After the failure of their first scouting expedition to England in 1900, the Martians regrouped, developed means to deal with the deadly Earthly microorganisms, and landed again in 1908. Not just in one location, but all over the world. Their transport cylinders fell on every continent and in great number. Only England and Europe were spared this time.The first three books in the Great Martian War series dealt with the invasion in America. The Gathering Storm expands the narrative to Australia, Africa, and the Near East. The year is 1912 and the Martians have planned a vast coordinated offensive to link up their scattered conquests and assemble a force so powerful that nothing can resist it.

Following the defeat of the Martian invasion of Britain, a new threat to humanity lands in the American west. President Roosevelt musters the captains of industry and leading scientists to find a way to turn back the Martian tide

The three books of the first trilogy for the Great Martian War - a continuation of HG Wells, War of the Worlds Taking place ten years after the original martian invasion as featured in HG Wells, War of the Worlds, this trilogy contains the books: Invasion, Breakthrough and Counterattack. The United States reels unders the invasion of the second wave of martian attackers. President Theodore Roosevelt enlists the brightest minds of science to help combat the alien invasion.

H.G. Wells, his fiancee Jane, and T.H. Huxley agree to participate in the secret super-science work of Britain's Imperial Institute. Accidentally propelled into space, the trio hear of the Martians' earlier enslavement of the hive-mind Selenites from their leader, the Grand Lunar. Proceeding to Mars, they trigger a revolt among the Selenites and learn of the Martian's invasion plans for Earth.

Originally published: London: Gollancz, 2017.

"No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's..." So begins H. G. Wells' classic novel in which Martian lifeforms take over planet Earth. As the Martians emerge, they construct giant killing machines - armed with heatrays - that are impervious to attack. Advancing upon London they destroy everything in their path. Everything, except the few humans they collect in metal traps. Victorian England is a place in which the steam engine is state-of-the-art technology and powered flight is just a dream. Mankind is helpless against the killing machines from Mars, and soon the survivors are left living in a new stone age. Includes the original Warwick Goble illustrations.

The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.

In the spirit of H.G. Wells's classic tale of Martian invasion comes this anthology of some of today's leading authors' own renditions of the Martian invasion as it might have been seen through the eyes of such notables as Jack London, H.P. Lovecraft, Teddy Roosevelt and Pablo Picasso. Authors included are: Mike Resnick, Walter Jon Williams, Daniel Marcus, Robert Silverberg, Janet Berliner, Howard Waldrop, Doug Beason, Barbara Hambly, George Alec Effinger, Allen Steele, Mark W. Tiedemann, Gregory Benford and David Brin, Don Webb, Daniel Keys Moran and Jodi Moran, M. Shayne Bell, Dave Wolverton and Connie Willis.

On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call the police. Some even fled their homes. But the hair-raising broadcast was not a real news bulletin-it was Orson Welles's adaptation of the H. G. Wells classic The War of the Worlds. In Broadcast Hysteria, A. Brad Schwartz boldly retells the story of Welles's famed radio play and its impact. Did it really spawn a "wave of mass hysteria," as The New York Times reported? Schwartz is the first to examine the hundreds of letters sent to Orson Welles himself in the days after the broadcast, and his findings challenge the conventional wisdom. Few listeners believed an actual attack was under way. But even so, Schwartz shows that Welles's broadcast became a major scandal, prompting a different kind of mass panic as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. When the debate was over, American broadcasting had changed for good, but not for the better. As Schwartz tells this story, we observe how an atmosphere of natural disaster and impending war permitted broadcasters to create shared live national experiences for the first time. We follow Orson Welles's rise to fame and watch his manic energy and artistic genius at work in the play's hurried yet innovative production. And we trace the present-day popularity of "fake news" back to its source in Welles's show and its many imitators. Schwartz's original research, gifted storytelling, and thoughtful analysis make Broadcast Hysteria a groundbreaking new look at a crucial but little-understood episode in American history.

Buck Rogers joins NEO, a group of freedom fighters dedicated to ridding Earthof the controlling Martian megacorporation RAM.