From acclaimed bestselling author James Runcie, a meditation on grief and music, told through the story of Bach's writing of the St. Matthew Passion. In 1727, Stefan Silbermann is a grief-stricken thirteen-year-old, struggling with the death of his mother and his removal to a school in distant Leipzig. Despite his father's insistence that he try not to think of his mother too much, Stefan is haunted by her absence, and, to make matters worse, he's bullied by his new classmates. But when the school's cantor, Johann Sebastian Bach, takes notice of his new pupil's beautiful singing voice and draws him from the choir to be a soloist, Stefan's life is permanently changed. Over the course of the next several months, and under Bach's careful tutelage, Stefan's musical skill progresses, and he is allowed to work as a copyist for Bach's many musical works. But mainly, drawn into Bach's family life and away from the cruelty in the dorms and the lonely hours of his mourning, Stefan begins to feel at home. When another tragedy strikes, this time in the Bach family, Stefan bears witness to the depths of grief, the horrors of death, the solace of religion, and the beauty that can spring from even the most profound losses. Joyous, revelatory, and deeply moving, The Great Passion is an imaginative tour de force that tells the story of what it was like to sing, play, and hear Bach's music for the very first time.

Widely regarded as the twentieth century s greatest theologian, Karth Barth refocused the task of Christian theology and demonstrated its relevance to every domain of human life, from the spiritual to the social to the political. It is precisely the broad sweep of Barth s theology that makes a book like The Great Passion of such great value a succinct yet comprehensive introduction to Barth s entire theological program. Of the many people who write on the life and thought of Karl Barth, Eberhard Busch is uniquely placed. A world-renowned expert on Barth s theology, he also served as Barth s personal assistant from 1965 to 1968. As Busch explains, one cannot fully understand Barth the theologian apart from understanding Barth the man. In this book he weaves doctrine and biography into a superb presentation of Barth s complete work. Busch s purpose in this introduction is to guide readers through the main themes of the multivolume Church Dogmatics against the horizon of our own times and problems. In ten sections Busch clearly explains Barth s views on all of the major subject areas of systematic theology: the nature of revelation, Israel and Christology, the Trinity and the doctrine of predestination, the problem of religion, gospel and law, creation, salvation, the Holy Spirit, ecclesiology, and eschatology. A distinctive feature of the book is the way Busch lets Barth speak for himself, often through surprising quotations and paraphrases. Busch also shows how Barth s writing should be read as a dialogue, constantly and consciously engaging other voices past and present, both inside and outside the church. Most important, The Great Passion demonstrates that Barth s thought is still remarkably helpful today.

In an industry that celebrates extravagance and showmanship, Danish film director Carl Th. Dreyer was a rarity, a man who guarded his privacy fiercely and believed that film provided a way to understand human nature by focusing on the individual person. Best known for his 1928 film The Passion of Joan of Arc, dominated by its emotionally harrowing close-ups of Joan during her trial, it was Dreyer who pioneered some of the seminal techniques of modern film, techniques that would later be made famous by better known contemporaries such as Sergei Eisenstein and D.W. Griffith. Now, in My Only Great Passion, the first full-length English language biography of Dreyer, Jean and Dale D. Drum restore his reputation to its rightful place. Based on extensive and exclusive interviews with both Dreyer and the people who worked with him—including personal correspondence dating back to 1952—this biography provides the most comprehensive critical examination to date of both Dreyer's life and his approach to filmmaking. A valuable resource for film critics and historians, those in the film industry, and university cinema departments, as well as anyone with an interest in Danish art and culture, My Only Great Passion provides long neglected insights into the man who first raised European film above the level of entertainment and placed it in the realm of art.

A respectable marriage reveals private passions and dangerous secrets in this “sensual and intriguing” Victorian romance (Publishers Weekly). Lucy Ashton had long ago given up her quest for true love. Instead, she plays the expected role of a society lady: flirting, dancing, and dabbling in the new fashion of spiritualism. She even marries when—and who—she’s supposed to. If the stuffy Duke of Sussex cannot spark the passion she craves, he can at least give her a family and a home of her own. But when her polite marriage reveals a caring and sensual man, Lucy begins to wonder if she can indeed have it all. As a member of a secretive organization, Lord Sussex is not the man London society has come to admire. Meanwhile, Lucy harbors a few troublesome ghosts of her own. Thus, when a blackmail scheme turns to threats of danger, the newfound peace of the Sussex marriage is cast upon the rocks. Passion has a price, Lucy learns. And not all ghosts stay buried.

The Great Passion Play in historic Eureka Springs, Arkansas, was first performed on July 15, 1968. Since that day, over seven million visitors from all over the world have witnessed the largest outdoor drama in the United States. The play ambitiously dramatizes the last week of Jesus's life and his ascension. The staging incorporates over 200 cast members, live animals, period dress, and numerous special effects. Surrounding the Great Passion Play are the sacred projects of the Elna M. Smith Foundation, which were the vision of Gerald L. K. Smith and Elna M. Smith. These projects include the seven-story Christ of the Ozarks statue, the Sacred Arts Museum, the New Holy Land, and the Bible Museum. On average, over 100,000 people are drawn to these attractions every year.

St. Matthew Passion is Hans Blumenberg's sustained and devastating meditation on Jesus's anguished cry on the cross, "My God, my God, why have you forsaken me?" Why did this abandonment happen, what does it mean within the logic of the Gospels, how have believers and nonbelievers understood it, and how does it live on in art? With rare philological acuity and vast historical learning, Blumenberg unfolds context upon context in which this cry has reverberated, from early Christian apologetics and heretics to twentieth-century literature and philosophy. Blumenberg's guide through this unending story of divine abandonment is Johann Sebastian Bach's monumental Matthäuspassion, the parabolic mirror that bundled eighteen hundred years of reflection on the fate of the crucified and the only available medium that allows us post-Christian listeners to feel the anguish of those who witnessed the events of the Passion. With interspersed references to writers such as Goethe, Rilke, Kafka, Freud, and Benjamin, Blumenberg gathers evidence to raise the singular question that, in his view, Christian theology has not been able to answer: How can an omnipotent God be so offended by his creatures that he must sacrifice and abandon his own Son?

With its dynamic paraphrase of Romans and the inspiring thoughts and prayers that accompany each passage, A Passion for God translates the truths of this magnificent epistle into personal worship.

In this instant New York Times bestseller, Angela Duckworth shows anyone striving to succeed that the secret to outstanding achievement is not talent, but a special blend of passion and persistence she calls “grit.” “Inspiration for non-geniuses everywhere” (People). The daughter of a scientist who frequently noted her lack of “genius,” Angela Duckworth is now a celebrated researcher and professor. It was her early eye-opening stints in teaching, business consulting, and neuroscience that led to her hypothesis about what really drives success: not genius, but a unique combination of passion and long-term perseverance. In Grit, she takes us into the field to visit cadets struggling through their first days at West Point, teachers working in some of the toughest schools, and young finalists in the National Spelling Bee. She also mines fascinating insights from history and shows what can be gleaned from modern experiments in peak performance. Finally, she shares what she’s learned from interviewing dozens of high achievers—from JP Morgan CEO Jamie Dimon to New Yorker cartoon editor Bob Mankoff to Seattle Seahawks Coach Pete Carroll. “Duckworth’s ideas about the cultivation of tenacity have clearly changed some lives for the better” (The New York Times Book Review). Among Grit’s most valuable insights: any effort you make ultimately counts twice toward your goal; grit can be learned, regardless of IQ or circumstances; when it comes to child-rearing, neither a warm embrace nor high standards will work by themselves; how to trigger lifelong interest; the magic of the Hard Thing Rule; and so much more. Winningly personal, insightful, and even life-changing, Grit is a book about what goes through your head when you fall down, and how that—not talent or luck—makes all the difference. This is “a fascinating tour of the psychological research on success” (The Wall Street Journal).

These imaginary reenactments follow the story of the death and resurrection of Jesus from the time the chief priests plotted to kill Him to His glorious resurrection from the dead, allowing readers to re-experience the Passion--or perhaps see it fully for the first time.