A memoir by award-winning actor Mena Suvari, best-known forher iconic roles in American Beauty, American Pie, and Six Feet Under. The Great Peace is a harrowing, heartbreaking coming-of-age story set in Hollywood, in which young teenage model-turned-actor Mena Suvari lost herself to sex, drugs and bad, often abusive relationships even as blockbuster movies made her famous. It's about growing up in the 90s, with a soundtrack ranging from The Doors to Deee-Lite, fashion from denim to day-glo, and a woman dealing with the lasting psychological scars of abuse, yet knowing deep inside she desires so much more from life. Within these vulnerable pages, Mena not only reveals her own mistakes, but also the lessons she learned and her efforts to understand and grow rather than casting blame. As such, she makes this a timeless story of girl empowerment and redemption, of somebody using their voice to rediscover their past, seek redemption, and to understand their mistakes, and ultimately come to terms with their power as an individual to find a way and a will to live—and thrive. Poignant, intimate, and powerful, this book will resonate with anyone who has found themselves lost in the darkness, thinking there's no way out. Ultimately, Mena's story proves that, no matter how hopeless it may seem, there's always a light at the end.

Performing the Great Peace offers a cultural approach to understanding the politics of the Tokugawa period, at the same time deconstructing some of the assumptions of modern national historiographies. Deploying the political terms uchi (inside), omote (ritual interface), and naisho (informal negotiation)—all commonly used in the Tokugawa period—Luke Roberts explores how daimyo and the Tokugawa government understood political relations and managed politics in terms of spatial autonomy, ritual submission, and informal negotiation. Roberts suggests as well that a layered hierarchy of omote and uchi relations strongly influenced politics down to the village and household level, a method that clarifies many seeming anomalies in the Tokugawa order. He analyzes in one chapter how the identities of daimyo and domains differed according to whether they were facing the Tokugawa or speaking to members of the domain and daimyo household: For example, a large domain might be identified as a“country” by insiders and as a “private territory” in external discourse. In another chapter he investigates the common occurrence of daimyo who remained formally alive to the government months or even years after they had died in order that inheritance issues could be managed peacefully within their households. The operation of the court system in boundary disputes is analyzed as are the “illegal” enshrinements of daimyo inside domains that were sometimes used to construct forms of domain-state Shinto. Performing the Great Peace’s convincing analyses and insightful conceptual framework will benefit historians of not only the Tokugawa and Meiji periods, but Japan in general and others seeking innovative approaches to premodern history.

An illustrated version of a song celebrating the brotherhood of humanity and the possibility of world peace.

The last decades of the seventeenth century were marked by persistent, bloody conflicts between the French and their Native allies on the one side and the Iroquois confederacy on the other. In the summer of 1701, 1,300 representatives of forty First Nations from the Maritimes to the Great Lakes and from James Bay to southern Illinois met with the French at Montreal. Elaborate, month-long ceremonies culminated in the signing of The Great Peace of Montreal, which effectively put an end to the Iroquois wars. In The Great Peace of Montreal of 1701 Gilles Havard brings to life the European and Native players who brought about this major feat of international diplomacy. He highlights the differing interests and strategies of the numerous First Nations involved while giving a dramatic account of the colourful conference. The treaty, Havard argues, was the culmination of the French colonial strategy of Native alliances and adaptation to Native political customs. It illustrates the extent of cultural interchange between the French and their Native allies and the crucial role the latter played in French conflicts with the Iroquois and the British. As we approach the 300th anniversary of the treaty's signing in August 1701, Gilles Havard emphasizes its contemporary significance: in signing a treaty with forty separate parties the French recognized the independent sovereignty of every First Nation. This translation is significantly revised and updated from the original French publication of 1992.

This first Western-language translation of one of the great books of the Daoist religious tradition, the Taiping jing, or “Scripture on Great Peace,” documents early Chinese medieval thought and lays the groundwork for a more complete understanding of Daoism’s origins. Barbara Hendrischke, a leading expert on the Taiping jing in the West, has spent twenty-five years on this magisterial translation, which includes notes that contextualize the scripture’s political and religious significance. Virtually unknown to scholars until the 1970s, the Taiping jing raises the hope for salvation in a practical manner by instructing men and women how to appease heaven and satisfy earth and thereby reverse the fate that thousands of years of human wrongdoing has brought about. The scripture stems from the beginnings of the Daoist religious movement, when ideas contained in the ancient Laozi were spread with missionary fervor among the population at large. The Taiping jing demonstrates how early Chinese medieval thought arose from the breakdown of the old imperial order and replaced it with a vision of a new, more diverse and fair society that would integrate outsiders—in particular women and people of a non-Chinese background.

Several centuries ago, the five nations that would become the Haudenosaunee—Mohawk, Oneida, Onondaga, Cayuga, and Seneca—were locked in generations-long cycles of bloodshed. When they established Kayanerenkó:wa, the Great Law of Peace, they not only resolved intractable conflicts, but also shaped a system of law and government that would maintain peace for generations to come. This law remains in place today in Haudenosaunee communities: an Indigenous legal system, distinctive, complex, and principled. It is not only a survivor, but a viable alternative to Euro-American systems of law. With its emphasis on lasting relationships, respect for the natural world, building consensus, and on making and maintaining peace, it stands in contrast to legal systems based on property, resource exploitation, and majority rule. Although Kayanerenkó:wa has been studied by anthropologists, linguists, and historians, it has not been the subject of legal scholarship. There are few texts to which judges, lawyers, researchers, or academics may refer for any understanding of specific Indigenous legal systems. Following the United Nations Declaration on the Rights of Indigenous Peoples, and a growing emphasis on reconciliation, Indigenous legal systems are increasingly relevant to the evolution of law and society. In Kayanerenkó:wa: The Great Law of Peace Kayanesenh Paul Williams, counsel to Indigenous nations for forty years, with a law practice based in the Grand River Territory of the Six Nations, brings the sum of his experience and expertise to this analysis of Kayanerenkó:wa as a living, principled legal system. In doing so, he puts a powerful tool in the hands of Indigenous and settler communities.

A small American city is under siege. A group of starving artists- led by a reclusive, sweatpants-wearing billionaire- are determined to overthrow the government by any means necessary. With little hope for peace, a neurotic young gadabout- fresh off a failed suicide attempt- takes it upon himself to save his hometown from ruin. Along the way he encounters revolutionaries, nitwits, weirdos, perverts, dreamers, and something called Danceramics. Humorous, absurd, and often profound, The Great Peace takes on art, politics, philosophy, and class with unflinching verve and wit.

This popular book, recounting the author's visit to the Ashram of Sri Ramana Maharshi in 1949,was first published in 1953.It has been out of print for many years and is now republished in a limited edition by the Asram. Through a narrative that is both simple and profound the author takes us on his journey to the quiet hermitage of the renowned sage of Arunachala in South India.Basking in the radiance of the 'Great Rishi', his mind turns inward, following the path of Self-enquiry of 'Who Am I'? He describes with perceptive insight and emotion, how in the gracious presence of the Master, thoughts are stilled and one rests calmly in the thought free, egoless state, which he calls 'samadhi'. Before his final farewell of the holy Sage, he establishes the link of love that binds him to the Guru in an embrace that leads inevitably to final emancipation. Monui Sadhu has left us a small treasure in this book. Readers will remember and cherish it through out their lives. For seekers, this book may be more than a curiosity: it may be a light kindling a responsive light in the heart and pointing the way where all darkness seemed before.

Born of Mohawk and Cayuga descent, musical icon Robbie Robertson learned the story of Hiawatha and his spiritual guide, the Peacemaker, as part of the Iroquois oral tradition. Now he shares the same gift of storytelling with a new generation. Hiawatha was a strong and articulate Mohawk who was chosen to translate the Peacemaker’s message of unity for the five warring Iroquois nations during the 14th century. This message not only succeeded in uniting the tribes but also forever changed how the Iroquois governed themselves—a blueprint for democracy that would later inspire the authors of the U.S. Constitution. Caldecott Honor–winning illustrator David Shannon brings the journey of Hiawatha and the Peacemaker to life with arresting oil paintings. Together, the team of Robertson and Shannon has crafted a new children’s classic that will both educate and inspire readers of all ages. Includes a CD featuring an original song written and performed by Robbie Robertson.

This book describes and analyzes protracted conflicts in the Great Lakes Region of Africa. In doing so, it emphasizes obstacles to peace rather than root causes of conflict. Case studies are presented from Burundi, the Democratic Republic of the Congo, Northern Kenya, Northern Uganda, Southern Sudan, and Zanzibar. Amongst other conclusions, the book shows that, to settle or transform protracted conflicts, distinction must be made between strategic and nonstrategic actors: the former must be able to prevail upon the latter in the negotiation and implementation of peace agreements. The theme and collection of the research presented in this book is unique in the literature. The case studies all employ methods of othick description, o process tracing (following particular actors and their interests), and in-depth personal interviews. The book will be of interest to academics, researchers, undergraduate and post-graduate students, and professionals in conflict theory, analysis and resolution, African and development studies, political science and international affairs, as well as to mediators, negotiators, and facilitators in conflict resolution