On August 20, 1940, Marxist philosopher, politician, and revolutionary Leon Trotsky was attacked with an ice axe in his home in Coyoacán, Mexico. He died the next day. In The Great Prince Died, Bernard Wolfe offers his lyrical, fictionalized account of Trotsky’s assassination as witnessed through the eyes of an array of characters: the young American student helping to translate the exiled Trotsky’s work (and to guard him), the Mexican police chief, a Rumanian revolutionary, the assassin and his handlers, a poor Mexican “peón,” and Trotsky himself. Drawing on his own experiences working as the exiled Trotsky’s secretary and bodyguard and mixing in digressions on Mexican culture, Stalinist tactics, and Bolshevik history, Wolfe interweaves fantasy and fact, delusion and journalistic reporting to create one of the great political novels of the past century.

“Illuminating. . . . No one who reads [this novel] . . . can fail to be gripped by a tale well told. Its message is one the free world will ignore at its peril.” —Selden Rodman, New York Times On August 20, 1940, Marxist philosopher, politician, and revolutionary Leon Trotsky was attacked with an ice axe in his home in Coyoacán, Mexico. He died the next day. In The Great Prince Died, Bernard Wolfe offers his lyrical, fictionalized account of Trotsky’s assassination as witnessed through the eyes of an array of characters: the young American student helping to translate the exiled Trotsky’s work (and to guard him), the Mexican police chief, a Rumanian revolutionary, the assassin and his handlers, a poor Mexican “peón,” and Trotsky himself. Drawing on his own experiences working as the exiled Trotsky’s secretary and bodyguard and mixing in digressions on Mexican culture, Stalinist tactics, and Bolshevik history, Wolfe interweaves fantasy and fact, delusion and journalistic reporting to create one of the great political novels of the past century. “Wolfe is a remarkable and essential lost American voice, and Great Prince is one of his finest books.” —Jonathan Lethem, national bestselling author of Fortress of Solitude “A novel which burns its way into your mind and your memory. If you read it, you will not forget it.” —Newsday “A hell of a read.” —Larry Grobel, Los Angeles Free Press “Wolfe has written such convincing fiction that it may be difficult to remember that history may have happened in some other way.” —Maurice Dolbier, New York Herald Tribune “Powerfully told.” —Robert Kirsch, Los Angeles Times, The Book Report

#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.

The powerful original novel that inspired the classic animated film—a story of nature, loss, survival, and becoming an adult. This moving and eventful story, translated from the original German by David Wyllie, opens with the birth of a fawn in a thicket. Little Bambi rises to his feet immediately, as an overly talkative magpie marvels over this beautiful newborn. We then follow his journey through the innocent joys of youth into experiences of love, loss, and the complexity and danger of the wider world—where humans pose a mortal threat to his kind—and on to his years as an older and wiser prince of the forest. Bambi is a tale of beauty and allegorical depth that brings the realities of nature to vivid, emotional life.

The piercing, iconic semi-autobiographical novel of a domineering father and ambitious son, from the #1 New York Times bestselling author of The Prince of Tides Step into the powerhouse life of Bull Meecham. He’s all Marine—fighter pilot, king of the clouds, and absolute ruler of his family. Lillian is his wife—beautiful, southern-bred, with a core of velvet steel. Without her cool head, her kids would be in real trouble. Ben is the oldest, a born athlete whose best never satisfies the big man. Ben’s got to stand up, even fight back, against a father who doesn’t give in—not to his men, not to his wife, and certainly not to his son. Bull Meecham is undoubtedly Pat Conroy’s most explosive character—a man you should hate, but a man you will love. Praise for The Great Santini “Stinging authenticity . . . a book that won’t quit.”—The Atlanta Journal “[Pat] Conroy has captured a different slice of America in this funny, dramatic novel.”—Richmond News-Leader “Conroy takes aim at our darkest emotions, lets the arrow fly and hits the bull’s-eye almost every time.”—Milwaukee Journal Sentinel “Robust and vivid . . . full of feeling.”—Newsday “God preserve Pat Conroy.”—The Boston Globe

A warm and surprisingly real-life biography, featuring never-before-seen photos, of one of rock’s greatest talents: Prince. Neal Karlen was the only journalist Prince granted in-depth press interviews to for over a dozen years, from before Purple Rain to when the artist changed his name to an unpronounceable glyph. Karlen interviewed Prince for three Rolling Stone cover stories, wrote “3 Chains o’ Gold,” Prince’s “rock video opera,” as well as the star’s last testament, which may be buried with Prince’s will underneath Prince’s vast and private compound, Paisley Park. According to Prince's former fiancée Susannah Melvoin, Karlen was “the only reporter who made Prince sound like what he really sounded like.” Karlen quit writing about Prince a quarter-century before the mega-star died, but he never quit Prince, and the two remained friends for the last thirty-one years of the superstar’s life. Well before they met as writer and subject, Prince and Karlen knew each other as two of the gang of kids who biked around Minneapolis’s mostly-segregated Northside. (They played basketball at the Dairy Queen next door to Karlen’s grandparents, two blocks from the budding musician.) He asserts that Prince can’t be understood without first understanding ‘70s Minneapolis, and that even Prince’s best friends knew only 15 percent of him: that was all he was willing and able to give, no matter how much he cared for them. Going back to Prince Rogers Nelson's roots, especially his contradictory, often tortured, and sometimes violent relationship with his father, This Thing Called Life profoundly changes what we know about Prince, and explains him as no biography has: a superstar who calls in the middle of the night to talk, who loved The Wire and could quote from every episode of The Office, who frequented libraries and jammed spontaneously for local crowds (and fed everyone pancakes afterward), who was lonely but craved being alone. Readers will drive around Minneapolis with Prince in a convertible, talk about movies and music and life, and watch as he tries not to curse, instead dishing a healthy dose of “mamma jammas.”

Perfect for fans of Maria Semple and Jennifer Weiner, this “laugh-out-loud gem” (Beck Dorey-Stein, New York Times bestselling) of a debut novel follows Ramona through the forty-eight hours after her life has been upended by the discovery of her husband’s affair and an approaching hurricane. Ramona has a bratty boss, a potty-training toddler, a critical and over-sharing mom, and oops—a cheating husband. That’s how a Category Four hurricane bearing down on her life in Savannah becomes just another item on her to-do list. In the next forty-eight hours she’ll add a neighborhood child and the class guinea pig named Clarence Thomas to her entourage as she struggles to evacuate town. Ignoring the persistent glow of her minivan’s check engine light, Ramona navigates police check points, bathroom emergencies, demands from her boss, and torrential downpours while fielding calls and apology texts from her cheating husband and longing for the days when her life was like a Prince song, full of sexy creativity and joy. Thoroughly entertaining and completely relatable, None of This Would Have Happened if Prince Were Alive is the “keenly observant, fast-paced” (Amy Poeppel, author of Musical Chairs) story of modern womanhood.

From the olive trees of southern France to Gnostic cults in Egypt, a man and his lovers are invented and reinvented in this first volume of a great literary adventure. For British doctor Bruce Drexel, a return to Provence is bittersweet. Here, at a rustic chateau, he once fell in love with Sylvie, the Frenchwoman who would become his wife, and befriended her brother, Piers. The three made up a peculiar, potent ménage for years until Sylvie’s descent into madness and Piers’s suicide. As Drexel attends to Piers’s affairs, he becomes steeped in the memories of a spiritually transformational trip to Egypt; the band of intellectual confederates who used to be his intimate friends; and a three-sided love that became his reason for being. So begins Monsieur, the masterful first entry of Durrell’s Avignon Quintet, an infinite regress of memory and imagination that challenges the formal conventions of fiction.

As a child he was given his own suit of armor; at the age of sixteen, he helped defeat the French at Crécy. At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause. He was Edward of Woodstock, eldest son of Edward III, and better known to posterity as “the Black Prince.” His military achievements captured the imagination of Europe: heralds and chroniclers called him “the flower of all chivalry” and “the embodiment of all valor.” But what was the true nature of the man behind the chivalric myth, and of the violent but pious world in which he lived?

An English nobleman and his resourceful niece work together to uncover an international plot that hinges on the actions of a reserved but unpredictable prince. This multilayered story is full of political intrigue, informed by the leaders of its day. Nigel Kingley has grown concerned about the state of England’s public affairs. The country’s government is focused on singular interests that have left them vulnerable to attack. He and his partners discover a budding alliance among three major powers. There is Russia represented by Nadia Karetsky, Germany led by Oscar Immelan, and Prince Shan, ruler of China. The prince’s participation could lead to the failure or success of a critical agreement. The Great Prince Shan is a high stakes tale with millions of lives hanging in the balance. It emphasizes how the decisions of a few can affect millions of lives. E. Phillips Oppenheim masterfully explores a world built on fear and the threat of war. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Great Prince Shan is both modern and readable.