country’s wars have shaped our values, politics, and culture, and offering a unique lens through which to view American history. Named as a Choice Outstanding Academic Title

When cowboys were workers and battled their bosses In the pantheon of American icons, the cowboy embodies the traits of “rugged individualism,” independent, solitary, and stoical. In reality, cowboys were grossly exploited and underpaid seasonal workers, who responded to the abuses of their employers in a series of militant strikes. Their resistance arose from the rise and demise of a “beef bonanza” that attracted international capital. Business interests approached the market with the expectation that it would have the same freedom to brutally impose its will as it had exercised on native peoples and the recently emancipated African Americans. These assumptions contributed to a series of bitter and violent “range wars,” which broke out from Texas to Montana and framed the appearance of labor conflicts in the region. These social tensions stirred a series of political insurgencies that became virtually endemic to the American West of the Gilded Age. Mark A. Lause explores the relationship between these neglected labor conflicts, the “range wars,” and the third-party movements. The Great Cowboy Strike subverts American mythology to reveal the class abuses and inequalities that have blinded a nation to its true history and nature

An account of Arizona's most famous fued the Pleasant Valley War or Graham-Tewksbury Feud.