We often think of scientists as dispassionate and detached, nobly laboring without any expectation of reward. But scientific research is much more complicated and messy than this ideal, and scientists can be torn by jealousy, impelled by a need for recognition, and subject to human vulnerability and fallibility. In Prize Fight , Emeritus Chair at SUNY School of Medicine Morton Meyers pulls back the curtain to reveal the dark side of scientific discovery. From allegations of stolen authorship to fabricated results and elaborate hoaxes, he shows us how too often brilliant minds are reduced to petty jealousies and promising careers cut short by disputes over authorship or fudged data. Prize Fight is a dramatic look at some of the most notable discoveries in science in recent years, from the discovery of insulin, which led to decades of infighting and even violence, to why the 2003 Nobel Prize in Medicine exposed how often scientific objectivity is imperiled.

What would Jesus do? When several members of an ordinary American church are challenged to not take a single action without fist asking that crucial question, they discover the power of God to transform their own lives—and their world. Charles M. Sheldon’s provocative novel, originally published in 1896 and enthusiastically rediscovered by today’s believers, testifies dramatically to the value of Christian witness in all of life. Charles M. Sheldon (1857–1946) is best remembered for his 1896 masterwork In His Steps, the multi-million copy best-selling Christian novel that continues to challenge readers today. But he was more than a best-selling author. At the turn of the twentieth century, Sheldon was perhaps the best-known clergyman in America, a preacher whose avid support of social reforms grew out of his understanding of the Christian’s responsibility to his fellowman.

On June 28, 1868, a group of men gathered alongside a road 35 miles north of Albuquerque to witness a 165-round, 6-hour bare-knuckle brawl between well-known Colorado pugilist Barney Duffy and "Jack," an unidentified fighter who died of his injuries. Thought to be the first "official" prizefight in New Mexico, this tragic spectacle marked the beginning of the rich and varied history of boxing in the state. Oftentimes an underdog in its battles with the law and public opinion, boxing in New Mexico has paralleled the state's struggles and glories, through the Wild West, statehood, the Depression, war, and economic growth. It is a story set in boomtowns, ghost towns and mining camps, along railroads and in casinos, and populated by cowboys, soldiers, laborers, barrio-bred locals and more. This work chronicles more than 70 years of New Mexico's colorful boxing past, representing the most in-depth exploration of prizefighting in one region yet undertaken.

In 1897 a filmed prize-fight became one of cinema's first major attractions, and such films continued to enjoy great popularity for many years to come. This work chronicles the story of how legitimate bouts, fake fights, comic sparring matches, and other forms of boxing came to dominate the screens of the silent-era.