Abridge version of Rāmāyaṇa of Vālmīki and Mahābhārata

Retold in simple language, underlining importance of each Purana, with a lucid summary.

The only extant treatise on statecraft from classical India, the Arthsastra is an invaluable resource for understanding ancient South Asian political thought; it also provides a comprehensive and unparalleled panoramic view of Indian society during the period between the Maurya (320-185 BCE) and Gupta (320-497 CE) empires. This volume offers modern English translations of key selections, organized thematically, from the Arthasastra. A general Introduction briefly traces the arc of ancient South Asian history, explains the classical Indian tradition of statecraft, and discusses the origins and importance of the Arthasastra. Thorough explanatory essays and notes set each excerpt in its intellectual, political, and cultural contexts.

The concluding volume of a critical English edition of the monumental Indian epic The seventh and final book of the monumental Rāmāyaṇa of Vālmīki, the Uttarakāṇḍa, brings the epic saga to a close with an account of the dramatic events of King Rāma’s millennia-long reign. It opens with a colorful history of the demonic race of the rākṣasas and the violent career of Rāma’s villainous foe Rāvaṇa, and later recounts Rāma’s grateful discharge of his allies in the great war at Lankā as well as his romantic reunion with his wife Sītā. But dark clouds gather as Rāma makes the agonizing decision to banish his beloved wife, now pregnant. As Rāma continues as king, marvelous tales and events unfurl, illustrating the benefits of righteous rule and the perils that await monarchs who fail to address the needs of their subjects. The Uttarakāṇḍa has long served as a point of social and religious controversy largely for its accounts of the banishment of Sītā, as well as of Rāma’s killing of a low-caste ascetic. This seventh volume in the critical edition and translation of the Vālmīki Rāmāyaṇa includes an extensive introduction and describes the complex reception history of the Uttarakāṇḍa, as well as exhaustive notes and a comprehensive bibliography.

A bi-lingual Sanskrit/English classic rarely available.

The Puranas are not merely history books in the accepted sense of the term but they do give a mine of information about the ancient life or the time when our values were taking roots. Since they record not only history and geography, but also the essence of our jurisprudence and subjects of practical value and its relevance, it perhaps never wanes. In order to help the gen-next know and appreciate the span of our achievement, it is essential for it to have a comprehensive version of our Puranas. The language and style of narration have been kept as near to the modern parlance so as to help the reader get the crux of the text. This Skanda Purana is an important to me of the series as it contains varied descriptions of our ancient heritage. Curiously enough, the now widely popular story: the ‘Satyanarayan Katha’ owes its origin to this very Purana. It is hoped our discerning readers would accord a warm welcome to Skanda Purana as they did to the earlier Puranas of the present series. We would welcome any suggestion from our readers to make the present series more relevant and meaningful.

Ancient India, like ancient Greece boasts of two great Epics. One of them, the Maha-bharata, relates to a great war in which all the warlike races of Northern India took a share, and may therefore be compared to the Iliad. The great war which is the subject of this Epic is believed to have been fought in the thirteenth or fourteenth century before Christ. The war thus became the centre of a cycle of legends, songs, and poems in ancient India, the vast mass of legends and poetry, accumulated during centuries, was cast in a narrative form and formed the Epic of the Great Bharata nation, and therefore called the Maha-bharata. The real facts of the war had been obliterated by age, legendary heroes had become the principal actors, and, as is invariably the case in India, the thread of a high moral purpose, of the triumph of virtue and the subjugation of vice, was woven into the fabric of the great Epic.

The two great epics of (old) India, the Mahabharata and the Ramayana, are written in a language, which differs from so-called classical Sanskrit in many details. Both texts still are of an enormous importance in India and other countries. Because of this, a grammar describing all the different characteristics of epic Sanskrit has been missed until now. The Grammar of Epic Sanskrit will now close this gap.

It all began with petty family jealousy. The Kaurava brothers tricked their Pandava cousins out of a kingdom, and even Lord Krishna could not stop the horror and bloodshed that followed. Veda Vyasa composed an epic poem, the longest in the world, to describe the events that unfolded. In this epic tale of superhuman heroes and gory action, Veda Vyasa explores human ambitions, relationships and conflicts to find the true purpose of life